Leeflang m (11 risultati)

Hardcover. Condizione: Good. No Jacket. Light wear to boards, pages are clean with no tears. Leeflang-Oudenaarden, C. S. T. M. (illustratore).

Condizione: Good. 2nd Edition. Originele bedrukte hardcover, geïllustreerd met enkele z/w tekeningen, 8vo.

Condizione: gut. Joos van Cleve A Sixteenth-Century Antwerp Artist and his Workshop In deutscher Sprache. pages.

Softcover, 367 pagina's, afbeeldingen in kleur, tekst in het Nederlands, net exemplaar.

Hardcover. Condizione: Sehr gut. Zustand: GUTER Zustand. HC1-084-7/8-00532349 Sprache: Deutsch Gewicht in Gramm: 325.

Hardcover. Condizione: Gut. Erste Ausgabe. 21 S., 1 weißes Blatt. Orig.-Broschur mit Kordelheftung. Eins von 150 numerierten Exemplaren: "La «lettre de Charles d'Orléans» est un pastiche de jeunesse de Rimbaud choisi par Leeflang et van Wees pour célébrer la victoire de mai 1945. «Le texte a été composé clandestinement en avril 1945 sur la maquette du maître-imprimeur Charles Nypels qui a prêté gracieusement les lettrines de sa collection privée. » Tirage unique limité à 150 exemplaires numérotés." Von Chris Leeflang, G. M. van Wees und Charles Nypels eigenhändig signiert. Der Druck zur Feier der Befreiung der Niederlande und der deutschen Kapitulation erschien kurz bevor die drei Herausgeber die bibliophile Stichting De Roos gründeten. Ein gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren. Signatur des Herausgebers.…

Hardcover. Condizione: Sehr gut. Zustand: GUTER Zustand. HC1-084-7/8-00532350 Sprache: Deutsch Gewicht in Gramm: 308.

Hardcover. Condizione: Sehr gut. Zustand: GUTER Zustand. HC1-084-7/8-00532348 Sprache: Deutsch Gewicht in Gramm: 302.

Utrecht, Museum Catharijeconvent, 2009. 160 pp., ills, 4to, linnen/omslag.

Hardcover. Condizione: Sehr gut. Zustand: GUTER Zustand. HC1-080-7/8-00532351 Sprache: Deutsch Gewicht in Gramm: 310.

Hardcover with dusjacket- IV+234 p., 108 b/w ill. + 168 colour ill., 210 x 297 mm, Languages: English . ISBN 9782503554365. The painter Joos van Cleve (c. 1485/90-1540/41) founded an important and influential workshop in Antwerp at the beginning of the sixteenth century. His business instinct and managerial character ensured that the shop ran smoothly and that there were both local and international clients for his output. More than 300 works are currently attributed to Van Cleve and his workshop. It is a remarkably large oeuvre, far exceeding that of any other contemporary Antwerp artist. The paintings that left his shop are of a superb quality and craftsmanship. Van Cleve and his assistants were responsible for lifelike portraits, altarpieces of varying sizes, and the mass production of popular devotional panels with subjects like The Holy Family, The Madonna of the Cherries and The Infants Christ and St John the Baptist Embracing. How, then, is it possible that these paintings are of such a high quality and craftsmanship? This book contains the answer. The international nature of Antwerp?s economy, and of its art trade in particular, made Joos van Cleve and his paintings known far beyond the confines of the Low Countries. Although the information about his life and the composition of his oeuvre was unclear for a long time, Joos van Cleve can now once again be numbered among the great successful painters of the early sixteenth century. Micha Leeflang (1975) studied technical art history at the University of Groningen, where she defended her dissertation ?Uytnemende Schilder van Antwerpen. Joos van Cleve: atelier, productie en werkmethoden? in 2007. From 2005 to 2007 she was on the staff of the Rijksmuseum in Amsterdam as curatorial researcher. Since 2007 she has been a curator at Museum Catharijneconvent in Utrecht, where she was responsible for such exhibitions as Masterly Manuscripts. The Middle Ages in Gold and Ink (2009), and Surviving the Iconoclasm, Medieval Sculpture (2012-2013). In 2011 she was closely involved in the preparations for the exhibition Joos van Cleve, Leonardo des Nordens in the Suermondt-Ludwig-Museum in Aachen. 0 g.…