Kutschke beate (69 risultati)

paperback. Condizione: Fine.

paperback. Condizione: Very Good. Cover and edges may have some wear.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.…

Condizione: New. In fifteen case studies from around the world, contributors explore the relationship between music and socio-political protest in 1968. Editor(s): Kutschke, Beate; Norton, Barley. Series: Music Since 1900. Num Pages: 342 pages, 5 b/w illus. 5 music examples. BIC Classification: AVGC6; HBLW3. Category: (P) Professional & Vocational. Dimension: 244 x 170 x 18. Weight in Grams: 550. . 2014. New. paperback. . . . . …

Condizione: New.

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In fifteen case studies from around the world, contributors explore the relationship between music and socio-political protest in 1968. Editor(s): Kutschke, Beate; Norton, Barley. Series: Music Since 1900. Num Pages: 342 pages, 5 b/w illus. 5 music examples. BIC Classification: AVGC6; HBLW3. Category: (P) Professional & Vocational. Dimension: 244 x 170 x 18. Weight in Grams: 550. . 2014. New. paperback. . . . . Books ship from the US and Ireland. …

Condizione: New. pp. 342.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.…

Condizione: new.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2022. Hardback. . . . . .

Condizione: New. In fifteen case studies from around the world, contributors explore the relationship between music and socio-political protest in 1968. Editor(s): Kutschke, Beate; Norton, Barley. Series: Music Since 1900. Num Pages: 342 pages, 5 b/w illus. 5 music examples. BIC Classification: 3JJPK; AV; HBLW3; HBTB; JFC. Category: (P) Professional & Vocational. Dimension: 252 x 181 x 23. Weight in Grams: 782. . 2013. Hardback. . . . . …

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardback. Condizione: New. Reconstructs the socio-political history of the heroic in music through case studies spanning the middle ages to the twenty-first centuryThe first part of this volume reconstructs the various musical strategies that composers of medieval chant, Renaissance madrigals, and Baroque operas, cantatas or oratorios employed when referring to heroic ideas exemplifying their personal moral and political values. A second part investigating the eighteenth and nineteenth centuries expands the previous narrow focus on Beethoven's heroic middle period and the cult of the virtuoso. It demonstrates the wide spectrum of heroic positions - national, ethnic, revolutionary, bourgeois and spiritual - that filtered not only into 'classical' large-scale heroic symphonies and virtuoso solo concerts, but also into chamber music and vernacular dance music. The third part documents the forced heroization of music in twentieth-century totalitarian regimes such as Nazi-Germany and the Soviet Union and its consequences for heroic thinking and musical styles in the time thereafter. Final chapters show how recent rock-folk and avant-garde musicians in North America and Europe feature new heroic models such as the everyday hero and the scientific heroine revealing new confidence in the idea of the heroic.…

Condizione: New. In English.

Condizione: Neu. Moralisch-ethischer Wandel im europäischen Musiktheater um 1700: Paris, Hamburg, London. Der Wandel des moralisch-ethischen Denkens in den Dekaden um 1700 ist eine 'black box'. Denn gedruckte Morallehren und Rechtstheorien dokumentieren vorrangig die etablierten, nicht die neuen, zukunftsweisenden Auffassungen. Darauf, was sich verändert und Menschen bewegt, haben die Zeitgenossen in der Transformationsphase kaum verbalsprachlichen Zugriff. In diesem Dilemma bietet das Musiktheater einen Ausweg an. In der barocken und frühaufklärerischen Oper wurden nicht nur absolutistische Fürsten verherrlicht und politisch-amouröse Intrigen inszeniert. Die Musiktheaterbühne war vor allem auch progressive moralische Anstalt. Hier bildeten sich mit rein dramatischen, impliziten Mitteln neue, visionäre ethische Ideen aus und wurden einem größeren Publikum vorgestellt. Die Monographie rekonstruiert die damalige Gemengelage aus alten und neuen moralisch-ethischen Anschauungen, wie sie sich im Musiktheater in drei europäischen Kulturzentren manifestiert: Paris/Versailles, Hamburg und London. Sie zeigt, dass an der Neugestaltung der moralisch-ethischen Visionen nicht nur die Librettisten der zu vertonenden Verse, sondern auch die Komponisten - und zwar mit musikalischen Mitteln - mitwirkten. 320 Seiten mit 29 Abb., gebunden (Studien und Materialien zur Musikwissenschaft; Band 96/Olms Verlag 2016). Statt EUR 38,00. Gewicht: 739 g - Gebunden/Gebundene Ausgabe. …

Condizione: New. In English.