Laine merit (12 risultati)

Förlagets gröna dek. klotband, dek. skyddsomslag i färg. Fint skick. Stockholm, Atlantis, 2003. 8:o. 440 sid. Rikt illustrerad. Med litteratur- och källförteckning samt personregister. Innehåll: "Den osmansk-turkiska samlingen på Biby", "Familjen Celsing och de svensk-osmanska relationerna under 1700-talet", "Svensk palatset i Konstantinopel", "Audienstavlorna på Biby", "Porträtt av osmanska sändebud i Bibysamling", "Osmanska sultanträd", "Sultanträden på Biby och Gripsholm", "Två 1700-talspanorama över Konstantinopel", "Landskapsmålningarna i Bibysamlingen", "Landskapsmåleriet i 1700-talets Konstantinopel och Bibysamlingen", "Peyssonels porträtt av Comte de Bonneval", "Bröderna Celsings turkiska inredningar i Sverige och de gustavianska divanerna", "Det turkiska galleriet i Celsings Stockholmsbostad", "Dräktsamlingen på Biby", "Musaeum Celsingianum", "Ulric Celsings förteckning över Bibysamlingen" samt "Regentlängder över Osmanska riket och Sverige (1695-1807)". - - - "The Memory of Constantinople. The Ottoman-Turkish 18th Century Collection at Biby Manor, Sweden", in Swedish. Illustrated. Hardbound with pictorial dustjacket. Very fine.…

Hardbound. Condizione: As New. Black cloth with black and gold, color-illustrated dustjacket. 278 pp., 28 color and 78 bw plates. Text is entirely in Swedish. Wonderful reproductions of this artist's portraiture.

Förlagets klotband, dek. skyddsomslag. Gott skick. Stockholm, Nationalmuseum, 2006. 4:o. 28 x 22 cm. 280 sid. Rikligt illustrerad i färg. / Summary in English: "Gustaf Lundberg. An artist and his time" (10 pp.). (Baksidestext:) "Gustaf Lundberg var en av det svenska 1700-talets mest framgångsrika porträttmålare, med en drygt sextioårig verksamhet förlagd huvudsakligen till Paris och Stockholm. Konstnärens porträtt är med få undantag utförda i pastell, vilket varit av särskild betydelse för receptionen av och historieskrivningen kring hans verk. I denna bok behandlas Lundbergs liv och konstnärliga verksamhet i ett brett perspektiv. Betydelsen av det protestantiska nätverket i Paris diskuteras, liksom konstnärens roll, konstlivet och konstmarknaden i Stockholm under perioden. Lundbergs manliga och kvinnliga porträttyper analyseras med utgångspunkt i tidens ideologiska, litterära och vetenskapliga strömningar. Slutligen behandlas konstnärens teknik, ateljépraktik, samarbete med andra konstnärer samt hans inflytande på samtid och eftervärld". Med avsnitt om "Pastellen i Frankrike", Skönhetsgalleriet på Drottningholm och om tidens förgyllda ramar (av Carl Barkman). - - - (Nationalmusei skriftserie, N.S. 19.) - - - (Abstract:) "The young portrait painter Gustaf Lundberg was one of the many artists who left Sweden during the difficult years at the end of Charles XII:s reign. His goal was Paris, where he became a successful portrait painter in pastels, at first strongly influenced by Rosalba Carriera, but gradually developing a style and technique of his own. Among his clientele were Swedish diplomats, military officers and travellers staying in the French capital, and it was also among this group that he found his most important protectors. Lundberg returned to Sweden in 1745, where he had an immediate and lasting success and eventually became Court painter. In this, the first monograph on Lundberg since 1902, the authors deal with Lundberg's artistic development and studio practices as well as his career strategies, particularly in Paris where the competition among the pastel painters was very keen. His Swedish career and the portrait types he created are discussed in relation to the ideological, social and political tensions of the times, as well as the stylistic and thematic influences from French literary, philosophical and artistic developments. The circumstances of Lundberg's life and contemporary evaluations of his work are also taken as a starting point of a discussion of the Swedish art scene and market, as well as the artist's role in Swedish society during the eighteenth century, subject matters that have hitherto received little attention from scholars. The analysis of the career and work of Lundberg is also placed within the wider context of modern portrait theory, as well as eighteenth-century views on portraiture and pastel painting, as they can be reconstructed from the theoretical and critical writings of the time, and also from comments found in the letters and diaries of Lundberg's clientele". - - - Richly illustrated monograph devoted to Swedish pastel painter and portraitist Gustaf Lundberg (1695-1786), in Swedish with English summary, hardbound with dustjacket. Fine.…

438 s. Illustrerad. Förlagsband med skyddsomslag.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Pages clean and bright, no markings. Dust jacket unclipped with light edgewear. Complete with numerous illustrations. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 437pp. lavishly illustrated in colour.

Tall 8vo. Original pictorial card covers (softback) (Fine). Pp. 191, illus with coloured and b&w plates and photos (no inscriptions).

Soft cover. Condizione: New. 192 pages : 25 cm. In the early modern period, the links between aesthetics and the natural sciences were close. Wunderkammern, libraries, and cabinets of experimental philosophy, physics, or mathematics were built and decorated with references to classical and contemporary learning alike, for practical as well as aesthetic reasons. In this book the early modern urge for knowledge, power, and control, and ultimately the relation between art and science, are illuminated and problematized through detailed analyses and specific examples, especially from Sweden. Buildings, interiors, and objects intended to visualize learning are part of our material heritage. Both as a scholar at Stockholm University and as director of the Stockholm Observatory Museum, Inga Elmqvist Söderlund (19672017) was deeply committed to preserving and sharing this heritage.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 460 pp., illustrations, index.

Cartonato. Condizione: new. Swedish/English text.Stockholm, 2006; hardback, pp. 278, 37 col. plates, 78 b/w ill., cm 23x29. Libro.

Condizione: Gut. 240 Seiten, ill., 28,6 x 21,8 x 2,8 cm, Swedish hardcover edition with dust jacket. Slight traces of use and wear on dust jacket (edges slightly worn, corners slightly bumped), otherwise in good condition. + + + Gut erhaltenes Exemplar m. geringf. Lagerungs- u. Gebrauchsspuren am Schutzumschlag (Kanten teils leicht berieben, Ecken teils leicht bestoßen), Einband gut erhalten, Schnitt hell u. sauber, innen textsauber u. gepflegt. Kein Besitzvermerk. 9789171007278 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** sv Gewicht in Gramm: 1292 Gebundene Ausgabe, OLn. m. illustr. Ou.…

Lundberg was a young portrait painter, who left Sweden during the difficult years at the end of Charles XII:s reign but returned in 1745 . He became an immediate and lasting success and evenutally became a Court painter. In this, the first monograph on Lundberg since 1902, the authors deal with LundbergÆs artistic development and studio practices as well as his career strategies, particularly in Paris where the competition among the pastel painters was very keen. His Swedish career and the portrait types he created are discussed in relation to the ideological, social and political tensions of the times, as well as the stylistic and thematic influences from French literary, philosophical and artistic developments. The circumstances of his life and contempoary evaluations of his work are also taken as a starting point of a discussion of the Swedish art scene and market, as well as the artistÆs role in Swedish society during the 18th century., Swedish/ English summary, Year2006, Illust. B/W83, Illust. Color36, ISBN 917100727X, Code 5968. Clothbound with Jacket, In Pristine Condition, Bibl. Index. Bio. Pages 278, Size 11öx 9ö.…