leith royal w (22 risultati)

hardcover. Condizione: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority!

Clean text, crisp pages. Very good overall condition. Ships next business day from NC.

hardcover. Condizione: New. *NEW* oversize hardcover in DJ, sealed in plastic. Fresh from a distributor with no price tags and no remainder marks. Priority and international shipping NOT available on this item.

Paperback. Condizione: Near Fine. Book is in pristine condition. Warren was a British-born Pre-Raphaelite painter who settled in Maine, the most prominent member of a group known as the Three Isleford Painters, who specialized in oils and watercolors of Midcoast Maine's islands and coastal views. Well documented and illustrated, with 19 color plates and some archival photos. ; Square 8vo 8" to 9" tall; 32 pages.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Hardback book (208 pages) beautifully illustrated with numerous color reproductions. Removed from shrink wrap to photograph. INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (ULG3-TS-L) rareviewbooks.

Condizione: New.

Paperback. Condizione: Very Good. No Jacket. Clean covers, unmarked pages. This book shows minimal sign of wear to the cover, binding, or pages. No dust jacket included with this book. Secure packaging for safe delivery.

Softcover. Condizione: VG. Red spine & color illus. wraps. 119 pp. 43 color, 57 bw plates. The American watercolorist Henry Roderick Newman (1843-1917) spent most of his life in Italy with winters in Egypt. He was greatly influenced by Ruskin and was committed to the Pre-Raphaelite tenets longer than anyone else. Lengthy text by Royal Leith also includes chapters on a visit to Japan, ties with the Harvard Art Department, dealings with Buxton Forman, and his personal life and 216 notes. Contains a chronology, exhibitions, bibliography, many bw illustrations, and exquisite large color plates of landscapes, architecture, and plants. 1000 copies printed.

Hardcover. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Unclipped dust jacket protected by archival mylar.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Very large hardcover in jacket, 208 pages, full-color plates throughout. Much historical and biographical details. Very bright and clean. Just light wear along edges and corners.

Condizione: New.

Hardback. Condizione: New. John Leslie Breck (1860-1899) was one of the founders of the American art colony at Giverny and was among the earliest American artists to embrace the Impressionist style. He was also one of the first to exhibit his Impressionist paintings in America and helped to popularize the style during his years working in the Boston area in the 1890s. Between 1887 and 1888 he and a handful of his American colleagues began visiting the French village of Giverny, where they met Claude Monet and subsequently explored the new approach to painting that Monet had helped to pioneer. Breck's canvases from this period, loosely brushed and filled with light and color, are a marked departure from his earlier works that are characterized by darker tonalities and tighter brushwork that typified the preferred style of the era. When Breck returned to America in 1892, he applied what he had learned to paintings of the New England landscape and frequently exhibited his work. Inspired by The Mint Museum's 2016 acquisition of John Leslie Breck's canvas Suzanne Hoschede-Monet Sewing, this volume includes approximately 70 of Breck's finest works, drawn from public and private collections. Along with his scenes of Giverny and America, this volume features a selection of paintings from his sojourn in Venice in 1897. Always interested exploring in new ways of seeing the world, Breck had begun to explore aspects of post-Impressionism and Asian aesthetics in the years before his early death, at the age of 39, in 1899. This volume also features up to 36 additional comparative images, including details, photographs, and paintings by Monet and other leading American impressionists including Willard Metcalf, Theodore Robinson, Lila Cabot Perry, Childe Hassam, and Arthur Wesley Dow, presented throughout the main essays and chronology and appendices.

Softcover. Condizione: Very Good. Book has been re-sealed into protective plastic bag. Book itself shows some light shelf wear.

Hardcover. Condizione: New.

Hardcover. Condizione: Brand New. 208 pages. 11.00x9.50x0.75 inches. In Stock.

Hardcover. Condizione: Brand New. 208 pages. 11.00x9.50x0.75 inches. In Stock.

Condizione: New.

Condizione: New.

Hardcover. Condizione: Brand New. 208 pages. 11.00x9.50x0.75 inches. In Stock.

Hardback. Condizione: New. John Leslie Breck (1860-1899) was one of the founders of the American art colony at Giverny and was among the earliest American artists to embrace the Impressionist style. He was also one of the first to exhibit his Impressionist paintings in America and helped to popularize the style during his years working in the Boston area in the 1890s. Between 1887 and 1888 he and a handful of his American colleagues began visiting the French village of Giverny, where they met Claude Monet and subsequently explored the new approach to painting that Monet had helped to pioneer. Breck's canvases from this period, loosely brushed and filled with light and color, are a marked departure from his earlier works that are characterized by darker tonalities and tighter brushwork that typified the preferred style of the era. When Breck returned to America in 1892, he applied what he had learned to paintings of the New England landscape and frequently exhibited his work. Inspired by The Mint Museum's 2016 acquisition of John Leslie Breck's canvas Suzanne Hoschede-Monet Sewing, this volume includes approximately 70 of Breck's finest works, drawn from public and private collections. Along with his scenes of Giverny and America, this volume features a selection of paintings from his sojourn in Venice in 1897. Always interested exploring in new ways of seeing the world, Breck had begun to explore aspects of post-Impressionism and Asian aesthetics in the years before his early death, at the age of 39, in 1899. This volume also features up to 36 additional comparative images, including details, photographs, and paintings by Monet and other leading American impressionists including Willard Metcalf, Theodore Robinson, Lila Cabot Perry, Childe Hassam, and Arthur Wesley Dow, presented throughout the main essays and chronology and appendices.