laura canning (17 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Muy bueno. Laura, Barbara (illustratore). : Este libro, titulado 'Horses and Ponies', es una lectura ideal para niños de entre 2 y 4 años. Explora el mundo de los caballos y ponis, mostrando los diferentes trabajos que realizan y cómo han colaborado con los humanos a lo largo del tiempo. Con ilustraciones de Barbara Laura, este libro de la serie 'Storyshapes' ofrece una introducción accesible y entretenida al mundo equino para los más pequeños. EAN: 9781562939328 Tipo: Libros Categoría: Infantil y Juvenil Título: Horses and Ponies Autor: Shelagh Canning Editorial: McClanahan Book Co Idioma: en Páginas: 24 Formato: tapa blanda.

Paperback. Condizione: Brand New. 244 pages. 6.88x4.25x0.55 inches. In Stock.

Hardcover. Condizione: Very good condition. Condizione sovraccoperta: dj. xxvi, 832 pp. Dustjacket. LCC: 9144272.

Paperback. Condizione: new. Paperback. This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Cannings collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, thisbook makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules. This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. pp. 343.

Condizione: New. pp. 343.

Condizione: New. pp. 343.

Paperback. Condizione: Brand New. 343 pages. 9.50x6.25x0.75 inches. In Stock.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning's collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, thisbook makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.

Taschenbuch. Condizione: Neu. European Cinema in the Twenty-First Century | Discourses, Directions and Genres | Ingrid Lewis (u. a.) | Taschenbuch | xxi | Englisch | 2020 | Springer | EAN 9783030334352 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Paperback. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Aceptable. Essays "Glamour Wounds: Rhonda Lieberman on The Jew Beat, Again," by Rhonda Lieberman; "Music: David Rimanelli and Tina Lyons on New Wave," by David Rimanelli and Tina Lyon; "Media Kids: Anne Marlowe on Rock at Princeton," by Ann Marlowe; "Exits and Entrances: Jeanne Silverthorne on David Mamets Oleanna," by Jeanne Silverthorne; "Film: Manohla Dargis on Gillian Armstrong's 'Last Days of Chez Nous,'" by Manohla Dargis; "Books: Gary Kamiya on James Miller's 'Passion of Michel Foucault,'" by Gary Kamiya; "Museum Piece: Thomas McEvilley on 'Exhibiting Cultures' and 'Museums and Communities,'" by Thomas McEvilley; "Eugenio Dittborn: Return to Sender," by Dan Cameron; "Half-Life: A Project for Artforum," by Nick Waplington with text by Jayne Anne Phillips; "Malice toward Nuns," Manohla Dargis talks with Abel Ferrara; "Luis Gordillo's Anxious Biology," by Lisa Liebmann; "You and I: The Art of Ketty La Rocca," by Judith Russi Kirshner; "The Sublime Theorist of Slovenia," Peter Canning interviews Slavoj i ek; "Openings: Chris Isner," by Daniela Salvioni. Reviews Donald Kuspit, Jan Avgikos, Barry Schwabsky, Kirby Gookin, Ben Lifson, Joshua Decter, A.M. Homes, David Pagel, Andrew Perchuk, Jenifer P. Borum, Keith Seward, Lois Nesbitt, Patricia C. Phillips, RoseLee Goldberg, Francine Koslow Miller, James Yood, Therese Lichtenstein, Maria Porges, Amy Gerstler, Benjamin Weissman, Laura U. Marks, Carlos Basualdo, José Luis Brea, Massimo Carboni, Giorgio Verzotti, Anne Dagbert, Miriam Rosen, Peter Nesweda, Claudia Jolles, Noemi Smolik, Sabine B. Vogel, Peter Funken, Michael Corris, Charles Green. Cover: Nick Waplington.

Condizione: new. Questo è un articolo print on demand.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning's collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, this book makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules. 368 pp. Englisch.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Provides important insights into multiple key features unifying contemporary European cinemaBuilds upon existing studies on European Cinema, while acknowledging patterns and trends of recent film production and representation throughout the.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning's collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, thisbook makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 368 pp. Englisch.