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Hardback. Condizione: New. The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863-1944) at the forefront of European art at the turn of the last century.Interestingly, Munch's artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist's work: Munch's relationship to Italy.The first essay, Lasse Jacobsen's 'Edvard Munch. Italian Impressions', explores this connection explicitly, as part of a general overview of Munch's life and work.The second text, 'Reflections in Munch's Inner Eye' by Patricia G. Berman, charts the art historical context of Munch's exploration of experience's subjective dimension. Emil Leth Meilvang's 'Seeing without Sight. Munch's Vision', on its part, explores the relationship between Munch's artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: 'I am a Romantic' and 'Who Am I'. Each demonstrates Munch's continuing ability to light the inner fires of other artists. …

Hardback. Condizione: New. The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863-1944) at the forefront of European art at the turn of the last century.Interestingly, Munch's artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist's work: Munch's relationship to Italy.The first essay, Lasse Jacobsen's 'Edvard Munch. Italian Impressions', explores this connection explicitly, as part of a general overview of Munch's life and work.The second text, 'Reflections in Munch's Inner Eye' by Patricia G. Berman, charts the art historical context of Munch's exploration of experience's subjective dimension. Emil Leth Meilvang's 'Seeing without Sight. Munch's Vision', on its part, explores the relationship between Munch's artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: 'I am a Romantic' and 'Who Am I'. Each demonstrates Munch's continuing ability to light the inner fires of other artists. …

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Hardcover. Condizione: Brand New. 240 pages. 11.76x9.51x9.45 inches. In Stock.

Hardback. Condizione: New. The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863-1944) at the forefront of European art at the turn of the last century.Interestingly, Munch's artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist's work: Munch's relationship to Italy.The first essay, Lasse Jacobsen's 'Edvard Munch. Italian Impressions', explores this connection explicitly, as part of a general overview of Munch's life and work.The second text, 'Reflections in Munch's Inner Eye' by Patricia G. Berman, charts the art historical context of Munch's exploration of experience's subjective dimension. Emil Leth Meilvang's 'Seeing without Sight. Munch's Vision', on its part, explores the relationship between Munch's artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: 'I am a Romantic' and 'Who Am I'. Each demonstrates Munch's continuing ability to light the inner fires of other artists. …

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Hardcover/Hardback. Condizione: Fine. Condizione sovraccoperta: Fine. 2nd edition. Large quarto, 1408 pages (xxviii, 1380), mathematical notation, charts, diagrams &c, many in colour, References, index: publisher's navy-blue cloth, gilt-blocked titles on the spine: white and purple dust-jacket. Fine, without writing or other marks of previous ownership. Unread but with signs of handling. Packed weight 4.7 kilos, so orders for shipment outside the UK will call for considerable extra charges. (UK orders post-free, as usual). …

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Hardback. Condizione: New. The jarring emptiness following the loss of a loved one, the expansive out-of-body sensation of sensual touch, the lassitude of melancholy and the ecstatic receptivity to sunshine. His ability to capture and convey sensation and feelings through the materials of art, places the Norwegian artist Edvard Munch (1863-1944) at the forefront of European art at the turn of the last century.Interestingly, Munch's artistic exploration of perception, and his persistent questioning of the objectivity of vision, intersect with ideas that matured within the fields of psychology and experimental optics at the time.Edvard Munch: Inner Fire examines these connections, demonstrating his continuing exploration of the conditions of sight. The essays in this catalogue examine this phenomenon while also probing a lesser-known aspect of the artist's work: Munch's relationship to Italy.The first essay, Lasse Jacobsen's 'Edvard Munch. Italian Impressions', explores this connection explicitly, as part of a general overview of Munch's life and work.The second text, 'Reflections in Munch's Inner Eye' by Patricia G. Berman, charts the art historical context of Munch's exploration of experience's subjective dimension. Emil Leth Meilvang's 'Seeing without Sight. Munch's Vision', on its part, explores the relationship between Munch's artistic development and simultaneous developments within the perceptual sciences. Edvard Munch. Inner Fire includes essayistic pieces by authors Melania G. Mazzucco and Hanne Ørstavik: 'I am a Romantic' and 'Who Am I'. Each demonstrates Munch's continuing ability to light the inner fires of other artists. …

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Hardcover. Condizione: Brand New. 2nd revised edition edition. 1404 pages. 11.42x8.94x2.40 inches. In Stock.

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Condizione: New. Providing theoretical and practical foundations for tackling present and future challenges of petroleum seismology especially those related to seismic survey designs, data acquisition, seismic and EM modeling, seismic imaging, microseismicity, and reservoir.

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Paperback. Condizione: Brand New. 478 pages. 9.00x6.00x1.20 inches. In Stock.

Rilegato in tela. Condizione: nuovo. prima edizione. Oslo, 2024, Munch Museum. Cm. 30x24, pp. 240, ill. a colori n.t., ril. tela Edvard Munch: Il Grido Interiore si terrà al @palazzorealemilano di Milano dal 14.09.2024 al 26.01.2025. Si sposterà poi al @mostrepalazzobonaparte di Roma, dove sarà in mostra dal 12.02.2025 al 02.06.2025 Il vuoto sconvolgente che segue la perdita di una persona cara, l'ampia sensazione extracorporea del tocco sensuale, la stanchezza della malinconia e l'estatica ricettività alla luce del sole. La sua capacità di catturare e trasmettere sensazioni e sentimenti attraverso i materiali dell'arte, colloca l'artista norvegese Edvard Munch (1863-1944) in prima linea nell'arte europea a cavallo del secolo scorso. È interessante notare che l'esplorazione artistica della percezione da parte di Munch e il suo persistente interrogativo sull'oggettività della visione si intersecano con idee maturate all'epoca nei campi della psicologia e dell'ottica sperimentale. Edvard Munch: Il Grido Interiore esamina queste connessioni, dimostrando la sua continua esplorazione delle condizioni della vista. I saggi in questo catalogo esaminano questo fenomeno, indagando anche un aspetto meno noto dell'opera dell'artista: il rapporto di Munch con l'Italia. Il primo saggio, "Edvard Munch. Impressioni italiane" di Lasse Jacobsen, esplora questa connessione in modo esplicito, come parte di una panoramica generale della vita e dell'opera di Munch. Il secondo testo, "Riflessioni nell'occhio interiore di Munch" di Patricia G. Berman, traccia il contesto storico-artistico dell'esplorazione di Munch della dimensione soggettiva dell'esperienza. "Vedere senza vista. La visione di Munch" di Emil Leth Meilvang, da parte sua, esplora la relazione tra lo sviluppo artistico di Munch e gli sviluppi simultanei all'interno delle scienze percettive. Edvard Munch: Il Grido Interiore include pezzi saggistici degli autori Melania G. Mazzucco e Hanne Ørstavik: "I am a Romantic" e "Who Am I". Ognuno dimostra la continua capacità di Munch di accendere i fuochi interiori di altri artisti.…