lalla essaydi (31 risultati)

Condizione: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. EX-LIBRARY BOOK. MAY HAVE IDENTIFYING LIBRARY MARKS, STICKERS, ETC. OTHERWISE A GOOD READING COPY. Former Library book. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condizione: Near Fine. 1st Edition. Softcover, 32 pgs. Oblong; 8.3 x 0.4 x 11.1 inches. Essay by Amanda Carlson. Color illus. Near fine.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. The Spring 2005 issue of Aperture magazine, No. 178, with: portfolios of photographs by Eugene Richards, Hiroshi Sugimoto, Lalla Essaydi, Laura Kurgan, and Gaby Messina; Philip Gefter on Vince Aletti's magazine collection and the role of art directors in shaping our understanding of the medium; articles on Guy Bourdin, Shomei Tomatsu, Raymond Depardon, and much more. Edited by Melissa Harris; art directed by Yolanda Cuomo. First edition. Perfect-bound stiff card covers; 84 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine with a hint of shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Soft cover. Condizione: Fine. 1st Edition. 1st Printing. 24 pages. Published in 2005. Exhibition Catalog. One of the most memorable and important exhibitions ever held by DeCordova Museum, it features, among other treasures, the singular photographic art of Lalla Essaydi. The first and only edition. Published in a small and limited print run as a softcover original only. The Exhibition Catalog is now rare. Published on the occasion of the annual Summer Arts Festival held at the DeCordova Museum And Sculpture Park Lincoln, Massachusetts in 2005. Presents the work of ten artists and photographers, headlined (at least for photo aficionados) by the sublime photographic art of Lalla Essaydi. The group show that is now the annual summer showcase of many museums (commercial art galleries are usually closed during the summer, the exact opposite being the case with public venues) is here in full bloom. An absolute "must-have" title for Lalla Essaydi and contemporary art and photography collectors. This title is now collectible. As far as we know, this is the only copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A rare copy thus. 10 color plates. Some of the most brilliant artists and photographer of our time. A fine copy. ISBN 0945506503. no.

Softcover, 32 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Near Fine. 1st Edition. Near Fine paperback. Overall a bright and attractive copy. Numerous color and b&w illustrations. 68 pp.

Ephemera. The Fall 2004 issue of Flash, Chroma, and the Inner Sanctum, the newsletter of the Laurence Miller Gallery, NYC, with short items on Lalla Essaydi, Helen Levitt, Burk Uzzle, and other photographers as well as a longer piece on the opening of the new MoMA, NYC, by the gallery director. Single sheet, printed one side; 8.5 x 11 inches. Condition: Folded and mailed with markings to the blank side otherwise Fine. Laid-in is an artist's representation card listing the then current photographers the gallery represents with photos by Levitt, Peter Bialobrzeski, DoDo Jin Ming, and Stephane Couturier. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

oblong sewn PAPERBACK, very good, attractive copy. ESSAYDI, LALLA. Converging territories : photographs and text by Lalla Essaydi. Essay by Amanda Carlson. New York: powerHouse Books, 2005, stated First Edition, and 1st printing number line ending in 1, 29pp., . Edited by Laurence Miller, accompanying an exhibition at the Laurence Miller Gallery in New York. - Color photographs of women wrapped in thick white woven fabric, essentially merging into the backgrounds of the same fabric and colors. Includes an interview with the artist, who was born and lived in Morocco, later education in the US. 9781576872567 ISBN 1576872564.

Hardcover with dustjacket, 94 pages, in English; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

First edition. Oblong softcover. 29 pages. Exhibition catalog for a show that ran January 6 through February 26, 2005. Features an essay by Amanda Carlson along with the text of her interview of Essaydi. Includes several color images. A very near fine copy in French style wrappers.

Soft cover. Condizione: New. 1st Edition. First Edition (stated); First Printing (full number line). Bought new and stored. Oblong 8vo. 32 pp. Color photo plates: Women enscripted by the word--a photo study of agency and strictures. Ships fast with tracking.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Dust jacket in very good condition. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Clean cover boards, unmarked pages. Minor loosening to binding. Secure packaging for safe delivery.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Includes dust jacket. Dust jacket has some dirtiness.

Hardcover with dustjacket, 94 pages, in English; very good condition, light rubbing to dj; signed with a squiggle at bottom of half-title page; but signature has not been verified; no other internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Signed by Essaydi on the title page.

Hardcover. Condizione: Fine. Dust Jacket Included. 1st Edition. Fine brown cloth boards in fine illustrated dust jacket. Tall 4to. 94 pp. Color plates. Studio portraits of Muslim women camouflaged, or occluded?, by script suggesting proscriptive religious and legal language. Ships fast with tracking.

hardcover. Condizione: Very Good. Jacket has light wear, rear cover has a sticker remnant,+binding tight, internally clean. Lalla Essaydi is a New York-based, Moroccan-born photographer, painter, and installation artist. Over the past decade, she has risen to international prominence with her timely and beautiful work that deals with the condition of women in Islamic society, cross-cultural identity, Orientalism, and the history of art. Like her feminist Muslim expatriate contemporaries?Ghada Amer, Ambreen Butt, Emily Jacir, Sherin Neshat, and Shahzia Sikander?Essaydi has developed a powerful and personal artistic voice that calls into question prevailing myths, power hierarchies, and traditions that limit human freedom.This solo exhibition at the Museum of Art presents Essaydi?s most recent body of work, Les Femmes du Maroc. Like her earlier photographic series, Converging Territories (2005), the images in Les Femmes du Maroc present Moroccan women in staged narratives. These women inhabit a place that is literally and entirely circumscribed by text, written directly on their bodies, apparel, and their surroundings by the artist herself.Les Femmes du Maroc expands upon Essaydi?s previous work in several important ways. These photographs critique contemporary social structures, but simultaneously confront historical attitudes that have helped in great part to construct past and present representations of Arab women. The title of the series is a modification of Les Femmes d?Algiers, a painting by French Romantic Artist Eugène Delacroix from 1834. Most of the photographs in Les Femmes du Maroc are based on specific nineteenth-century European and American Orientalist paintings; Essaydi, however, has radically transformed the antecedents. While she retains the compositions, gestures, and general costume of the original paintings, she strips them of their opulent colors, removes male figures, erases cues to social status, clothes all nudity, and incorporates her ubiquitous calligraphy. Les Femmes du Maroc unmasks the fetishistic, formulaic, and sometimes pornographic aspects of Orientalist panting and the Western view of Arab women they encapsulate. Traversing the geographic, political, and religious divides between East and West, history and the present, Essaydi?s photographs foster timely discourse about Orientalism and cross-cultural understanding today.

Condizione: Good. Original boards, dust jacket, illustrated with numerous (foldable) colour photographs, pictorial slipcase, 4to.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Couverture rigide. Condizione: Comme neuf. Edition originale. Paris 2015. Harback & Dust Jacket in slip case. 28,8 x 26 cm ( 2745 gr ). ------ 368 pages. Many color illustartions , folding plates. ******************** "" Crossing boundaries and expanding ideas of physical and social space are not new challenges for Essaydi, as her lived experience spans divergent, locations, cultures, and ideologies. Moroccan born and raised, Essaydi became an artist after relocating from Morocco to Saudi Arabia, then France, and ultimately to the United States. This itinerant personal history has afforded her the distance and means to explore the varied dimensions of Muslim women's experiences based on those of her own, and also to challenge the boundaries that shaped her upbringing. She believes her work, with its very intimate portrayal of Moroccan women and the private spaces they inhabit, would not have been possible without distance from her homeland. Well-educated, well-travelled, and raised in a closely knit family of means, Essaydi (b. 1956) enjoyed a privileged and enriching childhood in Marrakesh, Morocco, in a traditional Muslim household that included relatively private spaces reserved for women. Within these spaces, women led animated lives among extended family and friends. She has spent much of her life in the Muslim world where women were expected to maintain traditional gender roles as daughters, sisters, and ultimately as wives and mothers. She followed this path for many years, first as a daughter in Morocco, and later as wife and mother in Saudi Arabia, where she raised her family. "" ********************** ref 434.

Brooklyn NY powerHouse Books 2009 Bound, cloth with original dustjacket, 93pp., 31.5x37.5cm., photogr. ills. in col., incomplete book: 3 pages with illustrations are missing, else in good condition: dustjacket with traces of use). ISBN 9781576874912. This item is sold as incomplete: it can be used as a scrap book for the illustrations.

First edition. Softcover. 43 pages. Exhibition catalog for a show that ran October 13-25, 2008. Features the text of Ray Waterhouse's interview of Lalla Essaydi. Includes numerous color images by Essaydi, list of previous exhibitions, and lists of publications, and collections. A clean near fine copy in wrappers. Uncommon, with only 5 copies listed in OCLC.

Couverture souple. Condizione: bon. ROD0123592: 2005. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 31 pages augmentées de nombreuses photographies en couleurs hors texte. Couverture contre-pliée. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. First edition (2018). First impression. Edition of 100 hand-numbered and signed copies. Large format hardback in new condition. Comes with a signed and numbered 11" x 14" (27.94 x 35.56 cm) exhibition-quality original print. No markings. Dust jacket in removable protective sleeve. Please see pictures. PayPal accepted, any questions please get in touch. Signed by Author(s).

hardcover. Condizione: Perfetto (Mint). From "Six x XX". 24 colours photographs. With a separate exhibition-quality original print, numbered and signed by the Artist, on 11 x 14 inch paper / Dalla serie "Six x XX". 24 fotografie a colori. Con una stampa originale a colori sciolta, numerata e firmata dall'artista sul retro ("Bullets Revisited #6, 2012", cm 35,6x27,9, esemplare 59/100) Artist's signature inserted into an eyelet to the back cover. Copy n. 59/100 / Stampato su carta giapponese pesante e rilegato in tela giapponese.  Firma dell'Artista inserita in un occhiello al piatto posteriore. Copia N. 59/100. 4to (36,5x29). pp. 38. . Perfetto (Mint). . Prima edizione di 100 esemplari numerati e firmati dall'Autore (First edition of 100 copies numbered and signed by the author). . "My photographs are about the women subjects' participation in contributing to the greater emancipation of Arab women, while at the same time conveying to an outside audience a very rich tradition of practice, relationships, and ideas that are so often misunderstood and misrepresented in the West." (Lalla Essaydi).Lalla Essaydi's photographs deal with a rebellion against the limited domain of the female within Islamic traditions. As noted in Nazar: Photographs from the Arab World (Aperture, 2005), according to Islamic tradition, the street is the domain of men, and women are condemned to live indoors. Behind closed doors, they are nothing more than decoration, suggests Essaydi.Essaydi places Islamic women in isolated spaces and literally decorates them with texts written in henna. The texts, a reversal of the silence of their isolation give the women a voice, with which they can speak to the space and to one another. The rebellious character of the photographs is magnified by the fact that within Islam calligraphy cannot be practiced by women."Le mie fotografie riguardano la partecipazione femminile all'emancipazione delle donne nel mondo arabo, e allo stesso tempo trasmettono al pubblico esterno una tradizione molto ricca di pratiche, relazioni e idee che sono così spesso fraintese e travisate in Occidente". (Lalla Essaydi).Le fotografie di Lalla Essaydi si concentrano sulla ribellione contro la condizione della donna all'interno delle tradizioni islamiche. Secondo la tradizione islamica, la strada è dominio degli uomini e le donne sono condannate a vivere in casa. Dietro le porte chiuse, non sono altro che decorazioni, suggerisce Essaydi.Essaydi colloca le donne islamiche in spazi isolati e le decora letteralmente con testi scritti con l'henné. I testi - un'inversione del silenzio dovuto al loro isolamento - danno alle donne una voce, con cui possono parlare allo spazio e l'una all'altra. Il carattere ribelle delle fotografie è amplificato dal fatto che all'interno dell'Islam la calligrafia non può essere praticata dalle donne. Prima edizione di 100 esemplari numerati e firmati dall'Autore (First edition of 100 copies numbered and signed by the author). Book.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. SPECIAL ORDER: PRICING & AVAILABILITY SUBJECT TO CHANGE (please inquire). IMPORTANT NOTE: Only available as a complete slipcased set of six limited edition books and prints. Individual titles will not be sold separately (no exceptions will be made to this policy). The six titles (and print image sizes on 11 x 14-inch paper) are: * Petra Collins: "Kamasz Nyar" (print image size 14 x 11 inches - no border) * Lalla Essaydi: "Lalla Essaydi" (print image size 12 x 9.5 inches) * Marilyn Minter: "Cunt" (print image size 11 x 14 inches - no border) * Catherine Opie: "Girlfriends" (print image size 8 x 8 inches) * Laurie Simmons: "How We See" ("Doll Girls") (print image size 13.5 x 9.5 inches) * Mickalene Thomas: "Black is Beautiful" (print image size 13.5 x 10.5 inches) This is an Artist's Proof/AP set. About the Books & Slipcase: Fine cloth-covered boards, with photographically illustrated dust jacket. Each book is signed and numbered by the artist on a small printed paper (this copy being an Artist's Proof/AP), tipped in a debossed area of the book's rear cover. Unpaginated, with approximately 24 black-and-white or four-color offset plates (varies between 15 and 35 reproductions; some plates have an additional varnish pass), exquisitely printed on a special heavyweight Japanese paper. Book dimensions are approximately 15 x 12 inches. The books and accompanying photographs are presented in a custom slipcase with hand-marbled sides and silver stamping. New in publisher's original packaging. From the publisher: "Six by XX comprises 6 books and 6 original signed photographs by six of the most extraordinary artists working in photography today: Petra Collins; Lalla Essaydi; Marilyn Minter; Catherine Opie; Laurie Simmons; and Mickalene Thomas. Each title in the series is limited to 100 hand-numbered and signed copies, and contains a separate exhibition-quality original print, numbered and signed by the artist, on 11 x 14 inch paper. The books and accompanying photographs are presented in a custom slipcase with hand-marbled sides and silver stamping." Signed by Author. Signed by Author(s).