lane brian j (36 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Very Good. 1st. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Fine. 1st. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Dvd. Condizione: Good.

hardcover. Condizione: As New. New and unread. Buy multiples from our store to save on shipping.

Paperback. Condizione: Brand New. csm edition. 96 pages. 9.00x6.00x0.25 inches. In Stock.

Softcover. Sound binding. Clean, bright pages. Wraps have light handling wear. ; Articles primarily in English with one in French and nother in Spanish. Contents: Pinto, Peircean semiotic and narrative time: Lêdo Ivo's Ninho de Cobras. Lyday, Inversion in the absurdist plays of Jorge Díaz. Rodrígues and Gurule, The birth of Fortunata's child: Galdosian optimism? Christensen, Three concealments: Jean Cocteau's adaptation of The Picture of Dorian Gray. Williams, Color imagery in Gide's La Symphonie pastorale. Lane, The view from Saint-Hilaire. Veignes, De Monelle aux épouses masquées: le thème féminin dans l'oeuvre de Marcel Schwob. Dendle, The Estreno of Galdós' Zaragoza: its political ramifications. Seybolt, The function of moisture in La Regenta. Carpenter, Metaphor and madness in Mérimée's La Vénus d'Ille. Galanes, Las estrofas 15/24 a 19/28, y su descodificación autorial, en Canciones entre el Alma y el Esposo de San Juan de la Cruz. T. A. Perry, Juan Manuel's ystoria dest exienplo. John L. Grigsby, Le Voyage de Charlemagne: a(n un)likely source for Joufroi de Poitiers. ; 9.0" tall; 102 pages. Very Good in No Dust Jacket dust jacket.

Paperback. Condizione: Brand New. csm edition. 96 pages. 9.00x6.00x0.25 inches. In Stock.

Condizione: New. In.

Condizione: New.

Condizione: Muy bueno. : El planeta milagroso es un libro de divulgación científica que explora diversos aspectos de nuestro planeta, desde su formación y evolución geológica hasta la diversidad de sus ecosistemas y la influencia de la actividad humana. Con un enfoque didáctico y numerosas ilustraciones, el libro invita a reflexionar sobre la importancia de conservar el medio ambiente y promover un desarrollo sostenible. EAN: 9788447301133 Tipo: Libros Categoría: Ciencias Título: El planeta milagroso Autor: Bruce Brown| Lane Morgan| Brian J. Skinner| Dennis L. Hartmann| Stephen C. Porter Editorial: RBA Editores Idioma: es-ES Páginas: 260 Formato: tapa dura.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. Dorothy J. Hwee (illustratore). 1st Edition. Profusely illustrated in b/w and colour with photos, ills, charts and maps 1st Printing. Size: 8vo - over 7¾ - 9¾" tall. 96 pages. Item Type: Book. Clean and bright pages. Binding is tight, covers and spine fully intact. No inscriptions. Illustrator: Dorothy J. Hwee. Shipped Weight: Under 500 grams. Category: Military & Warfare; ISBN/EAN: 9781472840363. Please contact H4o Books if you require images or further information. Inventory No: 031517.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condizione: New. Print on Demand.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.