Editore: UCLA Museum of Cultural History, 1980
Da: Sheapast Art and Books, Sherman Oaks, CA, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st Edition. Mother, Worker, Ruler, Witch: Cross-Cultural Images of Women BY Cecelia F. Klein; softcover, illustrated. 1980. Published by UCLA Museum of Cultural History, Haines Hall, 1980. UCLA Museum of Cultural History Pamphlet Series Vol 1. No.9 . 32 pages. "a little cover wear, very good".
Lingua: Inglese
Editore: Museum of New Mexico Press, Santa Fe, 1988
ISBN 10: 0890131899 ISBN 13: 9780890131893
Da: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Wrappers. Condizione: Fine Condition. 352 pages. Softcover, bound in stiff illustrated paper covers. Aside from some minor shelfwear to the bottom edge and extremities, the binding is tight and sharp, with an uncreased spine and a clean interior free of markings. Lavishly and nearly exhaustively illustrated, with texts in English and extensive appendices that include a glossary of terms, bibliography and index. Published in conjunction with the exhibition held from June, 1988-September, 1990 at the Museum of International Folk Art.
Editore: New York: The College Art Association of America, 1990
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manoscritto / Collezionismo cartaceo
Condizione: Good. 4to. Soft Cover. [ca. 100 pp.] B&W plates, Good, Damp-Stained. Age Toning, Sunning, Minor Creasing, Minor Abrasion.
Editore: White Lotus Press, Haines Hall, 1980
Da: SEATE BOOKS, APO, AP, U.S.A.
Paperback. Condizione: Good. Condizione sovraccoperta: no dj. Mother, Worker, Ruler, Witch: Cross-Cultural Images of Women. Book.
Editore: Garland Publishing Inc, New York, 1976
Da: Lorne Bair Rare Books, ABAA, Winchester, VA, U.S.A.
First American Edition. Octavo. 21cm. Publisher's dark blue cloth titled in silver gilt to spine. [11]; 366pp. Light wear and scuffing to spine ends, clean and sharp; internally clean and fresh, bookplate to front pastedown. A very good, clean copy indeed. An extremely in depth and informative doctoral analyis of a specific aspect of Mesoamerican artworks; the fact that subjects are often depicted in profile, with no "eye contact" with the viewer, and what this might mean artistically, thematically, and socio-historically to the artists and their audience. From the library of nathaniel Tarn, noted poet, translator and anthropologist, with his bookplate.