Lankton greer (14 risultati)

Condizione: New.

Hardback or Cased Book. Condizione: New. Greer Lankton: Could It Be Love. Book.

Hardcover. Condizione: new. Hardcover. Lankton's iconic and startling doll sculptures as we have never seen them before: through her own eyesThis is the first monograph on the trans visionary artist Greer Lankton (195896), whose lifelike doll sculptures shocked 1980s New York. Lankton's dolls, which she began making as a child and produced obsessively until her death at age 38, were a means to explore her fraught relationship with the human body. In the book's 100 photographs, all shot by Lankton herself, these figures take on a life of their own, kvetching at a party, strolling along a beach, or lounging on a stoop in the East Village. Among this extraordinary cast of oddballsusually femme, often freakish, always radiating a glamorous confidencewe find characters of Lankton's own invention alongside well-known icons such as Divine, Coco Chanel, Andy Warhol and even Lankton herself.Born in 1958 to a Presbyterian minister in Michigan, Greer Lankton moved to New York in 1978 and became a rising star of the downtown scene. There, her deviant elegance was immortalized in photographs by Peter Hujar, David Armstrong and Lankton's close friend Nan Goldin, who described her as "one of the luminaries of the East Village renaissance: beautiful, glamorous, wild and hysterically funny." Lankton's work was a neighborhood fixture, in exhibitions at the gallery Civilian Warfare and in regular window displays at Einstein's Boutique, and was also celebrated farther afield, in era-defining group shows at PS1 and the Venice Biennale. Her final work, an immersive installation created for the Mattress Factory in 1996, remains on permanent view. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: Brand New. 128 pages. 9.50x6.75x9.60 inches. In Stock.

hardcover. Condizione: New. Special order direct from the distributor.

Hardcover. Condizione: Brand New. 128 pages. 9.50x6.75x9.60 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. Lankton's iconic and startling doll sculptures as we have never seen them before: through her own eyesThis is the first monograph on the trans visionary artist Greer Lankton (195896), whose lifelike doll sculptures shocked 1980s New York. Lankton's dolls, which she began making as a child and produced obsessively until her death at age 38, were a means to explore her fraught relationship with the human body. In the book's 100 photographs, all shot by Lankton herself, these figures take on a life of their own, kvetching at a party, strolling along a beach, or lounging on a stoop in the East Village. Among this extraordinary cast of oddballsusually femme, often freakish, always radiating a glamorous confidencewe find characters of Lankton's own invention alongside well-known icons such as Divine, Coco Chanel, Andy Warhol and even Lankton herself.Born in 1958 to a Presbyterian minister in Michigan, Greer Lankton moved to New York in 1978 and became a rising star of the downtown scene. There, her deviant elegance was immortalized in photographs by Peter Hujar, David Armstrong and Lankton's close friend Nan Goldin, who described her as "one of the luminaries of the East Village renaissance: beautiful, glamorous, wild and hysterically funny." Lankton's work was a neighborhood fixture, in exhibitions at the gallery Civilian Warfare and in regular window displays at Einstein's Boutique, and was also celebrated farther afield, in era-defining group shows at PS1 and the Venice Biennale. Her final work, an immersive installation created for the Mattress Factory in 1996, remains on permanent view. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Pamphlet. This is not a book. The original exhibition pamphlet for a survey of 1980s graffiti culture and work created as part of the East Village, NYC, art scene, titled "East Village USA." The show was organized by Dan Cameron and held at the New Museum of Contemporary Art, December 9, 2004 - March 19, 2005. The cover features Lee Quinones' "Life Takes a Life" (1984) and pictured inside are "Total Recall" (1985) by Gretchen Bender, "Cardboard" (1985) by Jimmy de Sana, "Untitled (Acrobat)" (1984) by Greer Lankton (from the collection of Nan Goldin), and a photograph by Dona Ann McAdams of John Kelly performing "The Diary of a Somnambulist at Limbo Lounge" in 1985. Staple-bound self-wrappers; 8 pages; 4 color and 1 b&w illustrations; 5.5 x 8.5 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted. …

Condizione: As New. Unread book in perfect condition.

Packet of loose fliers for The 9th Street Survival Show--a group exhibition from May 31-June 28 1981 at El Bohio in New York City on Avenue B and 605 East 9th Street and Avenue B, a former public school building PS 64, run by Charas. The packet consists of folded newspaper pages from a June 3 1981 New York Times with 9th Street Survival in black magic marker on front sealed with masking tape containing 96 loose 8 1/2 x 11 inch xeroxes on variously colored paperstock by the various contributors to the show, some with hand-drawn additions. Some of the included fliers functioned as advertisements for the artists and curators in the show and include which PS 64 room they were showing in; most are more like copyart. Includes pages by: Brian Buczak, Robert Montoya, Michael Cockrill, Andrea Evans, Claire Moore, Haim Steinbach, E.F. Higgins III, Greer Lankton, Dona Ann McAdams, Brad Melamed, Leonid Sokov, Robert Vitale, Cyn, Helga Salvetti, Mariann Nowack, Daniel Witzzz, Scavenger Theatre, Terry Niedzialek, Tina Saposhnik, Food Opera, Tony Ziegler, T.E. Moran, Dina Gerasia, Carmen Spera, Pavlovic, Robert Vitale, Snuky Tate, Joy Kreves, Betsy Berne, Marsha Mowery, Glen Sacks, Maria Scotti, Jody Wright, T. Rosser, Richard Sands, Robbie Evans, Martha Bloom, Geoff Hendricks, Shirley Irons, Robert Feero, Bill Doherty, Shelly Silver, Kathy Johnson, Ken McKay, Hunsinger, Laura Zelasnick, Norman Tuck, David Bennett, Coral Bourgeois, Naomi Teppich, Bill Kahn, Rob Keay, Dolly Holmes, Michael Kirby, Barb Lafferty, Patrick Warner, Michael Roney, Nancy Roldany, Betti Sue Hertz, Cynthia Black, John Theodiore Spencer, Michelle Lowe, Doree Albritton, W. Phipps, R. Dombrowski, J.M. Fucillo and others. Foreign shipping may be extra.…

Hardcover. Condizione: new. Hardcover. Lankton's iconic and startling doll sculptures as we have never seen them before: through her own eyesThis is the first monograph on the trans visionary artist Greer Lankton (195896), whose lifelike doll sculptures shocked 1980s New York. Lankton's dolls, which she began making as a child and produced obsessively until her death at age 38, were a means to explore her fraught relationship with the human body. In the book's 100 photographs, all shot by Lankton herself, these figures take on a life of their own, kvetching at a party, strolling along a beach, or lounging on a stoop in the East Village. Among this extraordinary cast of oddballsusually femme, often freakish, always radiating a glamorous confidencewe find characters of Lankton's own invention alongside well-known icons such as Divine, Coco Chanel, Andy Warhol and even Lankton herself.Born in 1958 to a Presbyterian minister in Michigan, Greer Lankton moved to New York in 1978 and became a rising star of the downtown scene. There, her deviant elegance was immortalized in photographs by Peter Hujar, David Armstrong and Lankton's close friend Nan Goldin, who described her as "one of the luminaries of the East Village renaissance: beautiful, glamorous, wild and hysterically funny." Lankton's work was a neighborhood fixture, in exhibitions at the gallery Civilian Warfare and in regular window displays at Einstein's Boutique, and was also celebrated farther afield, in era-defining group shows at PS1 and the Venice Biennale. Her final work, an immersive installation created for the Mattress Factory in 1996, remains on permanent view. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…