Lafont suzanne (35 risultati)

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Markings in workbook.

Condizione: Fine. 36 pp., folding plate, paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Condizione: Very Good. A bright, square, and overall a nice copy.

Condizione: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.

Paperback. Condizione: Good. Book in Good condition.

Paperback. Condizione: Good. bumped/creased, still NICE! Oversized.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

46 pp.; 22.8 x 25.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the California Plaza facility of The Museum of Contemporary Art, Los Angeles, July 28 - October 27, 1991. Organized and with essays by Jean-François Chevrier and Ann Goldstein. Artists include Dan Graham, Craigie Horsfield, Larry Johnson, Suzanne Lafont, Hirsch Perlman, Jean-Louis Schoellkopf, Allan Sekula, Cindy Sherman, Thomas Struth, and Patrick Tosani. Includes exhibition checklist, selected exhibition history, and bibliography. Very Good. Light bumping of corners, slight rippling at spine, 6 mm. of soiling to recto. Includes errata sheet. Contents clean and unmarked. …

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft cover. Condizione: Fine. No Jacket. 1st Edition. First edition. Softcover. 137 pages. Fine condition. (Q5).

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Library sticker on front cover.Water damaged. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780130096616.…

Soft cover. Condizione: Near Fine. No Jacket. 5th or later Edition. Number line beginning with 9. Near fine, if not near fine plus or fine wraps/paperback. Only trivial signs of age/wear/previous use, primarily a very light one inch diagonal hairline crease to lower fore-edge corner of front cover.

Trade paperback. Condizione: Very Good. Condizione sovraccoperta: Very Good. 111pp. Wrappers w/ DJ & band. The Band: Near Fine. DJ: Very Good w/ minute weaving, minute edge wears. The Book: Very Good-w/ some weaving. Texts in French, English & Japanese. Very good in very good dust jacket.

Paperback. Condizione: Very Good. 1st. 77 pages, [7] folded leaves of plates, illustrations (some colour); 27 cm. Text in French and English. TRES BON ETAT. Firm binding, gently creased spine. Clean inside copy. *** French photographer Suzanne Lafont (b. 1949) studied philosophy under Jean-Francois Lyotard. Size: 4to.…

Soft cover. Condizione: Very Good. 1st Edition. First edition. Softcover. 11 photographs by Suzanne Lafont. Lightly creased top corners, white wraps just slightly tanned, V.g.

Condizione: Neuf.

Softcover, 78 pages, in English and French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, Heft. 56 Seiten Zustand: keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten sehr gut. Sprache: Deutsch Gewicht in Gramm: 50.

Condizione: Very Good.

Paperback. Condizione: Brand New. 137 pages. 9.00x6.00x0.25 inches. In Stock.

Condizione: Good. Envoi rapide Bon état bonne tenue intérieur propre tampon sur la page titre. in12. 1966. Agrafé. Good.

Softcover. Condizione: Neu. Textes en FR et EN. Brochure à rabats. 14x23cm. 39pp. New.

183 pp.; 30 x 27.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. Text in French. Good. Moderate sunning and discoloration of covers, rubbing of cover edges, and bumping of bottom right corner. Light dust soiling of text block edge, contents clean and unmarked.…

Couverture souple. Condizione: near fine. Condizione sovraccoperta: Fine. Catalogue de l'exposition au Centre de la Vieille Charité Marseille (21 avril - 18 juin 1989). Broché, in-4 (335x235), non paginé illustré par 11 reproductions. Etat couverture : un peu défraîchie, bords frottés, coins émoussés, petite marque de choc dos en tête. Intérieur : comme neuf.…

Condizione: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

VII, 366 S. *-*-*-*-*-*- SHIPPING COSTS to other EU-COUNTRIES occasionally may be different than indicated (according to the weight). To OTHER COUNTRIES IN THE WORLD they may be different (sometimes less or rarely more, according to the weight). - ! ! ! ! NO SHIPPING TO USA ! ! ! ! -*-*-*-*-*-* Sprache: Englisch OBr., etwas bestoßen, Einbadn berieben; ansonsten gutese Exemplar. …

0. Catalogue. Paris 1992. Vorw. von Catherine David. Beitr. von Jean-Francois Chevrier. 4to. 78 S. mit 28 (17 farb.) ganzseit. Abb., davon 2 auf Falttafeln, sowie 7 Textabb., Ausst'verz., Bibliographie, brosch. - Text in engl. & franz. Sprache. ANTIQUARISCH.

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2015. 1 Volume/1. -- Comme Neuf -- Broché . Format in-4°( 29 x 22 cm ). ------ 192 pages avec 140 illustrations couleurs. ****************** "" Suzanne Lafont (1949) est une des figures les plus importantes de la scène photographique française. Son travail a connu une grande visibilité dès les années 1990. Exposition personnelle au Jeu de Paume et au MoMA en 1992 (New York). Elle développe un travail photographique dans un champ élargi où sont convoquées des références au théâtre, à la performance, au cinéma et à la littérature. L'exposition à Carré d'Art est une mise en perspective de ses travaux les plus récents. La plupart sont réalisés pour l'exposition. Le projet puise son matériau dans les clichés pris par l'artiste depuis 1995. Ils alimentent chaque proposition et permettent de recourir à différents régimes d'images à travers une suite de situations. En introduction, 468 de ces données sont organisées sous forme de diaporama (Index). L'exposition se développe ensuite autour de la figure de l'acteur/performeur. Ce protagoniste active d'abord l'espace du spectateur. Il reparaît enfin dans l'adaptation d'un récit littéraire, The Mystery of Marie Roget d'Edgar Allan Poe. "" ********************** ref fav-13-30 ref 382.…

Couverture souple. Condizione: Très bon. 1992. In-4, couverture souple illustrée à rabats. 78 pp, ill. photographiques n&b et couleurs en pleine page. Très bon état général.