Kleinfelder karen (72 risultati)

Condizione: Fine. 1St Edition. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condizione: Good. 1St Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. 1St Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Softcover, 136 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, 136 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: Good. 1St Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. "First published in the United States of America in 1995 by Thames & Hudson" stated with no other printing indication - 1st American ed. (published same time in Great Britain by same publisher), slightest of wear to book or dj - no marks, tears, chips, creases and original price intact, 119 illustrations - 6 in color. Picasso, Pablo (illustratore).…

Condizione: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

paperback. Condizione: Good.

Hardcover. Condizione: Good. Unmarked pages. Binding solid. Moderate cover wear.

Paperback. Condizione: New. In shrink wrap.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; edition size 3000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D''Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. Contents clean and unmarked.…

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D'Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. "Carley 3/2000" written in black ink on title page. Contents otherwise clean and unmarked.…

Hardcover. 1st Edition. First U.S. edition bound in black cloth. Fine in dj.

hardcover. Condizione: Used-Very Good. 1st Edition. Cloth, d.j., in an acetate cover. Some shelf-wear. Else clean copy.

Hardcover with Dust Jacket. Condizione: BRAND NEW. Condizione sovraccoperta: NEW. xvii, 256pp. Square 4to, off-white cloth. In publisher's shrinkwrap.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback Edition. Condizione: Fine Condition. 116 pages 75 illustrations 46 in color. Illustrated wraps. Introduction by Linda Albright-Tomb. Published on the occasion of the exhibition from the University Art Museum, College of the Arts California State University, Long Beach CA August 26-October 26, 1997. Annotated Bibliography.…

Condizione: new.

Condizione: New. 2022. Paperback. . . . . .

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condizione: New. In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa,Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthology-a thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practices-represents a timely and significant contribution to the literature on censorship.…