Editore: State Historical Society, 1941
Da: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Membro dell'associazione: IOBA
Hardcover. Condizione: Good. Hardcover in good condition. 1938, volume XIX, 638 pages, no dust jacket. Due to the size/weight of this book extra charges may apply for international shipping.
Editore: State Historical Society, Pierre, SD, 1941
Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dustjacket. Hard cover, has slight lean to spine, some slight creasing to front pastedown and first several pages of text block at hinge, slight bump to base of spine with very slight bumps to top of spine and board corners, some faint rubbing, and a touch of sunning to spine, otherwise a solid VG copy.
Editore: South Dakota Historical Society, 1935
ISBN 10: 9110419462 ISBN 13: 9789110419469
Da: Dunaway Books, St. Louis, MO, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. very good unmarked copy.
Lingua: Inglese
Editore: Fox and Kingley, Pierre, 1928
Da: Libris Hardback Book Shop, Rockingham, VA, U.S.A.
Cloth. Condizione: Good Minus. No Jacket. Green cloth with bright gilt lettering on front cover and spine, corners and spine ends somewhat bumped and worn, cover shows light rubbing and spotting. Page edges tanned and some are creased. Binding loosening, but all pages are present and secure. Pages somewhat tanned and lightly foxed but clean, signature on first free end page is the only marking. 256 pages. Packaged carefully for shipment in cardboard with U. S. tracking. Oversized or heavy books may require extra postage for priority or international shipment.
Lingua: Inglese
Editore: Statewide Service Co, Pierre, 1924
Da: Libris Hardback Book Shop, Rockingham, VA, U.S.A.
Cloth. Condizione: Good Minus. No Jacket. Green cloth with gilt lettering on front cover and spine, corners and spine ends bumped and worn, cover shows some rubbing and edge wear. Page edges quite tan. Binding taped at hinges and loosening in general, but all pages are present and secure. Pages somewhat tanned but clean, signatures on first free end page are the only markings. 238 pages. Packaged carefully for shipment in cardboard with U. S. tracking. Oversized or heavy books may require extra postage for priority or international shipment.
Editore: [Englsih Department, Oregon State College], 1931
Da: Boyd Used & Rare Books, Portland, OR, U.S.A.
Membro dell'associazione: CBA
Soft cover. Condizione: Very Good-. Staple-bound in card covers. Covers show general wear. Interior is unmarked. Several leaves have creased corners. 40 pages. 10 x 6.75 inches. Includes an early, and possibly the first, published piece of prose by the novelist Ardyth Kennelly. The Manuscript was the literary magazine published by the English Department at Oregon State College. Contributors: James Byron Adams, Dorothy L. Anderson, Audred Arnold, Helen Hawkes Battey, Maxine Bennett, Cecil T. Carroll, Lawrence Chapman, A. R. Curtis, Bertha Eicher, Wilford Emmel, Bert Evans, Maurice K. Fox, Howard Gibbs, Walter Hanthorn, Joel Hedgpeth, Margaret E. Holmes, Louise Homewood, Dena Joy, Ardyth Kennelly, Hugh Kerwin, Kenneth Kutch (linoprint illustration), Omar M. Lloyd, Artha Olin, Anita Post, Wilma Post, Donald Prentiss, Norman Rudd, Fletcher Walker, and Clifford Wyckoff.
Da: castlebooksbcn, Barcelona, B, Spagna
EUR 80,00
Quantità: 1 disponibili
Aggiungi al carrelloEncuadernación de tapa dura. Condizione: Nuevo. Condizione sovraccoperta: Como Nuevo. Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Düsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.