leo powell (14 risultati)

Soft cover. Condizione: Good. 1st Edition. First edition, first printing # 5642 of this collection of short stories. The best of Mike Shayne's mystery magazine. Light edgewear. A 1-inch semi-closed split to the corner of the spine. In good condition.

Soft cover. Condizione: Good. 1st Edition. First edition, first printing of this collection of one novelette and twelve short stories. Featured are the novelette - I Killed Him by Pauline C. Smith. The short stories: Manifesto by John G. Hill, No Small Problem by John Lutz, Three Minutes to Eternity by Robert Colby, Jurisprudence by Leo P. Kelley, The Double Agent by James M. Gilmore, Murder by Dream by Patrick O'Keeffe, The Proper Approach by Max Van Derveer, Infinite License by Dan J. Marlowe, The Longest Trip by Talmage Powell, Another Beautiful Day by Harold Dutch, The Fat Man and The Boy by Ray Conaway, The Nose Knows by Rose Million Healey. Light edge wear. Slight spine slant. Light reading creases to the front cover near spine. In good condition.

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condizione: New.

Soft cover. Condizione: Very Good. No Jacket. Robert McGinnis (cover) (illustratore). PBO - Paperback Original. A 1st print (stated) of a PBO of a Dell edition from the mid 1960s of a collection of the best stories from Mike Shayne's Mystery Magazine. Contents include Death of a Dead Man by Brett Halliday (Davis Dresser - probably ghostwritten), Partners of the Dark by Alson J Smith, Truck Drivers Like Girls by Dorothy Madle, Murder Slick as a Whistle by Arthur Porges, The Marrow of Justice by Hal Ellson, Man on the Run by Dennis Lynds, Death, My Love by John Douglas, Mink is for a Minx by Tighe Jerratt, Murder of an Unknown Man by James Holding, and Corpus Delicti by Talmage Powell. Dell Book 5642. GGA cover. Light edge wear with some small chips to the fore edge and bottom corner of the front cover. Book store stamp (Libby's Used Book Store .) on the FFEP. The lightly browned pages are clean and crisp. A very good copy.

SingleIssueMagazine. Condizione: Very Good-. Vol. 13, No. 9. Photo cover. Edited by Ernest M. Hutter. Includes "I Killed Him!" (novelette) by Pauline C. Smith; "Manifesto" by John G. Hill; "No Small Problem" by John Lutz; "Three Minutes to Eternity" by Robert Colby; "Jurisprudence" by Leo P. Kelley; "The Double Agent" by James M. Gilmore; "Murder by Dream" by Patrick O'Keeffe; "The Proper Approach" by Max Van Derveer; "Infinite License" by Dan. J. Marlowe; "The Longest Trip' by Talmage Powell; "Another Beautiful Day" by Harold Dutch; "The Fat Man and the Boy" by Ray Conaway; "The Nose Knows" by Rose Million Healey. Foredge has been wet and is a little way; name and date on front in pen; creasing; tanning. Book.

Mass Market Paperback. Condizione: Very Good. First Edition. Dell 1964 1st ed. PBO 174pp. Very good with very light wear, toning to inside cover and page margins. See photos sr 3/6.

dvd. Condizione: Used - Good.

Paperback. Condizione: New.

Paperback. Condizione: New.

Soft cover. Condizione: Very Good. 1st edition. VG+. 8vo, [iv]+40pp, printed wrappers. Second issue of this rare avant-garde literary journal co-edited by Richard Meyers prior to his musical exploits as Richard Hell. Includes dedication "This issue is for Thomas Merton and Marcel Duchamp alive," plus work from a range of contributors. Library stamp to cover (no other markings), sound overall. Not Signed.

Final Draft script for the 1938 film, with manuscript pencil annotations on page 2 striking two shots. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). Based on the 1920 Broadway play "The Hottentot" by Victor Mapes and William Collier, Sr. Previously made as a silent film in 1922, and in 1929 as an early talkie, both under the title "The Hottentot." A sports store salesman poses as a famous jockey to advertise a line of riding clothes, only to become entangled in his lies when two gamblers try to fix him up with a wild horse named Jeepers Creepers. Bound in maroon leather with gilt titles on the front board and spine. Distribution page integral with the title page, with receipt intact, dated 7/28/38, noted as FINAL. 134 leaves, with last page of text numbered 131. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 8/4/38. Pages Near Fine, binding Very Good plus, with light rubbing at the extremities.

Vintage British Advance Poster for the classic 1960 film. The British Double Crown poster for the film turns up from time to time, but this Advance issue, which does not state the film's title, is a rarity. Noted director Powell's most controversial film, about a serial killer who films his female victims as they are dying. Reviled by critics on its release and today considered a masterpiece, it is the second of three feature films director made after parting ways with his longtime filmmaking partner Emeric Pressburger. Ostensibly a film about a killer with serious Freudian issues, but later reassessed as much more conceptual and complex. Roger Ebert pointed out famously in his 1999 review of the film that the audience is implicated as much as the killer."Movies make us into voyeurs. We sit in the dark, watching other people's lives. It is the bargain the cinema strikes with us, although most films are too well-behaved to mention it." Martin Scorsese is probably the most famous fan of the film, and takes Ebert's argument further, saying, "I have always felt that "Peeping Tom" and "8 " say everything that can be said about filmmaking, about the process of dealing with film, the objectivity and subjectivity of it and the confusion between the two. "8 " captures the glamour and enjoyment of film-making, while "Peeping Tom" shows the aggression of it, how the camera violates. From studying them you can discover everything about people who make films, or at least people who express themselves through films." 30 x 20 inches. About Near Fine, on archival linen, with some expert restoration at the top edge and folds. Archivally framed, with an acid-free mat and UV plexi. Criterion Collection 58. Grant, p. 495. Spicer, p. 446.