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Editore: Chronicle Books, 1995
ISBN 10: 0811808068ISBN 13: 9780811808064
Libro
Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
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Nuovo - A partire da EUR 14,38
Usato - A partire da EUR 6,63
Scopri anche Brossura Prima edizione
Editore: Mitchell Beazley, 1993
ISBN 10: 1857320999ISBN 13: 9781857320992
Libro
Condizione: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Nuovo - A partire da EUR 51,42
Usato - A partire da EUR 7,11
Scopri anche Rilegato Brossura Prima edizione
Editore: Mitchell Beazley, London, 1993
Da: valley books, Holton, SUFFO, Regno Unito
Libro
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. Many colour illustrations. 144pp.
Editore: Chronicle Books, San Francisco, 1990
Da: Entropy Books, Ferndale, MI, U.S.A.
Libro
Soft cover. Condizione: Fine. Color printed self-wrappers, landscape 4to., 144 pages, color illustrations. A fine copy.
Editore: Lond. Mitchell Beazley., 1993
Da: The Antique Bookshop & Curios (ANZAAB), Crows Nest, NSW, Australia
Prima edizione
Or.bds. Dustjacket. 144pp. Profusely illustrated in colour and black & white. Very good copy. 1st ed. @An inspiring guide to the art & craft of montage. A stage by stage guide to cut-and-paste techniques, photocopier art, & photographic manipulations. With examples by artists working in the field.@.
Editore: Ivory Press, 2009
Da: Big Reuse, Brooklyn, NY, U.S.A.
Libro
Hardcover. Condizione: Very Good. In English & Chinese. Large-format photo magazine, various artists' portfolios. Some rubbing and consistent shelfwear to boards, corners bumped. No interior marks.
Editore: Seker & Warburg, London, 1989
ISBN 10: 0436241242ISBN 13: 9780436241246
Da: Idler Fine Books, Las Vegas, NV, U.S.A.
Libro Prima edizione Copia autografata
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Peter Dyer (Jacket design); Simon Larbalestier (illustratore). 1st Edition. First printing of the first British edition. Signed by Cynthia Kadohata directly on the half-title page. Mild toning to page margins, else book and dust jacket in fine condition. Signed by Author(s).
Leg. ed. sov. oblungo pp. 144 ottimo stato (a53) We ship all over the world. Shipping cost depends on weight and country. Please ask for a quote before ordering.
Condizione: Fine. Number of pages: 144 p. Size: 23 x 27 cm.
Editore: Santa Monica: Artist in Residence, 2009, 2009
Da: Peter Harrington. ABA/ ILAB., London, Regno Unito
Prima edizione Copia autografata
First edition, first printing. No. 744 of 3,000 copies with a large book mark signed by Oliver and the Pixies (Black Francis, Kim Deal, Joey Santiago & David Lovering). Together with five 180 gm vinyl LPs, five gold plated CDs and a DVD disc of the albums; Come On Pilgrim [1987], Surfer Rosa [1988], Doolittle [1989], Bossanova [1990] and Trompe le Monde [1991]. Also contains a 37 track DVD video disc featuring seven previously unreleased videos and thirty tracks recorded live at Brixton Academy, London 1992, and a Blue-Ray disc containing all the albums and videos from the Brixton Academy. Oliver designed the original artwork for the Pixies. Folio. Original light grey felt over cloth boards, black illustration to front cover. Two smaller books, one housing CDs, DVDs and a Blue-Ray disc, the other containing lyrics, both housed in an illustrated slipcase. LPs housed in separate sleeves contained in a printed box. All housed in a green flocked cardboard box with lettering embossed to the lid. Full page photographs throughout by Larbalestier and Kevin Westenberg. Loose giclee print laid into the back paste down. Sheet size: 30.4 x 47 cm. and two large posters. All in excellent condition.
Editore: 4AD, London, 1989
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Three early never-issued alternate artwork proof designs for the classic 1989 album. Developed by British graphic designer Vaughan Oliver, with photography by Simon Larbalestier. Unique. In 1980, Oliver and photographer Nigel Grierson formed the graphic design partnership 23 Envelope. In 1982 the duo were invited to create sleeve art for the 4AD record label by co-founder Ivo Watts-Russell. Under 23 Envelope and v23, Oliver would give 4AD one of the most acclaimed and distinguished visual identities of any record label of the 1980s and 1990s, designing album art for the Cocteau Twins, This Mortal Coil, Dead Can Dance, Colourbox, and the Pixies, among many others. Oliver managed the graphic design for the Pixies' entire discography during his lifetime, with "Doolittle" being the most celebrated. Photographer Simon Larbalestier is best known for his collaborative work with Oliver under 23 Envelope and v23, and provided photography for all the Pixies albums, helping to give the band their distinctive and opulent visual style. "Doolittle" was the first Pixies album for which Oliver and Larbalestier had access to the lyrics, which "made a fundamental difference" according to Larbalestier, and helped determined the photography, layout, and graphic style. While each of the experimental proofs presented here retain the general overall layout of the released cover, each contains both stark and subtle differences. The first proof, the most dramatically divergent, is printed in a sharp copper, with the photograph a pale yellow, and the rear cover text a deep blue. The other two proofs, experimenting with metallic copper and gold, are both notably lighter in tone than the final art, but the photograph, printed in a gray green, is close to Oliver's final design, with the rear cover text also in gray-green, as opposed to the white of the final design. The layout of the typography is also notably different in all three proofs, with the band name much smaller, and its accompanying grid nearly indiscernible, as is the title, placed discreetly above the band's name. Three extraordinary experimental proofs, documenting Oliver's process in creating the exceptional art of one of the most celebrated and influential rock albums of all time. 25.25 x 13.75 inches on heavy card stock. Near Fine overall.