lawson james a (66 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

No Binding. Condizione: Very Good. ORIGINAL Articles, disbound from journal; no covers; in very good condition. Journal.

Paperback. Condizione: Very Good+. First Edition. [1st printing] 1990. Reprints stories from the 'Spicy' pulps. Cover art by Madman. Includes "Foreward" by Tom Mason; "Introduction" by John Wooley; "The Dark Tower" by Robert Leslie Bellem; "Werewolf's Bride" by James A. Lawson; "The Stone of Ageless Evil" by Rex Norman; "Medusa's Kiss" by Hamlin Daly; "I Am A Monster" by Robert Leslie Bellem; "Dungeon of the Blind" by Arthur Wallace; "Portrait of Terror" by Jerome Severs Perry; "The Door on the Stairs" by Charles A. Baker, Jr.; "Synthetic Husband" by Lew Merrill; "Princess of Dreams" by Robert Leslie Bellem. Rubbing; corner wear. Book.

Condizione: New.

Paperback or Softback. Condizione: New. On the Present State of the Law and Practice in Ireland with Respect to Wills and the Administration of Assets. Book.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: As New. Madman - GGA {Good Girl Art} Painted Cover (illustratore). First Collected Edition, Original Thus. FAN Magazine (Trade Paperback) Small Press, Limited Print Run item! Different Uncensored classic reprints from PULP Magazines; 100 pages including Covers; With RISQUE Girl Art from same, including; Good Girl art, CONTENTS - "Temporary Corpse" by Robert Leslie Bellern; (2) "A Shamus and a Sheba" by Huntley Palmer; (3) "One Thousand Witnesses" by William B. Rainey; (4) "An Eye for an Eye" by Carl Moore; (5) "Killer's Cut" by Arthur Humbolt; (5) "Alibi of Death" by Jerome Severs Perry; (6) "G-Man" by James A. Lawson; (7) "foreword" by Tom Mason; (8) "Introduction" by John Wooley; (9) "Sally the Sleuth" by Barreaux; Size: 8vo - over 7¾" - 9¾" tall. Book.

Paperback. Condizione: As New. This book is like new; no remainder marks. Some slight cover shelfwear. Inside pages are clean. ; 0.7 x 8.98 x 5.86 Inches; 256 pages.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Brand New. 128 pages. 10.00x7.00x0.32 inches. In Stock.

Hardcover. Condizione: Very Good. Framework Archaeology Monograph No.1. With CD. Small name to ffep otherwise VG. A heavy book.

Softcover. Condizione: Very Good. Single issue. Printed pale blue wrappers. Contains pages 280-416pp. Corners slightly curled, spine age-toned, very good or better. Contributions by Saul Bellow, René Dubos, Aristides, Oscar Handlin, Owen Gingerich, Kenneth S. Lynn, Ralph Whitehead, Jr., Lewis S. Feuer, Edith Hartnett, Stephen R. Lawson, I.A. Richards, John Dickson, Sharon Olds, Kate Jennings, James Pearl, James D. Anderson, and more. Containing "The Nobel Lecture" by Saul Bellow.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: New.

Paperback. Condizione: New. Illustrated. As novel, complex social problems increase, especially those involving vulnerable people who reside in challenging places, the limitations of conventional research methods implemented by just one or two investigators become apparent. Research and development alternatives are needed, particularly methods that engage teams of researchers in real world problem solving while simultaneously generating practice- and policy-relevant knowledge. Research methods that effectively tap the expertise of everyday people, especially those impacted by these targeted social problems, are a special priority because academic researchers often lack experiential knowledge that stems from direct, everyday encounters with these vexing problems.Participatory action research (PAR) responds to these manifest needs. It provides a methodological structure and operational guidelines for preparing and deploying people from various walks of life as co-researchers, and it provides a proven strategy for generating practice- and policy-relevant knowledge as problem-solving in real world contexts proceeds.

173 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Moveable Structure / House In An Open Place," by Theodora Vischer and Maria Nordmann; "Pierre Klossowski," by Claude Ritschard; "Rereading A Fugitive Essay," by Howard Singerman; "The Theater Of The Mind," by Thomas Lawson; "Dialogues, Teachings," by Patrick Frey; "Baldessari's Timing," by James Lewis; "John Baldessari's True Colors," by Dave Hickey; "Excerpt From 'Maya.' A Story," by Susan A. Davis; "I Am Always The Other," by Ursula Pia Jauch; "Sidelines," by Eldriede Jelinek; "The Ideal And The Abject," by Norman Bryson; "Suitable For Framing," by Abigail Solomon-Godeau; "John Chamberlain In Baden-Baden," by Rudolf Schmitz; "Les Infos Du Paradis," by Marie-Louise Lienhard; "Cumulus Aus Europa," by Helmut Draxler; "Cumulus From America," by Lynn Gumpert "Balkon," by Robert Ashley. Insert by Niele Toroni. Text in German and English. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Fair. First Edition. Chicago / New York: A Red Circle Magazine / Manvis Publications Inc . 1939. First Edition. Pulp magazine. Pictorial wrappers [about 6.75" x 10"], 114 pages, illustrated. Fair copy [spine cocked and chipped at the heel, toning to the upper spine and across the top edge of the front panel, creasing and edgewear to the cover, bottom edge tearing to the rear portion of the issue, Creasing and chipping to upper corners cover and pages.bx45E.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Print on Demand. This historical compendium presents an extensive exploration of Manchester, New Hampshire, from its humble origins as Derryfield to its growth into a prominent industrial hub. The book chronicles the city's evolution through the voices of its people, offering a glimpse into their lives, struggles, and triumphs. From the establishment of the Amoskeag Manufacturing Company to the construction of iconic landmarks like the City Hall and Opera House, the book delves into the dynamic forces that shaped Manchester's identity. It examines the city's social, cultural, and economic development, highlighting the contributions of notable individuals and institutions. The compendium serves as a valuable resource for those seeking to understand the rich tapestry of Manchester's past, providing insights into the factors that have influenced its growth and transformation. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Softcover. First Edition; Second Printing. Very Good+ in wraps. "Temporary Corpse" by Robert Leslie Bellern; 2 "A Shamus and a Sheba" by Huntley Palmer; 3 "One Thousand Witnesses" by William B. Rainey; 4 "An Eye for an Eye" by Carl Moore; 5 "Killer's Cut" by Arthur Humbolt; 5 "Alibi of Death" by Jerome Severs Perry; 6 "G-Man" by James A. Lawson; 7 "foreword" by Tom Mason; 8 "Introduction" by John Wooley; 9 "Sally the Sleuth" by Barreaux; ; 8.43 X 5.85 X 0.73 inches.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. Illustrated. As novel, complex social problems increase, especially those involving vulnerable people who reside in challenging places, the limitations of conventional research methods implemented by just one or two investigators become apparent. Research and development alternatives are needed, particularly methods that engage teams of researchers in real world problem solving while simultaneously generating practice- and policy-relevant knowledge. Research methods that effectively tap the expertise of everyday people, especially those impacted by these targeted social problems, are a special priority because academic researchers often lack experiential knowledge that stems from direct, everyday encounters with these vexing problems.Participatory action research (PAR) responds to these manifest needs. It provides a methodological structure and operational guidelines for preparing and deploying people from various walks of life as co-researchers, and it provides a proven strategy for generating practice- and policy-relevant knowledge as problem-solving in real world contexts proceeds.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.