Lesya ukrainka (52 risultati)

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Hardcover. Condizione: Good. No Jacket. Hardcover without jacket. Binding sound, text clean. Some shelfwear to covers and small stains to spine end page edges. 192 plus CXV pages. Ukrainian text. Book.

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Paperback. Condizione: New. Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history - decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety.International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama.Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D'Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history - decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety.International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama.Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D'Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.…

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Condizione: New. In English.

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Taschenbuch. Condizione: Neu. Neuware - In the summer of 1911, Lesya Ukrainka was living in Georgia, four hundred miles from anywhere she had ever called home, ill with the tuberculosis that would kill her two years later. In ten or twelve days she wrote a play set in a forest in Volhynia that she had not seen in years and would not see again. It became the best-loved work in Ukrainian literature.The Forest Song opens on a lake in early spring, among beings who have lived there far longer than any village: Lisovyk, the old lord of the wood; Vodyanyk in his lake; Rusalka, who kills by laughter. Mavka wakes from her winter sleep to a sound she has never heard - a young man playing a pipe. She goes to find him.What follows is not the fairy tale that setup promises. Lukash is an ordinary young man with a mother, a debt, and a field that needs cutting. Mavka comes to live in his house and is put to work. A widow from the next village arrives, capable and impatient and entirely reasonable, and the forest gives ground to the farm. The play's argument is not nature against civilisation. It is about what a person owes to the thing they have woken in someone else - and about what survives being betrayed.Ukrainka called it a drama-feieriia, a drama-fairy play: flying spirits, transformations, a house on fire, and inside all that machinery a marriage, a mother-in-law, and a death.This annotated edition is designed for readers coming to Ukrainian literature for the first time as well as for those who already know it. The Ukrainian names of the forest beings are kept rather than flattened into nymphs and goblins, and explained where they appear.It includes: - a new verse translation, in blank verse for the dialogue and rhyme where Ukrainka sings - a translator's introduction on the play, its author, and the choices behind this English text - footnotes throughout, kept light enough to read past - a substantial back commentary, scene by scene, on symbolism, folklore, and the passages where the Ukrainian will not go quietly into English - a glossary of the forest beings, with the Ukrainian terms - a pronunciation guideTranslated from the Ukrainian by Serhii Sakal, whose previous translation is Taras Shevchenko's The Artist.…

Hardcover/Hardback. Condizione: Fair. V 157-j tom 73-kh tomnoj tretej serii 'Biblioteki vsemirnoj literatury', posvyashchennoj XX veku, voshli proizvedeniya dvukh ukrainskikh pisatelej kontsa XIX Nr. nachala XX veka Nr. Mikhaila Kotsyubinskogo i Lesi Ukrainki:Mikhail KotsyubinskijPovesti'Fata Morgana''Teni zabytykh predkov'Rasskazy'Na kamne''V greshnyj mir''Smekh''On idet''Neizvestnyj''Intermezzo''Chto zapisano v knigu zhizni''Loshadi ne vinovaty''Khvala zhizni!'Ocherk 'Na ostrove'Lesya UkrainkaStikhotvoreniya'Nadezhda''Poroyu, edva lish primus za rabotu.''Contra spem spero!''Moj put''Fa''Kogda ya utomlyus privychnoj zhiznyu.''Povsyudu plach i ston glubokij.'Iz tsikla 'Krymskie vospominaniya''Zapev''Bakhchisaraj''Bakhchisarajskij dvorets''Bakhchisarajskaya grobnitsa''Slezy-perly''I. 'O milaya rodina! Kraj moj zhelannyj.''II. 'V slezakh ya stoyu pred toboj, Ukraina.''III. 'Vse nashi slezy mukoj ognevoyu.''Kak pridet grust-toska.''Predrassvetnye ogni'Iz tsikla 'Melodii''Noch byla i tikha i temna.''Etoj pesni ne pojte, ne nado.''Gorit moe serdtse.''Vnov vesna, i vnov nadezhdy.''Glyazhu ya na yasnye zvezdy.''Stoyala ya i slushala vesnu.''Ya pesneyu stat by khotela.''Eta tikhaya noch-charovnitsa.''V nenastnuyu tuchu kruchina moya sobralas.''Nevolnichi pesni''Mat-nevolnitsa''I vse-taki k tebe lish mysl stremitsya.''Vragam''Tovarishcham''Drugu na pamyat''Minuta otchayaniya''O, znayu ya, nemalo proshumit.''Fiat nox!''Vechnoj pamyati listka, sozhzhennogo druzheskoj rukoj v tyazheloe vremya''Slovo moe, pochemu ty ne stalo.''Kogda umru, na svete zapylayut.''Tovarishchu''Upadesh, byvalo, v detstve.'Iz tsikla 'Krymskie otzvuki''Otryvki iz pisma''Mechty''Ifigeniya v Tavride''Zimnyaya vesna''.Na poluslove razgovor prervalsya.''Zabytaya ten''Vozvrashchenie''Kak ya lyublyu chasy moej raboty.'Iz tsikla 'Nevolnichi pesni''Evrejskie melodii''Epilog''Zabytye slova''Veche''Ritmy''Vy, slova moi gromkie, gde vy teper.''Il molniyami tolko im nositsya.''Kogda by solntsa yasnye luchi.''Adagio pensieroso''Presto appassionato''Kogda b vsya krov moya vot tak zhe uplyla.''Kak tyazhelo idti mne toj dorogoj.''Zachem ya ne mogu vzletet k vysotam.'Iz tsikla 'Mgnoveniya''Talogo snega platochki raskidany.''Gej, pojdu v zelenye ya gory.''Tucha, dozhd, a raduga dugoyu.''Oj, kak budto ne pechalyus.''Oj, pojdu ya v bor dremuchij.''Tebya, kak plyushch, derzhat v svoikh obyatyakh.''Usta tverdyat: ushel on bez vozvrata.''Kalina''Ostrym bleskom vdrug volny zaiskrilis.''Dym''Nadpis v ruine''Kogda mne ochi milogo sverkayut.''Kak zhal, chto ne dano mne strun zhivykh.''Kogda b ya vsemi kraskami vladela.''Ne pogibli zolotye terny.''Pesni pro volyu''Lyudi idut i znamena vzdymayut.''Otkuda letsya gimn Marselya.''Nagaechka, nagaechka!' Nr. poet inoj podchas.''Mechta, ne predaj.''Kholodnoj nochyu broshennyj koster.''Za goroj zarnitsy bleshchut.''Vesna v Egipte''Khamsin''Dykhanie pustyni''Afra''Son''Vetrenaya noch''Vesti s severa''Tajnyj dar''Iz putevoj knizhki''Na stoyanke''Epilog''Kto vam skazal, chto ya khrupka.''V godovshchinu''Tragediya''Pro velikana'Poemy'Staraya skazka''Vila-posestra''Izolda Belorukaya'Dramy'V katakombakh''Lesnaya pesnya''Kamennyj khozyain''Orgiya'.…

Softcover/Paperback. Condizione: Fair. V knigu voshli naibolee znachitelnye proizvedeniya klassika ukrainskoj literatury Lesi Ukrainki 1871 Nr.1913: izbrannye stikhotvoreniya, poemy 'Robert Bryus, korol shotlandskij', 'Odno slovo', 'Izolda Belorukaya', a takzhe dramy 'V katakombakh', 'Lesnaya pesnya' i 'Orgiya'.…

Condizione: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Paperback. Condizione: new. Paperback. In the summer of 1911, Lesya Ukrainka was living in Georgia, four hundred miles from anywhere she had ever called home, ill with the tuberculosis that would kill her two years later. In ten or twelve days she wrote a play set in a forest in Volhynia that she had not seen in years and would not see again. It became the best-loved work in Ukrainian literature.The Forest Song opens on a lake in early spring, among beings who have lived there far longer than any village: Lisovyk, the old lord of the wood; Vodyanyk in his lake; Rusalka, who kills by laughter. Mavka wakes from her winter sleep to a sound she has never heard - a young man playing a pipe. She goes to find him.What follows is not the fairy tale that setup promises. Lukash is an ordinary young man with a mother, a debt, and a field that needs cutting. Mavka comes to live in his house and is put to work. A widow from the next village arrives, capable and impatient and entirely reasonable, and the forest gives ground to the farm. The play's argument is not nature against civilisation. It is about what a person owes to the thing they have woken in someone else - and about what survives being betrayed.Ukrainka called it a drama-feieriia, a drama-fairy play: flying spirits, transformations, a house on fire, and inside all that machinery a marriage, a mother-in-law, and a death.This annotated edition is designed for readers coming to Ukrainian literature for the first time as well as for those who already know it. The Ukrainian names of the forest beings are kept rather than flattened into nymphs and goblins, and explained where they appear.It includes: - a new verse translation, in blank verse for the dialogue and rhyme where Ukrainka sings - a translator's introduction on the play, its author, and the choices behind this English text - footnotes throughout, kept light enough to read past - a substantial back commentary, scene by scene, on symbolism, folklore, and the passages where the Ukrainian will not go quietly into English - a glossary of the forest beings, with the Ukrainian terms - a pronunciation guideTranslated from the Ukrainian by Serhii Sakal, whose previous translation is Taras Shevchenko's The Artist. A forest spirit falls in love with a young man who plays the pipe, and gives him a soul.Lesya Ukrainka's 1911 masterpiece, the best-loved play in Ukrainian literature, in a new annotated verse translation. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Good for Age. Condizione sovraccoperta: Good wt Protective Cover. 1st Edition. This book is Ukrainian and English. The text and illustrations are clear. There are some pages that are separating from the binding. There is some wear and yellowing to the cover/ edges. The cover is illustrated by Mykola Storozhenko. There is an ownership mark in the front of the book.…

Hardcover/Hardback. Condizione: Good. V izdanie voshli povesti i rasskazy izvestnogo ukrainskogo pisatelya M.Kotsyubinskogo: Na kamne, V greshnyj mir, Smekh, On idet, Neizvestnyj, Chto zapisano v knigu zhizni, Teni zabitykh predkov i dr., a takzhe stikhotvoreniya, poemy Staraya skazka, Vila-posestra, Izolda Belorukayai dramy Lesi Ukrainki V katakombakh, Lesnaya pesnya, Kamennyj khozyain, Orgiya. …

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: New.

Paperback. Condizione: New. Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history - decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft. In the late 19th and early 20th centuries, many writers reacted to urban modernity by embracing decadent themes and styles, and dramatists were no exception. Decadence offered these writers a framework for exploring nonconformist identities and beliefs that challenged behavioural norms as much as the desirability of modern progress. Decadent plays were at once behind the times in their celebration of antiquity, and forward-thinking in their staging of themes that have become all the more timely in the 21st century, including queerness, unconventional eroticism, and critiques of empire and industrial progress. Equally, the diversity of decadent drama cannot be pigeon-holed; many of these plays still have the capacity to offend worldviews, and invite us to interrogate present-day conventions and propriety.International in scope and eclectic in content, this edited anthology is an authoritative and accessible introduction to a fast-expanding field of decadent literature. The first publication of its kind to deal with decadent drama, and featuring plays translated into English for the first time, Decadent Plays: 1890 to 1930 breaks new ground by foregrounding decadence as a dramatic sensibility in this most pivotal of periods in the history of modern drama.Featuring canonical and little-known works by Oscar Wilde, Michael Field, Lesya Ukrainka, Rachilde, Remy de Gourmont, Jean Lorrain, Leonid Andreyev, Gabriele D'Annunzio, Maurice Maeterlinck, Izumi Kyoka, and Djuna Barnes, this anthology is an essential introduction to decadent drama that will pique the interest of specialists and non-specialists alike.…