Hardcover. Condizione: Good.
Hardcover. Condizione: Good.
Hardcover. Condizione: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.
Lingua: Inglese
Editore: Wiley & Sons, Incorporated, John, 2001
ISBN 10: 0764565494 ISBN 13: 9780764565496
Da: Better World Books, Mishawaka, IN, U.S.A.
Prima edizione
Condizione: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Lingua: Inglese
Editore: Wiley & Sons, Incorporated, John, 2001
ISBN 10: 0764565494 ISBN 13: 9780764565496
Da: Better World Books, Mishawaka, IN, U.S.A.
Prima edizione
Condizione: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Lingua: Inglese
Editore: Betty Crocker December 2001, 2001
ISBN 10: 0764565494 ISBN 13: 9780764565496
Da: Colorado's Used Book Store, Englewood, CO, U.S.A.
Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Edgewear to dust jacket, binding sound and pages unmarked. DUE TO SIZE/WEIGHT WE CAN NOT SHIP PRIORITY OR INTERNATIONAL. All Orders Shipped With Tracking And Delivery Confirmation Numbers.
Da: clickgoodwillbooks, Indianapolis, IN, U.S.A.
Condizione: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.
Lingua: Inglese
Editore: Coach House Press, Toronto, 1983
ISBN 10: 088910249X ISBN 13: 9780889102491
Da: Turtle Creek Books and Sheet Music, Mississauga, ON, Canada
EUR 11,09
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. Contains fictional works by the following teen (under 18) authors:Geoff Shaw ; Julie Booker ; Sharon Weinper ; Iris Black ; Brian Bowen ; Gwen Bird ; Alok Yadav ; Marlene Goldman ; Andrew Meyers ; Kris Nakamura ; Tammy Wright ; Stephen Starr ; Nora Young ; Jeannie Yoon ; Steve Harney ; Amita Handa ; Maxine Hersch ; Kate Black ; Lon Appleby ; Daniel Garber. This copy was rescued from a library cull and presents the usual stamps and stickers. Minor edgewear all else fine.
Editore: Flushing, NY: Ultimate Publishing Co. 1st Edition, 1966
Da: John McCormick, Mississauga, ON, Canada
Prima edizione
EUR 6,21
Quantità: 1 disponibili
Aggiungi al carrelloSoft Cover. Condizione: Very Good+ to Near Fine. James B. Settles (front cover) (illustratore). First Edition. ----------science fiction pulp magazine, digest size. Reading crease, some edgewear, a VG+ to near fine copy.
Da: Books From California, Simi Valley, CA, U.S.A.
paperback. Condizione: Good.
Da: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Membro dell'associazione: IOBA
paperback. Condizione: Very Good. Very good paperback copy (NOT ex-library). Spine is uncreased, binding tight and sturdy; text also very good. Exterior looks great, shelfwear is very minor. An excellent copy. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.
EUR 19,12
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Betty Crocker's Living with Cancer Cookbook This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Editore: Hungry Minds, 2001
ISBN 10: 0764565494 ISBN 13: 9780764565496
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Second Printing. GlaxoSmithKline Compliments label on front of DJ. ; 4to 11" - 13" tall; 256 pages; Extra postage required for priority and international shipping.
Lingua: Inglese
Editore: The Renaissance Society at the University of Chicago, Chicago, IL, 2022
ISBN 10: 0941548856 ISBN 13: 9780941548854
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Softcover. 217 pages. Exhibition catalog for a show that ran Jun 13 through August 1, 2021. Features texts by Fumi Ikiji, Kris Cohen, Anna Zett, McKenzie Wark, Jan Verwoert, Karsten Lund. Includes numerous color illustrations, checklist, and other information. A fine copy in French style wrappers.
EUR 18,88
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Ripped/damaged jacket. The dust jacket of this book is slightly damaged/ripped, however, this does not affect the internal condition.
EUR 26,85
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 32,60
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In The Human in Bits, Kris Cohen examines black abstractionist painting to demonstrate how race and computation are intimately entangled with the personal computer's graphic user interface. He shows how the personal computer and the graphical field of its screen meant to transform the human by transforming what environments humans were to labor in. It also provided the means for whiteness to tie itself to notions of colorblind meritocracy. Cohen focuses on the post-1960s experiments of black abstractionists Alma Thomas, Jack Whitten, Charles Gaines, and Julie Mehretu, who developed a nonrepresentational approach to blackness that was oriented more toward constraint than human expression. From Gaines's use of grids to Mehretu's layering of paint, these artists - in their knowledge that black life had always been conflated with numbers and bits of information - flirted with repetition, systems, and formulas to test other ways of being human. By demonstrating how these artists bypassed the white fear that the human would become interchangeable with data, Cohen reframes modernism and modernist art to account for racialization in computational cultures.
EUR 24,94
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. pp. 256 Illus. (Col.).
Condizione: New.
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
EUR 25,65
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Lingua: Inglese
Editore: Duke University Press 8/29/2025, 2025
ISBN 10: 147803209X ISBN 13: 9781478032090
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. The Human in Bits: Graphical Computers, Black Abstractions. Book.
Condizione: New. pp. 256.
Condizione: As New. Unread book in perfect condition.
EUR 26,72
Quantità: 4 disponibili
Aggiungi al carrelloCondizione: New. pp. 256.
Condizione: As New. Unread book in perfect condition.
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 32,09
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: new.
EUR 39,36
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: New. How is it that one can be connected to a vast worldwide network of other people and places via digital technologies and yet also be completely alone? Kris Cohen tackles this philosophical question in Never Alone, Except for Now by exploring how contemporary technologies are changing group formations and affiliations within social life. He identifies a new form of collectivity that exists between publics, which are built through conscious acts, and populations, which are automatically constructed through the collection of Big Data. Finding traditional liberal concepts of the public sphere and neoliberal ideas of populations inadequate on their own to examine these new forms of sociality, Cohen places familiar features of the web-such as emoticons, trolling, and search engines-in conversation with artworks by Felix Gonzalez-Torres, William Gibson, Sharon Hayes, and Thomson and Craighead to more precisely articulate the affective and aesthetic experiences of living between publics and populations. This liminal experience-caught between existing as a set of data points and as individuals newly empowered to create their own online communities-explains, Cohen contends, how one is simultaneously alone and connected in ways never before possible.
Condizione: New.
Lingua: Inglese
Editore: Duke University Press, North Carolina, 2025
ISBN 10: 147803209X ISBN 13: 9781478032090
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. In The Human in Bits, Kris Cohen examines black abstractionist painting to demonstrate how race and computation are intimately entangled with the personal computers graphic user interface. He shows how the personal computer and the graphical field of its screen meant to transform the human by transforming what environments humans were to labor in. It also provided the means for whiteness to tie itself to notions of colorblind meritocracy. Cohen focuses on the post-1960s experiments of black abstractionists Alma Thomas, Jack Whitten, Charles Gaines, and Julie Mehretu, who developed a nonrepresentational approach to blackness that was oriented more toward constraint than human expression. From Gainess use of grids to Mehretus layering of paint, these artists - in their knowledge that black life had always been conflated with numbers and bits of information - flirted with repetition, systems, and formulas to test other ways of being human. By demonstrating how these artists bypassed the white fear that the human would become interchangeable with data, Cohen reframes modernism and modernist art to account for racialization in computational cultures. Kris Cohen examines black abstractionist painting to demonstrate how race and computation are intimately entangled in the graphic user interface of the personal computer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.