Lichtenberg ettinger bracha (25 risultati)

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condizione: New. 1.

Couverture souple. Condizione: Très bon. Les cahiers des regards, 1993. Matrixial Borderline. 3 janvier - 20 février 1993 Centre d'Art d'Herblay/ 3 juin - 30 juin1993, Musée d'Ethnographie de Russie Saint-Pétersbourg. Bracha Lichtenberg Ettinger. Textes en français et anglais. Exemplaire en très bon état. C1.…

Softcover. Condizione: Good. 45 pg.

Paperback. Condizione: Brand New. 144 pages. German language. 6.42x0.63x8.98 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware 144 pp. Englisch, Deutsch.

Taschenbuch. Condizione: Neu. Neuware 144 pp. Englisch, Deutsch.

Condizione: gut. Bracha Lichtenberg Ettinger Artworking In deutscher Sprache. pages.

Paperback. Condizione: New.

Taschenbuch. Condizione: Neu. Neuware.

Taschenbuch. Condizione: Neu. Neuware - Bracha Lichtenberg Ettinger, kurz BRACHA (geb. 1948 in Tel Aviv; lebt und arbeitet in Tel Aviv und Paris) ist Malerin, Psychoanalytikerin, Philosophin und Friedensaktivistin. Während ihre Theorie des matrixialen Blicks in Kunst und Wissenschaft breit rezipiert wird und ihre Werke international gesammelt und besprochen werden, fand BRACHA in Deutschland erst infolge ihres Rücktritts aus der Findungskommission zur künstlerischen Leitung der documenta 16 breite Beachtung - auch weil die Tochter von Holocaust-Überlebenden sich 40 Jahre lang nicht in der Lage sah, in Deutschland auszustellen. Früh setzte BRACHA den Fotokopierer als Mittel der Bildfindung ein, mischte Asche in Pigmente und befragte zeitgeschichtliche Dokumente des Massenmords auf ihre Abbildbarkeit: In ihren Gemälden begegnen weibliche Opfer der Shoah Frauenfiguren aus antiken Mythen. Ihr ethisches und ästhetisches Programm eröffnet neue Räume für Zwischenmenschlichkeit, Mitgefühl und Offenheit gegenüber unserer Zukunft.Anlässlich ihrer ersten institutionellen Einzelausstellung in Deutschland erscheint diese Publikation, die einen Überblick über BRACHAs bahnbrechendes Werk gibt. Neueste Malereien stehen ihrem Frühwerk aus den 1980er-Jahren gegenüber und Ausschnitte aus den mannigfaltigen Notizbüchern verdeutlichen, wie die Künstlerin in Zeichnungen und Tuschemalerei das Zeitgeschehen kommentiert. Mit einem Vorwort von Susanne Gaensheimer, Essays von Kolja Reichert und der Künstlerin sowie Textfragmenten von Nicolas Bourriaud, Christine Buci-Glucksmann, Rosi Huhn, Jean-François Lyotard, Brian Massumi und Griselda Pollock.Insights into the Vulnerability of ExistenceBracha Lichtenberg Ettinger, BRACHA for short (b. Tel Aviv, 1948; lives and works in Tel Aviv and Paris), is a painter, psychoanalyst, philosopher, and peace activist. Her theory of the matrixial gaze has attracted considerable attention from the art world and academia, and her work has been discussed in the international press and is held by collections in numerous countries. In Germany, however, BRACHA was largely unknown-in part because, as a daughter of Holocaust survivors, she had found it impossible for forty years to exhibit her work in the country-until she stepped down from the finding committee for the artistic direction of documenta 16. BRACHA was an early adopter of the photocopier as a compositional tool, mixed ashes with pigments, and interrogated documents that provided evidence of the mass murder with a view to their representability: in her paintings, women victims of the Shoah encounter female figures from ancient myth. Her ethical and aesthetic program opens up new spaces for interpersonal relations, compassion, and openness to our future.Released on occasion of BRACHA's first institutional exhibition in Germany at Kunstsammlung Nordrhein Westfalen, this publication presents a survey of her groundbreaking oeuvre. Her most recent paintings appear side by side with her early works from the 1980s, and selections from her manifold not Elektronisches Buch illustrate how the artist records her observations on current affairs in drawings and ink paintings. With a foreword by Susanne Gaensheimer, essays by Kolja Reichert and the artist as well as text fragments by Nicolas Bourriaud, Christine Buci-Glucksmann, Rosi Huhn, Jean-François Lyotard, Brian Massumi, and Griselda Pollock.…

paperback. Condizione: New.

Condizione: New.

Softcover , 127pp., ills. in kleur, 21.5x27cm., as new. English ISBN 9789055442836. Look at this painting, at these parts in dialogue with each other. It is like listening to silence which forces us to ask questions. Like a subversive murmur which emerges onto a threshold where we are afraid. Edmond Jabes Bracha?s art work is composed of shocks. Its gravity comes from daring to stage in art the horrendous relations between modernity and the holocaust. Its tenderness derives from the traces of a child of our time in pain, and working through the grief of our time. In attempting to conjoin these registers and their referents on the field of Painting, this work radicalises and redefines Feminism? Griselda Pollock The importance of the work of the artist is evidently its relations to the question of memory; it is a work of anamnesis, but not only of a historical past, but also of color itself and of painting itself. And so, l express my admiration. Jean-Francois Lyotard 0 g.…

Taschenbuch. Condizione: Neu. Neuware -Bracha Lichtenberg Ettinger, kurz BRACHA (geb. 1948 in Tel Aviv; lebt und arbeitet in Tel Aviv und Paris) ist Malerin, Psychoanalytikerin, Philosophin und Friedensaktivistin. Während ihre Theorie des matrixialen Blicks in Kunst und Wissenschaft breit rezipiert wird und ihre Werke international gesammelt und besprochen werden, fand BRACHA in Deutschland erst infolge ihres Rücktritts aus der Findungskommission zur künstlerischen Leitung der documenta 16 breite Beachtung - auch weil die Tochter von Holocaust-Überlebenden sich 40 Jahre lang nicht in der Lage sah, in Deutschland auszustellen. Früh setzte BRACHA den Fotokopierer als Mittel der Bildfindung ein, mischte Asche in Pigmente und befragte zeitgeschichtliche Dokumente des Massenmords auf ihre Abbildbarkeit: In ihren Gemälden begegnen weibliche Opfer der Shoah Frauenfiguren aus antiken Mythen. Ihr ethisches und ästhetisches Programm eröffnet neue Räume für Zwischenmenschlichkeit, Mitgefühl und Offenheit gegenüber unserer Zukunft. Anlässlich ihrer ersten institutionellen Einzelausstellung in Deutschland erscheint diese Publikation, die einen Überblick über BRACHAs bahnbrechendes Werk gibt. Neueste Malereien stehen ihrem Frühwerk aus den 1980er-Jahren gegenüber und Ausschnitte aus den mannigfaltigen Notizbüchern verdeutlichen, wie die Künstlerin in Zeichnungen und Tuschemalerei das Zeitgeschehen kommentiert. Mit einem Vorwort von Susanne Gaensheimer, Essays von Kolja Reichert und der Künstlerin sowie Textfragmenten von Nicolas Bourriaud, Christine Buci-Glucksmann, Rosi Huhn, Jean-François Lyotard, Brian Massumi und Griselda Pollock. Insights into the Vulnerability of Existence Bracha Lichtenberg Ettinger, BRACHA for short (b. Tel Aviv, 1948; lives and works in Tel Aviv and Paris), is a painter, psychoanalyst, philosopher, and peace activist. Her theory of the matrixial gaze has attracted considerable attention from the art world and academia, and her work has been discussed in the international press and is held by collections in numerous countries. In Germany, however, BRACHA was largely unknownin part because, as a daughter of Holocaust survivors, she had found it impossible for forty years to exhibit her work in the countryuntil she stepped down from the finding committee for the artistic direction of documenta 16. BRACHA was an early adopter of the photocopier as a compositional tool, mixed ashes with pigments, and interrogated documents that provided evidence of the mass murder with a view to their representability: in her paintings, women victims of the Shoah encounter female figures from ancient myth. Her ethical and aesthetic program opens up new spaces for interpersonal relations, compassion, and openness to our future. Released on occasion of BRACHAs first institutional exhibition in Germany at Kunstsammlung Nordrhein Westfalen, this publication presents a survey of her groundbreaking oeuvre. Her most recent paintings appear side by side with her early works from the 1980s, and selections from her manifold not Elektronisches Buch illustrate how the artist records her observations on current affairs in drawings and ink paintings. With a foreword by Susanne Gaensheimer, essays by Kolja Reichert and the artist as well as text fragments by Nicolas Bourriaud, Christine Buci-Glucksmann, Rosi Huhn, Jean-François Lyotard, Brian Massumi, and Griselda Pollock.DISTANZ Verlag GmbH, Hallesches Ufer 78, 10963 Berlin 144 pp. Englisch, Deutsch.…

paperback. Condizione: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

paperback. Condizione: Acceptable. Softcover book some wear to cover and book edges. Book has some underlining.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:0905836812.

Taschenbuch. Condizione: Neu. Engel des Führtragens. Angel of Carriance | Bracha Lichtenberg Ettinger | Bracha Lichtenberg Ettinger | Taschenbuch | 144 S. | Deutsch | 2025 | DISTANZ Verlag GmbH | EAN 9783954767304 | Verantwortliche Person für die EU: DISTANZ Verlag GmbH, Hallesches Ufer 78, 10963 Berlin, info[at]distanz[dot]de | Anbieter: preigu.…

paperback. Condizione: Acceptable. Acceptable. Dust Jacket NOT present. CD WILL BE MISSING. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condizione: New. 1.