kuller sid robert boyle louis (2 risultati)

Director's Binder. Condizione: Very Good. 33 Pencil Sketches (illustratore). First Edition. A set of four scripts, one of which, "Cinderella", was used in "Stop, Look, Laugh" (1960), that sketch being directed by Brandt. Sid Kuller (1910-1993) wrote comedy screenplays including The Goldwyn Follies (1938), The Road to Singapore (1940, uncredited), Melody Ranch (1940). Robert F. Boyle (1910-) was an art director and production designer (Nocturne, 1946;Gunsmoke (1953); It Came From Outer Space (1953), Cape Fear (1962), The Birds (1963), Marnie (1964), The Russians Are Coming, The Russians Are Coming (1966), How to Succeed in Business Without Really Trying (1967), In Cold Blood (1967), The Thomas Crown Affair (1968), Fiddler on the Roof (1971), Portnoy's Complaint (1972), The Red Pony (1973), The Shootist (1973), Mame (1974), The Big Fix (1978), Private Benjamin (1980). With one sheet "Additional Narration and Dialogue for High At Noon" in typewritten version.

Director's Binder. Condizione: Very Good. 33 Pencil Sketches (illustratore). First Edition. A set of four scripts, one of which, "Cinderella", was used in "Stop, Look, Laugh" (1960), that sketch being directed by Brandt. Sid Kuller (1910-1993) wrote comedy screenplays including The Goldwyn Follies (1938), The Road to Singapore (1940, uncredited), Melody Ranch (1940). Robert F. Boyle (1910-) was an art director and production designer (Nocturne, 1946;Gunsmoke (1953); It Came From Outer Space (1953), Cape Fear (1962), The Birds (1963), Marnie (1964), The Russians Are Coming, The Russians Are Coming (1966), How to Succeed in Business Without Really Trying (1967), In Cold Blood (1967), The Thomas Crown Affair (1968), Fiddler on the Roof (1971), Portnoy's Complaint (1972), The Red Pony (1973), The Shootist (1973), Mame (1974), The Big Fix (1978), Private Benjamin (1980). This is the director's mimeo copy, with extensive pencil notes, one sheet "Additional Narration and Dialogue for High At Noon" in both original pencil and original typewritten versions, three pages typescript of original version of The Chimpion dated April 3, 1956, nine page onionskin carbon of "New narration for Cinderella" dated March 23, 1956, and one page typescript song from Pete Kelly's New Sound, with a few changes handwritten. With 33 pencil sketches of frames in Cinderella, each adjacent to the appropriate text,