kuss malena (24 risultati)

Condizione: good. A well-loved companion. Corners and cover might show a little wear, and you could find some notes or highlights. The dust jacket might be MIA, it might have been a library book and extras aren't guaranteedâ"but the story's all there!

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Good. Binding tight, pages unmarked. Cover is good with light staining at bottom edge. 88 pp. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. University of Texas Press, 2004. Publisher's full cloth. Bottom of spine and rear, upper corner slightly bumped, else fine condition. Dust jacket with spine somewhat faded and some edge wear/creases at top and bottom of spine and at upper corners, else fine. 28,5x22,5 cm. xxx, [2], 416 p. + 2 CDs in fine condition in plastic case at inside of rear board. Illustrated. ISBN 0-292-70298-1.

Hardcover. Condizione sovraccoperta: Very good. xiii, 485 pp. Norton/Grove Handbooks in Music. Very good condition; on edges of papers: a few watermarks and a touch of soiling.

Hardcover. Condizione: New.

LACKS the CD. -- Illustrated. -- Hardcover, ex-library copy with no outer markings but internal stamps and labels, 537 pages, 9x12 inches. Condition: very good minus (minimal library flaws as noted; no jacket.) ISBN 9780292709515.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. The music of the peoples of South and Central America, Mexico, and the Caribbean has never received a comprehensive treatment in English until this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Within a history marked by cultural encounters and dislocations, music emerges as the powerful tool that negotiates identities, enacts resistance, performs belief, and challenges received aesthetics. This work, more than two decades in the making, was conceived as part of "The Universe of Music: A History" project, initiated by and developed in cooperation with the International Music Council, with the goals of empowering Latin Americans and Caribbeans to shape their own musical history and emphasizing the role that music plays in human life. The four volumes that constitute this work are structured as parts of a single conception and gather 150 contributions by more than 100 distinguished scholars representing 36 countries.Volume 1, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico, focuses on the inextricable relationships between worldviews and musical experience in the current practices of indigenous groups. Worldviews are built into, among other things, how music is organized and performed, how musical instruments are constructed and when they are played, choreographic formations, the structure of songs, the assignment of gender to instruments, and ritual patterns. Two CDs with 44 recorded examples illustrate the contributions to this rich volume.

Condizione: New. Taking a sociocultural and human-centered approach, this title gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Editor(s): Kuss, Malena. Series: Joe R. & Teresa Lozano Long Series in Latin American & Latino Art & Culture. Num Pages: 448 pages, 57 b&w photos, 111 figures, 13 maps, 2 CDs. BIC Classification: AV. Category: (P) Professional & Vocational. Dimension: 7128 x 5499 x 814. Weight in Grams: 1497. . 2004. Hardcover. . . . .

Condizione: New. 2006. Hardcover. . . . . .

Hardcover. Condizione: Brand New. 448 pages. 10.75x9.00x1.50 inches. In Stock.

Condizione: New. Taking a sociocultural and human-centered approach, this title gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Editor(s): Kuss, Malena. Series: Joe R. & Teresa Lozano Long Series in Latin American & Latino Art & Culture. Num Pages: 448 pages, 57 b&w photos, 111 figures, 13 maps, 2 CDs. BIC Classification: AV. Category: (P) Professional & Vocational. Dimension: 7128 x 5499 x 814. Weight in Grams: 1497. . 2004. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 560 pages. 11.50x9.00x1.75 inches. In Stock.

Condizione: New. 2006. Hardcover. . . . . . Books ship from the US and Ireland.

Condizione: Sehr gut. 1. Ed. XIII, 537 S. : Ill., Noten + 2 CDs Sehr guter Zustand. AT1075 Sprache: Englisch Gewicht in Gramm: 1801 Gebunden. Leineneinband mit Schutzumschlag.

Hardback. Condizione: New. The music of the peoples of South and Central America, Mexico, and the Caribbean has never received a comprehensive treatment in English until this multi-volume work. Taking a sociocultural and human-centered approach, Music in Latin America and the Caribbean gathers the best scholarship from writers all over the world to cover in depth the musical legacies of indigenous peoples, creoles, African descendants, Iberian colonizers, and other immigrant groups that met and mixed in the New World. Within a history marked by cultural encounters and dislocations, music emerges as the powerful tool that negotiates identities, enacts resistance, performs belief, and challenges received aesthetics. This work, more than two decades in the making, was conceived as part of "The Universe of Music: A History" project, initiated by and developed in cooperation with the International Music Council, with the goals of empowering Latin Americans and Caribbeans to shape their own musical history and emphasizing the role that music plays in human life. The four volumes that constitute this work are structured as parts of a single conception and gather 150 contributions by more than 100 distinguished scholars representing 36 countries.Volume 1, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico, focuses on the inextricable relationships between worldviews and musical experience in the current practices of indigenous groups. Worldviews are built into, among other things, how music is organized and performed, how musical instruments are constructed and when they are played, choreographic formations, the structure of songs, the assignment of gender to instruments, and ritual patterns. Two CDs with 44 recorded examples illustrate the contributions to this rich volume.

Austin, 2004. XXX,416 pp. Ills. Cloth,d/j.

gr-8°. 40 S. Inventare der Paul Sacher Stiftung, 8.

Austin, University of Texas Press, 2004-2007. 2 volúmenes, En folio (285 x 220)mm. xxx-416 pp., ilustraciones en blanco y negro, incluye CD musical. -II: xiii-537 pp., ilustraciones en blanco y negro, incluye CD musical. Encuadernación en tela editorial con camisa. -I: Performing Beliefs. -II: Performing the Caribbean Experience. Trabajo bien documentado y de aprecio. 285x220mm. (11¼x8¾").

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 40 | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.

416 + 537 S.