Lewis samella s (32 risultati)

Paperback. Condizione: Very Good. 2nd. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: acceptable. One page is partially loose, but present. Otherwise in good condition. Shelf, storage or usage wear present that does not affect the readability of the book. A former library book in library binding with all the expected stamps, stickers and markings. Does not appear to have come with a dustjacket originally. The pages appear unmarked. Hinges are intact. The binding is loose, but all pages are present. Pictures available upon request. Individually inspected by Shadow. Thanks for supporting an independent bookseller.…

Paperback. Condizione: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. former library book paperback Used - Good All purchases support Project HOME - ending homelessness in Philadelphia.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condizione: Good. GOOD - A solid reading copy with some wear. Ex-Library book with some library conventions, but clean overall. 100% Money Back Guarantee on all Items. We believe in providing accurate grading on used books and excellent customer service.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. Pap. Minor shelf wear. Else a bright, clean copy.

Soft cover. Condizione: Good. Soft cover book (246 pages) illustrated with numerous black and white and color reproductions. Covers show scuffing/soiling/nicks at edge. Bookseller since 1995 (LL-8-Top-R) rareviewbooks.

Condizione: New.

Hardcover. Condizione: As new. Black boards with color illustration. 144 pp. Inserted card advertising the exhibition. 56 color plates and numerous additional colr and b/w illustrations. Beautiful large illustrations of her work. Includes several articles, exhibition checklist, a chronology, group and solo exhibitions, and selected public collections and bibliography. Published in conjunction with an exhibition held at Louis Stern Fine Arts, West Hollywood, CA, Feb. 25-Apr. 21, 2012.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Revised, Expanded. Minor shelf wear. Else a bright, clean copy. Beginning with the arts produced in the Colonial period, Dr. Lewis documents and interprets the flow of creative productions of an important segment of the American population. Her book shows that the range of art produced by African American artists covers the entire spectrum of craft productions through painting, sculpture, and printmaking. There is a progressive development of style that not only reflects the trends in particular periods, but reveals an evolving pattern of indigenous qualities that are distinct. The art community in general and the African American community in particular are fortunate to have Dr. Samella Lewis, for she has developed unusual authority in the area of African American art. I know that African American Art and Artists will be of great value educationally and that it will offer a stimulating and rewarding experience to all who have the opportunity to share in its contents.--Jacob Lawrence.…

Hardcover. Condizione: New. Condizione sovraccoperta: New. Revised, Expanded. New Copy. "Beginning with the arts produced in the Colonial period, Dr. Lewis documents and interprets the flow of creative productions of an important segment of the American population. Her book shows that the range of art produced by African American artists covers the entire spectrum of craft productions through painting, sculpture, and printmaking. There is a progressive development of style that not only reflects the trends in particular periods, but reveals an evolving pattern of indigenous qualities that are distinct. The art community in general and the African American community in particular are fortunate to have Dr. Samella Lewis, for she has developed unusual authority in the area of African American art. I know that African American Art and Artists will be of great value educationally and that it will offer a stimulating and rewarding experience to all who have the opportunity to share in its contents."--Jacob Lawrence.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Very Good. Text is LIKE NEW. Very Clean. No writing or tears to text. Has minor cover wear.

Condizione: New. Satisfaction Guaranteed or your money back.

First Edition. Hardcover, no jacket, very good with slight edge wear and scuffing to cover, corner slightly bumped. Illustrated.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

paperback. Condizione: Very Good. Signed. Inscribed and dated by the author.

Hardcover. Condizione: Fine. Very Good+ DJ. 4th Printing. University of California Press 2003 4th Printing Fine/Very Good+ DJ Bright photo illustrated and drawing illustrated pages with some color photos. One mended tear to lower front corner of bright dust jacket with minimal shelf wear. HEAVY OVER SIZE ITEM. No Exp.…

Paperback. Condizione: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket As Issued. Pages are clean and the bindng is tight; however, the covers have a taped label and a stamp of Fontbonne Library on the inside. It seems to have been rebound by the Library. ; Ex-Library; 7.75 X 1.5 X 10.5 inches; 140 pages. …

Paperback. Condizione: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear and tear on the covers. Minor stain on the edges. Text is clean. Secure packaging for safe delivery.

Softcover. Black stapled wraps with red and white text. 50 pp. Bw and color illustrations. "The exhibit 'I Remember. Thirty Years After the March on Washington: Images of the Civil Rights Movement, 1963-1993' presents a unique opportunity for U.S. citizens of all races to see and experience the wealth of contributions made by talented visual artists from around the country. It brings together the diversity of individual artists, their styles and themes, while at the same time linking together each one by his/her honest vision to collectively bring about freedom, justin and peace." VG, some minor wear to wraps. All else excellent.…

paperback. Condizione: Good. Ward Ritchie Press, Contemporary Crafts Inc., L.A., c.1976 & c.1971, 142,140pp., many b&w illusts., some color, a little rubbing, front cover of 1 has a thumb crease & a 2" peel mark, G $.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. First edition, clothbound issue. Volume 2 only. Small quarto. xii, 140pp. Heavily illustrated in color and black and white. Fine in rubbed and price-clipped, very good dust jacket with a couple of tiny nicks. Features work, text, and a portrait of over 70 African-American artists, as well as brief biographical sketches. The clothbound issue is very uncommon.…

dj. First printing. First editions (both) of the complete two-volume set, inscribed by editor Samella Lewis to contributor and noted Harlem Renaissance artist Loïs Mailou Jones. Self-published in 1969, this "influential" (Jo-Ann Morgan) Black Arts Movement visual anthology was the brainchild of editors Lewis and Waddy, along with E.J. Montgomery. It was dedicated to "the unique vision of African American artists the need for the mainstream to expand notions of aesthetic beauty," a project that eventually grew into the magazine BLACK ART, the "first periodical devoted to African American and African Diaspora artists" (Jones 56-7). This set is inscribed to contributor Loïs Mailou Jones (Lois Jones Pierre-Noel), whose work appears on pages 97-8 of the first volume. Jones's work is in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Hirshhorn, the Brooklyn Museum, the Museum of Fine Arts, and The Phillips Collection. Other noted contributors include: Betye Saar, Jacob Lawrence, and Elizabeth Carlett, among more than 100, predominately West Coast artists. As the 2022 exhibition at the Crocker Art Museum based on BLACK ARTISTS attested: "BLACK ARTISTS ON ART brought attention to the many notable Black artists who were neglected or overlooked by the mainstream art world. More than 50 years later, [the book] is foundational to the arts community, acting as a record of the collaborative effort of Black artists throughout the country to unite and discuss their work." An important association of this uncommon and historic collection. Two volumes; 10.25'' x 7''. Original full dark-grey cloth, both. In original unclipped ($14.50 and $12.50 respectively) color photographic jackets. xi, 132, [1]; xii, 140 pages. Loosely laid in are a promotional brochure for Volume 1, as well as an invitation to a 1977 Studio Museum exhibition of Black artists. Inscribed by editor Lewis on the front endpaper of Volume I: "Many thanks / for your contribution / Samella Lewis / 1969." Contributor Loïs Mailou Jones's copies, with her Cranston King-designed pictorial bookplates to the front pastedowns of each volume, and her ownership signature to the front free endpaper of Volume 2. Volume 1 jacket with several closed tears and one tape repair to verso. Some creasing, rubbing. Minor edgewear to jacket of Volume 2. Order form for the book taped to rear pastedown of Volume 1. Faint toning internally. Touches of shelfwear overall. Else clean and sound. Very good plus in very good jackets. Signed.…