le guen j (24 risultati)

Couverture souple. Condizione: Bon. Edition originale. 32 pages, revue à la couverture papier en bon état. Livre.

Cah. ORSTOM, sér. Océanogr. , vol. IX, n° 1, 1971, Art. N° 36, Contribution COB N° 33, 10 pages agrafées de 20,50x29 cm Bon état - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

In-4, broché, Cahiers de l'ORSTOM, série Océanographie, Vol.VIII, n°4, 1970, 108 pages Très bon état - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

ORSTOM, Paris - 1971, Cah. ORSTOM, sér. Océanogr. , vol. VIII, n° 4, 1970, 21x27 cm, broché, 106 pages Bon état - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

Edition " SKOL VREIZ ", 1976, format 210x155mm, broché, 240 pages, exemplaire en bon état.

CARTONNAGE EDITEUR. Condizione: Bon. Condizione sovraccoperta: Bon. PIERRE LE GUEN (illustratore). Collection ROUGE ET OR SOUVERAINE N° 206, 187 pages, Bien complet de sa Jaquette illustrée couleurs, Cartonnage éditeur, illustrations par PIERRE LE GUEN.

Hardcover. Condizione: Good. Français, couverture rigide, bon état, 190 pages.

spiralé. Condizione: bon état, usage. découvrir, s'émerveiller, respecter, préserver, in-8 ~200.

Hardcover. Condizione: Fair. 2014 De Gruyter large format hardcover edition. Ex library copy with stamps and labels else good condition. Contents: The Theatre of Dionysus Eleuthereus in Athens: New Data and Observations on its 'Lycurgan' Phase - Christina Papastamati-von Moock The Archaeology of the 'Rural' Dionysia in Attica - Hans Rupprecht Goette The Evolution of Theatre Architecture Outside Athens in the Fourth Century - Jean-Charles Moretti How Pots and Papyri Might Prompt a Re-Evaluation of Fourth-Century Tragedy - Oliver Taplin Performing Classics: The Tragic Canon in the Fourth Century and Beyond - Sebastiana Nervegna Literary Evidence for New Tragic Production: The View from the Fourth Century - Johanna Hanink The Evolution of Comedy in the Fourth Century - Andrew Hartwig Philippus in acie tutior quam in theatro fuit ? (Curtius 9. 6. 25): The Macedonian Kings and Greek Theatre - Eoghan Moloney Theatre, Religion and Politics at Alexander's Travelling Royal Court - Brigitte Le Guen Cooking Up Rhesus: Literary Imitation and Its Consumers - Vayos Liapis Rethinking Choregic Iconography in Apulia - Zachary Biles and Jed Thorn Greek Theatre in Non-Greek Apulia - Edward G. D. Robinson Regional Theatre in the Fourth Century. The Evidence of Comic Figurines of Boeotia, Corinth and Cyprus - J. Richard Green Theatre in the Fourth-Century Black Sea Region - David Braund and Edith Hall The Finance and Organisation of the Athenian Theatre in the Time of Eubulus and Lycurgus - Eric Csapo and Peter Wilson Inscribed Public Records of the Dramatic Contests at Athens: IG II² 2318-2323a and IG II² 2325 - Benjamin W. Millis.

Condizione: BE. Paris, cartonnage de l'éditeur; in-8, 186 pp. Avec jaquette n°206 ( n° jaquette 655) avec point.

Hardback. Condizione: New. Why did ancient autocrats patronise theatre? How could ancient theatre - rightly supposed to be an artform that developed and flourished under democracy - serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

Softcover. Originalbroschur. 30 x 21cm. 104 Seiten mit zahlreichen Tabellen. Mit leichten Gebrauchsspuren. First meeting, 14 16 July 1995, Copenhagen, Denmark. in englischer Sprache.

Hardcover. Condizione: Very Good+. Words and number in pen on front free endpaper, otherwise text clean and tight; no dust jacket; 8vo 8" - 9" tall; 290 pages.

Hardcover. Condizione: New.

Rennes, Imp. Simon, 1978 - In 8 - Broché - illustration PP HT XXXIIi & 101 pages - Ex. non coupé - Très propre Livres.

Couverture souple. Condizione: bon. RO30121947: 2002. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 240 pages. . . . Classification Dewey : 843-Littérature populaire.

Hardback. Condizione: New. Why did ancient autocrats patronise theatre? How could ancient theatre - rightly supposed to be an artform that developed and flourished under democracy - serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

Buch. Condizione: Neu. Neuware - Why did ancient autocrats patronise theatre How could ancient theatre - rightly supposed to be an artform that developed and flourished under democracy - serve their needs Plato claimed that poets of tragic drama 'drag states into tyranny and democracy'. The word order is very deliberate: he goes on to say that tragic poets are honoured 'especially by the tyrants, and secondly by the democracies' (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condizione: Hervorragend. Zustand: Hervorragend | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Couverture souple. Condizione: bon. R100050253: 1989. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 236 pages. . . . Classification Dewey : 150-Psychologie.

Couverture souple. Condizione: bon. RO30365607: 1965. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. Paginé de 278 à 423. Coins frottés. Accrocs au dos. Nombreuses rousseurs. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Couverture souple. Condizione: bon. RO40210110: Non daté. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Plaquette de 30 pages. . . . Classification Dewey : 841-Poésie.

Couverture souple. Condizione: bon. R300297932: 1976. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 147 pages - quelques photos et illustrations en noir et blanc dans et hors texte. Plats contrepliés en un rabat. . . . Classification Dewey : 97.2-Dédicace, envoi.