lane suzanne (127 risultati)

Softcover, 120 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Glossy Illustrated Boards. Condizione: Near Fine. Marisa Gentile Raffio (project Art editor); Todd Victor (senior Associate Art editor); Bruce R. McKillip (associate Art editor) (illustratore). Illustrated end pages. Textblock is very clean and very tight. All page edges are crisp and sound. Glossy illustrated covers, light folding to head and foot of spine. 400p., including glossary and index. Size: 4to - over 9¾" - 12" tall. Hardcover.

No Binding. Condizione: Very Good. ORIGINAL Articles, disbound from journal; no covers; in very good condition. Journal.

Paperback. Condizione: New. 2 Still in shrinkwrap. This book is brand new; never used or opened. No remainder marks. ; 0.55 x 11.97 x 8.43 Inches; 120 pages.

Paperback. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condizione: Very Good. 1st Edition. 32 pages. Accompanies the exhibition held at Hirschl & Adler Galleries, New York, April 20 to June 2, 1995. Softcover in pristine condition with very light shelf wear to cover. Inside clean and tight.

Soft cover. Condizione: Very Good. First Edition. 8vo - over 7¾" - 9¾" tall. Oblong softcover book with color reproductions.

Condizione: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Decorative Hardcover. Condizione: Like New. No Jacket. Marisa Gentile Raffio (Project Art Editor) (illustratore). © 1997. 400 pp. Over-sized and/or over weight book; may require extra postage. Please note that large and/or heavy items may incur an additional shipping charge. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially flawless copy with crisp pages, clean text, and very light shelf wear. No dust jacket.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Quality Paperback. Condizione: Fine. First edition, First Printing. As new. Book.

Softcover. Condizione: Comme neuf. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: very_good.

Quality Paperback. Condizione: Fine. First edition, First Printing. As new. Book.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Fine. 1st. 120 pages, illustrations (some colour); 22 x 31 cm. Catalogue of an exhibition at the Dallas Museum of Art, February 23 to May 11, 2003. Firm binding, clean inside copy. *** CONTENTS: Growing up absurd, by Lane Relyea; Are you experienced?, by Suzanne Weaver; Emerging criticism in Texas. No place like home, by Jennifer Davy; The plural form of history, by Alexander Dumbadze; Binary system, by Hilary Wilder. / SUZANNE WEAVER is associate curator of contemporary art at the Dallas Museum of Art. LANE RELYEA, formerly associate director of the Glassell School of Art, Museum of Fine Arts, Houston, is an assistant professor of art theory and practice at Northwestern University in Evanston, Illinois." - Publisher. *** Includes participating artists: Augusto Di Stefano - Adrian Esparza - Joey Fauerso - Robyn O'Neil - Robert Pruitt - Juan Miguel Ramos - Irene Roderick - Chris Sauter - Brent Steen - Marshall Thompson - Brad Tucker. Size: Oblong. Collectible.

Paperback. Condizione: New. Through the Back Fence [Paperback] Suzanne SmithElizabeth Lane,Fun And Eductional Great Childrens BookAges 6-12Classic childrens book. Help your child to discover the magic of reading.

Softcover. Color illus. stapled wraps. 32 pp. 13 color, numerous bw plates. Catalogue of an exhibition from April 20 to June 2, 1995. VG (Few marks from previous gallery owner.).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fair. 1st Edition. Stated First Edition. This is a rare book. I found only one other for sale on the Internet. Mine will be the Only copy with its dust jacket. From the jacket: 'This is the true story of Lee Lane's twenty-seven year marriage to one of the most brilliant surgeons in the country, a marriage abruptly ended by his death. He died in open-heart surgery, the very operation he himself worked to perfect. Being the wife of an ambitious, fiercely energetic-- and charming-- man such as Zeph Lane meant coping with their life and their seven children virtually alone, while he pursued that 'distant star.' It meant moving the family across the country alone; driving to the hospital and giving birth without her husband; running a nursery school while caring for her own ever-increasing family, so the bills could be paid while Zepf trained in yet another specialty.' You can see the covers of the book in the photos. There's just a slight bit of toning or soiling off the middle edges. The blue, orange and yellow lettering on the spine is still nicely bright. The cover edges are in excellent shape. The cover corners look very good. The page edges are mostly clean, a few dust freckles on the top one, two little light spots on the bottom one. The book is very solidly bound from cover to cover with nicely tight pages throughout and nicely tight covers as well. The pages are exceptionally clean. Scrolling through, I haven't found any soiling. The top corners of two consecutive pages were produced a little long, so the previous owner folded the tips of the corners in. I didn't see any other imperfections on any of the other pages. I didn't see any creasing. There aren't any markings. The previous owner, Dorothy Webb, neatly penned her name off the top edge of the blank front end paper. That's the only writing to be found anywhere in the book. The dust jacket is rated only Fair. There is loss at both spine ends, and there is a tear at the juncture between the rear cover and spine coming down from the top edge. The spine is toned to tan. The jacket doesn't have any conspicuous soiling. The flaps are in decent shape, just a tiny bit of wear (crinkling) at a couple of the edges. There are two very thin creases on the rear flap. The jacket is NOT price-clipped. I have it in a fitted protective cover.

paperback. Condizione: Fine.

paperback. Condizione: Very Good.

Softcover. Condizione: NF. Pale blue ill. wraps. 120 pp. Profuse color plates. Essays by Jennifer Davy, Alexander Dumbadze and Hilary Wilder. Artists include Auguste Di Stefano, Adrian Esparza, Joey Fauerso, Robyn O'Neil, Robert Pruitt, Juan Miguel Ramos, Irene Roderick, Chris Sauter, Brent Steen, Marshall Thompson, and Brad Tucker.

Paperback. Condizione: New.

Paperback. 144p., foreword, introduction, fiction, essays, poetry, one of 2,000 copies, very good first edition trade paperback original in pictorial wraps.

Paperback. Condizione: New.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condizione: New. &Uumlber den Autor Suzanne Lane owns a successful public relations agency in New York City. She chose to write the story of her relationship with Sammy in order to share her experiences with other dog lovers and potential animal resc.