Kris dessel (24 risultati)
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 20,78
EUR 2,31 spedizioneSpedito in U.S.A.Quantità: 15 disponibili
Condizione: As New. Unread book in perfect condition.
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 21,57
EUR 2,31 spedizioneSpedito in U.S.A.Quantità: 15 disponibili
Condizione: New.
- Brossura
Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 23,96
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: 8 disponibili
Paperback. Condizione: New. Once a month during the renovation of De Garage, Kris Van Dessel collected a sample of rubble from the site. In the period from March 2013 to December 2014, he took 22 samples in total, each of which he carefully filtered and meticulously stored in chronological order in his atelier, their temporary r…esting place. These were preserved in transparent containers, which started to form a stacked representation of muted earth colours showing the geological strata of the renovation's gradual progress. The resulting stack would not have looked out of place in an archaeological research facility. The artist's subtle presence amid all the activity of the construction site must have appeared quite inconspicuous. This tightly rhythmic series of actions manifests itself in the solo exhibition Sampled History, in which the artist has transposed the samples to the exhibition space in one simple, geo-artistic gesture. He mixes every sample of material with a specific amount of water and applies these emulsions to the walls of the exhibition space, employing a syntax of consecutive, chronological layers. Sampling means borrowing a characteristic piece of another creation with the intention of incorporating it in one's own work. The principle was first observed in the mid-20th century in the French musical movement Musique Concrète, in which existing sounds were incorporated into sound collages. Something similar can be observed here in this context. Through the schematic, geological representation of the renovation process, the scars of former artistic productions are made visible in the epidermis of the exhibition space. The archaeology of cultural production in De Garage is gradually revealed by the artist. This intervention recalls a memory - albeit inverted - of Pierre Huyghe's intervention piece 'Timekeepers'. Here, the layer-after-layer exposure of erased presentations in the wall's paintwork makes way for Van Dessel's forensic detection of clues across the wall's surface. The carefully-applied pigments are expertly brushed away after a certain amount of drying time has allowed the added water to evaporate. Characteristic of Van Dessel's recent work is the recurring principle of completely returning the raw materials he has used in his artistic process to the earth. The substances are returned to their origin - like a field recording played back at the location where it was recorded. The work of Kris Van Dessel is not to be categorised as a series of manufactured artefacts bound to or positioned in an exhibition space. His work would better be described as offering cross-sections of discoveries made tangible - the results of poetic-artistic research, presented here as food for thought for the observer. In addition to the renovation works that have fundamentally changed the architecture of the spaces, Kris Van Dessel has, with the utmost discretion, created a parallel space that breaks through the established time-space continuum. It's wond.
- Brossura
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 26,81
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. Once a month during the renovation of De Garage, Kris Van Dessel collected a sample of rubble from the site. In the period from March 2013 to December 2014, he took 22 samples in total, each of which he carefully filtered and meticulously stored in chronological order in his atelier, their…temporary resting place. These were preserved in transparent containers, which started to form a stacked representation of muted earth colours showing the geological strata of the renovations gradual progress. The resulting stack would not have looked out of place in an archaeological research facility. The artists subtle presence amid all the activity of the construction site must have appeared quite inconspicuous. This tightly rhythmic series of actions manifests itself in the solo exhibition Sampled History, in which the artist has transposed the samples to the exhibition space in one simple, geo-artistic gesture. He mixes every sample of material with a specific amount of water and applies these emulsions to the walls of the exhibition space, employing a syntax of consecutive, chronological layers.Sampling means borrowing a characteristic piece of another creation with the intention of incorporating it in ones own work. The principle was first observed in the mid-20th century in the French musical movement Musique Concrete, in which existing sounds were incorporated into sound collages. Something similar can be observed here in this context. Through the schematic, geological representation of the renovation process, the scars of former artistic productions are made visible in the epidermis of the exhibition space. The archaeology of cultural production in De Garage is gradually revealed by the artist. This intervention recalls a memory albeit inverted of Pierre Huyghes intervention piece Timekeepers. Here, the layer-after-layer exposure of erased presentations in the walls paintwork makes way for Van Dessels forensic detection of clues across the walls surface. The carefully-applied pigments are expertly brushed away after a certain amount of drying time has allowed the added water to evaporate. Characteristic of Van Dessels recent work is the recurring principle of completely returning the raw materials he has used in his artistic process to the earth. The substances are returned to their origin like a field recording played back at the location where it was recorded.The work of Kris Van Dessel is not to be categorised as a series of manufactured artefacts bound to or positioned in an exhibition space. His work would better be described as offering cross-sections of discoveries made tangible the results of poetic-artistic research, presented here as food for thought for the observer. In addition to the renovation works that have fundamentally changed the architecture of the spaces, Kris Van Dessel has, with the utmost discretion, created a parallel space that breaks through the established time-space continuum. Its wonderful to get lost in his work, that is, once youve wormed your through the formal, syntactic trail of consecutive, chronological, two-dimensional layers; reaching the light at the end of the wormhole, you are free to reflect on what has been and what could be in the future of the safe haven that is art now surely more essential than ever.() In other words, to perceive the whole is to leave the fragments displaced. Robert Smithson. (Beatrijs Eemans) Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 22,09
EUR 4,83 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 15 disponibili
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
- Brossura
Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 19,51
EUR 7,55 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 3 disponibili
Condizione: New.
- Brossura
Da: Books Puddle, New York, NY, U.S.A.Books Puddle
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 31,32
EUR 3,50 spedizioneSpedito in U.S.A.Quantità: 3 disponibili
Condizione: New.
- Brossura
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 23,35
EUR 10,50 spedizioneSpedito da Irlanda a U.S.A.Quantità: 15 disponibili
Condizione: New.
- Brossura
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 23,87
EUR 11,61 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Brand New. 01 edition. 48 pages. 9.45x9.06 inches. In Stock.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 25,29
EUR 9,95 spedizioneSpedito da Germania a U.S.A.Quantità: 3 disponibili
Condizione: New.
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 19,71
EUR 17,41 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 7 disponibili
Condizione: New.
- Brossura
Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 28,82
EUR 9,20 spedizioneSpedito in U.S.A.Quantità: 15 disponibili
Condizione: New.
- Brossura
Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 24,95
EUR 13,91 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Condizione: New. In.
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 23,20
EUR 17,41 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 7 disponibili
Condizione: As New. Unread book in perfect condition.
- Brossura
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 34,93
EUR 11,61 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Brand New. 01 edition. 48 pages. 9.45x9.06x9.45 inches. In Stock.
- Brossura
Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 31,10
EUR 32,42 spedizioneSpedito da Australia a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: new. Paperback. Once a month during the renovation of De Garage, Kris Van Dessel collected a sample of rubble from the site. In the period from March 2013 to December 2014, he took 22 samples in total, each of which he carefully filtered and meticulously stored in chronological order in his atelier, their…temporary resting place. These were preserved in transparent containers, which started to form a stacked representation of muted earth colours showing the geological strata of the renovations gradual progress. The resulting stack would not have looked out of place in an archaeological research facility. The artists subtle presence amid all the activity of the construction site must have appeared quite inconspicuous. This tightly rhythmic series of actions manifests itself in the solo exhibition Sampled History, in which the artist has transposed the samples to the exhibition space in one simple, geo-artistic gesture. He mixes every sample of material with a specific amount of water and applies these emulsions to the walls of the exhibition space, employing a syntax of consecutive, chronological layers.Sampling means borrowing a characteristic piece of another creation with the intention of incorporating it in ones own work. The principle was first observed in the mid-20th century in the French musical movement Musique Concrete, in which existing sounds were incorporated into sound collages. Something similar can be observed here in this context. Through the schematic, geological representation of the renovation process, the scars of former artistic productions are made visible in the epidermis of the exhibition space. The archaeology of cultural production in De Garage is gradually revealed by the artist. This intervention recalls a memory albeit inverted of Pierre Huyghes intervention piece Timekeepers. Here, the layer-after-layer exposure of erased presentations in the walls paintwork makes way for Van Dessels forensic detection of clues across the walls surface. The carefully-applied pigments are expertly brushed away after a certain amount of drying time has allowed the added water to evaporate. Characteristic of Van Dessels recent work is the recurring principle of completely returning the raw materials he has used in his artistic process to the earth. The substances are returned to their origin like a field recording played back at the location where it was recorded.The work of Kris Van Dessel is not to be categorised as a series of manufactured artefacts bound to or positioned in an exhibition space. His work would better be described as offering cross-sections of discoveries made tangible the results of poetic-artistic research, presented here as food for thought for the observer. In addition to the renovation works that have fundamentally changed the architecture of the spaces, Kris Van Dessel has, with the utmost discretion, created a parallel space that breaks through the established time-space continuum. Its wonderful to get lost in his work, that is, once youve wormed your through the formal, syntactic trail of consecutive, chronological, two-dimensional layers; reaching the light at the end of the wormhole, you are free to reflect on what has been and what could be in the future of the safe haven that is art now surely more essential than ever.() In other words, to perceive the whole is to leave the fragments displaced. Robert Smithson. (Beatrijs Eemans) Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Brossura
Da: Speedyhen, Hertfordshire, Regno UnitoSpeedyhen
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 19,96
EUR 47,60 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Condizione: NEW.
- Brossura
Da: Speedyhen, Hertfordshire, Regno UnitoSpeedyhen
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 19,96
EUR 47,60 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Condizione: NEW.
- Brossura
Da: moluna, Greven, Germaniamoluna
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 26,56
EUR 48,99 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Condizione: New.
- Brossura
Da: Mooney's bookstore, Den Helder, Paesi BassiMooney's bookstore
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Molto buono
EUR 62,47
EUR 14,95 spedizioneSpedito da Paesi Bassi a U.S.A.Quantità: 1 disponibili
Condizione: Very good.
- Brossura
Da: Gazelle Books, Lancaster, LANCA, Regno UnitoGazelle Books
Contatta il venditoreVenditore con 4 stelleCondizione: Nuovo
EUR 16,15
EUR 63,85 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 15 disponibili
Paperback. Condizione: New. New Book, Direct from Publisher.
- Brossura
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 24,82
EUR 61,99 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Taschenbuch. Condizione: Neu. Neuware.
- Brossura
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 21,08
EUR 75,46 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 8 disponibili
Paperback. Condizione: New. Once a month during the renovation of De Garage, Kris Van Dessel collected a sample of rubble from the site. In the period from March 2013 to December 2014, he took 22 samples in total, each of which he carefully filtered and meticulously stored in chronological order in his atelier, their temporary r…esting place. These were preserved in transparent containers, which started to form a stacked representation of muted earth colours showing the geological strata of the renovation's gradual progress. The resulting stack would not have looked out of place in an archaeological research facility. The artist's subtle presence amid all the activity of the construction site must have appeared quite inconspicuous. This tightly rhythmic series of actions manifests itself in the solo exhibition Sampled History, in which the artist has transposed the samples to the exhibition space in one simple, geo-artistic gesture. He mixes every sample of material with a specific amount of water and applies these emulsions to the walls of the exhibition space, employing a syntax of consecutive, chronological layers. Sampling means borrowing a characteristic piece of another creation with the intention of incorporating it in one's own work. The principle was first observed in the mid-20th century in the French musical movement Musique Concrète, in which existing sounds were incorporated into sound collages. Something similar can be observed here in this context. Through the schematic, geological representation of the renovation process, the scars of former artistic productions are made visible in the epidermis of the exhibition space. The archaeology of cultural production in De Garage is gradually revealed by the artist. This intervention recalls a memory - albeit inverted - of Pierre Huyghe's intervention piece 'Timekeepers'. Here, the layer-after-layer exposure of erased presentations in the wall's paintwork makes way for Van Dessel's forensic detection of clues across the wall's surface. The carefully-applied pigments are expertly brushed away after a certain amount of drying time has allowed the added water to evaporate. Characteristic of Van Dessel's recent work is the recurring principle of completely returning the raw materials he has used in his artistic process to the earth. The substances are returned to their origin - like a field recording played back at the location where it was recorded. The work of Kris Van Dessel is not to be categorised as a series of manufactured artefacts bound to or positioned in an exhibition space. His work would better be described as offering cross-sections of discoveries made tangible - the results of poetic-artistic research, presented here as food for thought for the observer. In addition to the renovation works that have fundamentally changed the architecture of the spaces, Kris Van Dessel has, with the utmost discretion, created a parallel space that breaks through the established time-space continuum. It's wond.
- Brossura
Da: preigu, Osnabrück, Germaniapreigu
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 30,60
EUR 70,00 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Taschenbuch. Condizione: Neu. Sampled History | Kris Dessel | Taschenbuch | Kartoniert / Broschiert | Englisch | 2015 | APE | EAN 9789490800307 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
