lim jonathan (54 risultati)

Condizione: acceptable. Stevens, Shane; Duong, Cheryl; Lim, Alice; Laporte, Leanne; Krech, Jenny; Anderson, Alyssa; Urlik, Brad (illustratore). Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.

Condizione: New.

paperback. Condizione: Very Good. Ace Your Exams This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condizione: New.

Paperback. Condizione: New. The enigmatic figure of Pemulwuy, the Darug leader who dared to rebel against white settlers, haunts the story of the early colonisation of New South Wales - in particular, the remarkable incident known as the Battle of Parramatta. Aboriginal warriors advanced against the settlement of Parramatta, challenging the garrison of redcoats to battle. Pemulwuy was wounded seven times, but he escaped and became more powerful and rebellious than ever. Making use of little-known sources and knowledge of the geography and settlement of the area, this book deals in depth with the battle and the dramatic events leading up to it, covering: the remarkable story of convict settlement in the frontier world of the Northern Boundary, today the Sydney suburbs of Carlingford, Oatlands and North Parramatta; the desperate guerrilla campaign waged by Pemulwuy; the double-murder of settlers and long pursuit through the bush which led up to the battle; the exact date and location of the battle, previously unknown, together with the incidents of the battle and probable numbers of combatants involved and casualties; the outcome, Pemulwuy's strange 'resurrection', and his vengeful follow-up attacks . This book contains in full the text of all original sources relating to this battle.

Condizione: New.

paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condizione: New. Brand New.

Paperback. Condizione: Brand New. 46 pages. 8.50x0.11x11.00 inches. In Stock.

Softcover. Condizione: New. 1st Edition. Octavo Size [approx 15.5 x 22.8cm]. MINT - a NEW copy. Robust, professional packaging and tracking provided for all parcels. 68 pages. Making use of little-known sources and knowledge of the geography and settlement of the area, this book deals in depth with the battle and the dramatic events leading up to it, covering: the remarkable story of convict settlement in the frontier world of the Northern Boundary, today the Sydney suburbs of Carlingford, Oatlands and North Parramatta; the desperate guerrilla campaign waged by Pemulwuy; the double-murder of settlers and long pursuit through the bush which led up to the battle; the exact date and location of the battle, previously unknown, together with the incidents of the battle and probable numbers of combatants involved and casualties; the outcome, Pemulwuy's strange âresurrectionâ, and his vengeful follow-up attacks. This book contains in full the text of all original sources relating to this battle.

Condizione: New. In.

Condizione: New.

Paperback. Condizione: New. London and Seoul-based Korean artist Meekyoung Shin (b.1967) is internationally renowned for her sculptures that probe the mis- and re-translations that often emerge when objects of distinct cultural and historical specificity are dislocated from their original context. Made from soap, her works replicate artefacts and canonical works of art, from Asian porcelain vases to Greek and Roman sculptures, translating between continents, cultures and centuries in the process. Meekyoung Shin was born in South Korea and completed her BFA and MFA at Seoul National University. In 1995, she moved to London to obtain her MFA at the Slade School of Art, University College London, and has since held solo exhibitions internationally including at Haunch of Venison, London (2010) and the Korean Cultural Centre UK, London (2013). She has participated in numerous group shows including at the Museum of Art and Design, New York, and the 2013 Asian Art Biennial in Taiwan. Her works are found in collections all over the world, including the Museum of Fine Arts in Houston and the National Museum of Modern and Contemporary Art, Korea. Shin was nominated for the Korea Artist Prize 2013.In this new monograph on the artist, Jonathan Watkins sets the scene for Shin's solo exhibition at the Korean Cultural Centre UK in London in late autumn 2013, a stone's throw from Nelson's Column and the'Fourth Plinth' commission of Trafalgar Square. Context is essential to Shin's practice, and indeed, to her identity. As she asserts: 'I often identify myself as someone on the border between cultures'. Watkins eloquently introduces Shin's major bodies of work whilst capturing the cultural complexity, exquisite craftsmanship, conceptual elegance and natural wit embodied within them.An essay by Ben Tufnell explores the cultural and historical references in Shin's work over the past fifteen years. Taking Shin's solo exhibition at Haunch of Venison in London in 2011 as his point of departure, he opens up questions of anthropology and museology, of what is exhibited where and when, by and for whom. His incisive analysis of Crouching Aphrodite (2002)- a life-size sculpture of the artist's own body in the pose of the classical Venus of Vienne from the Louvre - raises issues of Eastern and Western culture, of originality and copying: 'Being neither fully Asian nor fully Roman it inhabits a cultural limbo space.' Tufnell explains, 'Shin's works are not simply replicas or reproductions but strange twins, uncanny avatars of their precursors.' Curator and art historian Kyung An's text offers an illuminating account of Shin's Written in Soap: A Plinth Project (2012-ongoing), which takes the form of a remarkable public art project in which the artist recreates- out of soap - a large equestrian military statue of Prince William Augustus, the Duke of Cumberland, that once stood in Cavendish Square, London. Having initiated a project that contributes to debates on public monument building, Shin then created.

PF. Condizione: New.

Paperback. Condizione: Brand New. 47 pages. 11.75x8.75x0.25 inches. In Stock.

Paperback. Condizione: Brand New. 242 pages. 6.00x0.55x9.00 inches. In Stock.

Condizione: New. In.

Paperback. Condizione: Brand New. 48 pages. 11.73x8.74x0.16 inches. In Stock.

Condizione: New.

Paperback. Condizione: New. London and Seoul-based Korean artist Meekyoung Shin (b.1967) is internationally renowned for her sculptures that probe the mis- and re-translations that often emerge when objects of distinct cultural and historical specificity are dislocated from their original context. Made from soap, her works replicate artefacts and canonical works of art, from Asian porcelain vases to Greek and Roman sculptures, translating between continents, cultures and centuries in the process. Meekyoung Shin was born in South Korea and completed her BFA and MFA at Seoul National University. In 1995, she moved to London to obtain her MFA at the Slade School of Art, University College London, and has since held solo exhibitions internationally including at Haunch of Venison, London (2010) and the Korean Cultural Centre UK, London (2013). She has participated in numerous group shows including at the Museum of Art and Design, New York, and the 2013 Asian Art Biennial in Taiwan. Her works are found in collections all over the world, including the Museum of Fine Arts in Houston and the National Museum of Modern and Contemporary Art, Korea. Shin was nominated for the Korea Artist Prize 2013.In this new monograph on the artist, Jonathan Watkins sets the scene for Shin's solo exhibition at the Korean Cultural Centre UK in London in late autumn 2013, a stone's throw from Nelson's Column and the'Fourth Plinth' commission of Trafalgar Square. Context is essential to Shin's practice, and indeed, to her identity. As she asserts: 'I often identify myself as someone on the border between cultures'. Watkins eloquently introduces Shin's major bodies of work whilst capturing the cultural complexity, exquisite craftsmanship, conceptual elegance and natural wit embodied within them.An essay by Ben Tufnell explores the cultural and historical references in Shin's work over the past fifteen years. Taking Shin's solo exhibition at Haunch of Venison in London in 2011 as his point of departure, he opens up questions of anthropology and museology, of what is exhibited where and when, by and for whom. His incisive analysis of Crouching Aphrodite (2002)- a life-size sculpture of the artist's own body in the pose of the classical Venus of Vienne from the Louvre - raises issues of Eastern and Western culture, of originality and copying: 'Being neither fully Asian nor fully Roman it inhabits a cultural limbo space.' Tufnell explains, 'Shin's works are not simply replicas or reproductions but strange twins, uncanny avatars of their precursors.' Curator and art historian Kyung An's text offers an illuminating account of Shin's Written in Soap: A Plinth Project (2012-ongoing), which takes the form of a remarkable public art project in which the artist recreates- out of soap - a large equestrian military statue of Prince William Augustus, the Duke of Cumberland, that once stood in Cavendish Square, London. Having initiated a project that contributes to debates on public monument building, Shin then created.

Paperback. Condizione: Brand New. 48 pages. 11.60x8.80x0.20 inches. In Stock.

Paperback. Condizione: Brand New. 48 pages. 11.70x8.70x0.40 inches. In Stock.

Condizione: New. London and Seoul-based Korean artist Meekyoung Shin (b.1967) is internationally renowned for her sculptures that probe the mis- and re-translations that often emerge when objects of distinct cultural and historical specificity are dislocated from their original context. Editor(s): Blood, Anne. Num Pages: 108 pages, Appox. 50 colour and b/w illustrations. BIC Classification: AB; HBLX. Category: (G) General (US: Trade). Dimension: 278 x 218 x 11. Weight in Grams: 552. . 2013. Paperback. . . . .

Condizione: New. London and Seoul-based Korean artist Meekyoung Shin (b.1967) is internationally renowned for her sculptures that probe the mis- and re-translations that often emerge when objects of distinct cultural and historical specificity are dislocated from their original context. Editor(s): Blood, Anne. Num Pages: 108 pages, Appox. 50 colour and b/w illustrations. BIC Classification: AB; HBLX. Category: (G) General (US: Trade). Dimension: 278 x 218 x 11. Weight in Grams: 552. . 2013. Paperback. . . . . Books ship from the US and Ireland.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 142 pages 99 illustrations 88 in color. Two small bumps to the right-hand corners. Foreword by James Christen Steward, Director. Published on the occasion of the exhibition from the Princeton University Art Museum, Princeton NJ, October 23, 2010-February 20, 2011. Exhibition Checklist. Selected Bibliography. Book.

SOFTCOVER. Condizione: As New. 1st Edition. Large 4to. in colour printed stiff glossy card covers, 107pp, colour plates, etc . [CONDITION: A well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. London and Seoul-based Korean artist Meekyoung Shin (b.1967) is internationally renowned for her sculptures that probe the mis- and re-translations that often emerge when objects of distinct cultural and historical specificity are dislocated from their original context. Made from soap, her works replicate artefacts and canonical works of art, from Asian porcelain vases to Greek and Roman sculptures, translating between continents, cultures and centuries in the process. Meekyoung Shin was born in South Korea and completed her BFA and MFA at Seoul National University. In 1995, she moved to London to obtain her MFA at the Slade School of Art, University College London, and has since held solo exhibitions internationally including at Haunch of Venison, London (2010) and the Korean Cultural Centre UK, London (2013). She has participated in numerous group shows including at the Museum of Art and Design, New York, and the 2013 Asian Art Biennial in Taiwan. Her works are found in collections all over the world, including the Museum of Fine Arts in Houston and the National Museum of Modern and Contemporary Art, Korea. Shin was nominated for the Korea Artist Prize 2013. In this new monograph on the artist, Jonathan Watkins sets the scene for Shin's solo exhibition at the Korean Cultural Centre UK in London in late autumn 2013, a stone's throw from Nelson's Column and the 'Fourth Plinth' commission of Trafalgar Square. Context is essential to Shin's practice, and indeed, to her identity. As she asserts: 'I often identify myself as someone on the border between cultures'. Watkins eloquently introduces Shin's major bodies of work whilst capturing the cultural complexity, exquisite craftsmanship, conceptual elegance and natural wit embodied within them.An essay by Ben Tufnell explores the cultural and historical references in Shin's work over the past fifteen years. Taking Shin's solo exhibition at Haunch of Venison in London in 2011 as his point of departure, he opens up questions of anthropology and museology, of what is exhibited where and when, by and for whom. His incisive analysis of Crouching Aphrodite (2002) - a life-size sculpture of the artist's own body in the pose of the classical Venus of Vienne from the Louvre - raises issues of Eastern and Western culture, of originality and copying: 'Being neither fully Asian nor fully Roman it inhabits a cultural limbo space.' Tufnell explains, 'Shin's works are not simply replicas or reproductions but strange twins, uncanny avatars of their precursors.' Curator and art historian Kyung An's text offers an illuminating account of Shin's Written in Soap: A Plinth Project (2012-ongoing), which takes the form of a remarkable public art project in which the artist recreates - out of soap - a large equestrian military statue of Prince William Augustus, the Duke of Cumberland, that once stood in Cavendish Square, London. Having initiated a project that contributes to debates on public monument building, Shin then cre.