linderman jim (33 risultati)

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Very Good. Pictorial boards without dust jacket. Folio.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover. Condizione: new. Hardcover. In The Birth of Rock and Roll, Americana collector Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit of rock and roll in its early dayswhen "a juke-joint with fifty patrons was a big show," as Linderman writes in his introduction. "A church with fifty congregants was a full house. The annual square dance at the town hall, a rent party, a fish-fry, the honky-tonk piano in the whore house, the union meeting There was no real money in it. A performer was lucky to be fed, get drunk and get laid." The photographs have little to do with the conventional iconography of the birth of rock and roll: conspicuously absent are pictures of young white men in Memphis, poodle skirts, Alan Freed and Bill Haley's Brylcream. These photographs instead document and celebrate the pure but indefinable essence of rocking. Ordinary, anonymous men, women and childrensome white, some blackare holding guitars and strumming while looking relaxed or frantic, but nearly always blissful. Some of the action takes place in rural fields, some in dance halls, some at civic events, some in living rooms and basements. Wherever there was an urge to make acoustic or electric musicwhether to help at a rent party, busk in front of a crowd or testify in the name of Jesusthere was an uncredited photographer there to snap an image, and these are the photographs that comprise Linderman's fascinating narrative. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Fine. New, still in publisher's original shrink wrap. Oversized color illustrated hardcover. Issued without dust jacket. Collector Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit of rock and roll in its early days. Wherever there was an urge to make electronic music, there was an uncredited photographer there ot snap an image and these are the photographs that comprise this fascinating collection. With a conversation with Joe Bonomo.

Hardcover with dust jacket. Previous owner's stamp and label on ffep. Otherwise handsome copy! Very good condition pp.

48 pp.; 29.6 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April/May 1988. Artists include John Alexander, Lorenzo Bonechi, Peter Booth, Steven Campbell, Sandro Chia, Giuseppe Gallo, Jim Gingerich, Judy Glantzman, Red Grooms, Jin Sub Han, Hans D'Hollosy, Peter Howson, Maria De La Paz Jaramillo, Earl Linderman, Jorg Madlener, Wade Miller, Hugh O'Donnell, Mimmo Paladino, Jim Peters, Miguel Rasero, Huck Snyder,Many Volz, Adrian Wiszniewski, and Joan Worth. Contents include Collector's Commentary by Susan Kasen and Robert D. Summer, a text by Donald Kuspit, and artists' biographies. Cover features image by Jim Gingerich, "Honey There Is More," 1986. Very Good. Light rubbing of covers. Contents clean and unmarked. Includes folded photocopy of "Instant collection, timeless appeal," a review of the exhibition by Steven Litt published by The News and Observer, Raleigh, NC, April 17, 1988.

hardcover. Condizione: New. Special order direct from the distributor.

hardcover. Condizione: Very Good. CD IS included, hardcover with dust jacket, tight, pages clear and bright, shelf and edge wear, corners bumped, packaged in box for shipment, tracking on U.S. orders.

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback, Condizione: Very Good, Folk Fest, Atlanta, 1996, 8-1/2"x11", staple bound paperbk., 51pp., many photos., largely half-page ads for various booths with a large photos for each, rest is many illustrated ads of other folk galleries. VG $.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 160 pages. 13.00x10.00x0.50 inches. In Stock.

Condizione: New.

Hardback. Condizione: New. In The Birth of Rock and Roll, Americana collector Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit of rock and roll in its early days-when "a juke-joint with fifty patrons was a big show," as Linderman writes in his introduction. "A church with fifty congregants was a full house. The annual square dance at the town hall, a rent party, a fish-fry, the honky-tonk piano in the whore house, the union meeting . There was no real money in it. A performer was lucky to be fed, get drunk and get laid." The photographs have little to do with the conventional iconography of the birth of rock and roll: conspicuously absent are pictures of young white men in Memphis, poodle skirts, Alan Freed and Bill Haley's Brylcream. These photographs instead document and celebrate the pure but indefinable essence of rocking. Ordinary, anonymous men, women and children-some white, some black-are holding guitars and strumming while looking relaxed or frantic, but nearly always blissful. Some of the action takes place in rural fields, some in dance halls, some at civic events, some in living rooms and basements. Wherever there was an urge to make acoustic or electric music-whether to help at a rent party, busk in front of a crowd or testify in the name of Jesus-there was an uncredited photographer there to snap an image, and these are the photographs that comprise Linderman's fascinating narrative.

Condizione: New. In.

Condizione: New.

Condizione: Very good.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condizione: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

Hardcover. Condizione: Very Good. Nice clean copy with a tight binding. CD included. Mildly rubbed edges.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. One small 5mm indent on front bottom. CD included and scratch free.

Condizione: New. KlappentextIn The Birth of Rock and Roll, Americana collector Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit of rock and roll in its early days--when a juke-joint with fifty patrons was a big show, a.

Paperback. Condizione: Like New. Author inscribed to previous owner and signed Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Hardback. Condizione: New. In The Birth of Rock and Roll, Americana collector Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit of rock and roll in its early days-when "a juke-joint with fifty patrons was a big show," as Linderman writes in his introduction. "A church with fifty congregants was a full house. The annual square dance at the town hall, a rent party, a fish-fry, the honky-tonk piano in the whore house, the union meeting . There was no real money in it. A performer was lucky to be fed, get drunk and get laid." The photographs have little to do with the conventional iconography of the birth of rock and roll: conspicuously absent are pictures of young white men in Memphis, poodle skirts, Alan Freed and Bill Haley's Brylcream. These photographs instead document and celebrate the pure but indefinable essence of rocking. Ordinary, anonymous men, women and children-some white, some black-are holding guitars and strumming while looking relaxed or frantic, but nearly always blissful. Some of the action takes place in rural fields, some in dance halls, some at civic events, some in living rooms and basements. Wherever there was an urge to make acoustic or electric music-whether to help at a rent party, busk in front of a crowd or testify in the name of Jesus-there was an uncredited photographer there to snap an image, and these are the photographs that comprise Linderman's fascinating narrative.

Hardcover. Condizione: new. Hardcover. In The Birth of Rock and Roll, Americana collector Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit of rock and roll in its early dayswhen "a juke-joint with fifty patrons was a big show," as Linderman writes in his introduction. "A church with fifty congregants was a full house. The annual square dance at the town hall, a rent party, a fish-fry, the honky-tonk piano in the whore house, the union meeting There was no real money in it. A performer was lucky to be fed, get drunk and get laid." The photographs have little to do with the conventional iconography of the birth of rock and roll: conspicuously absent are pictures of young white men in Memphis, poodle skirts, Alan Freed and Bill Haley's Brylcream. These photographs instead document and celebrate the pure but indefinable essence of rocking. Ordinary, anonymous men, women and childrensome white, some blackare holding guitars and strumming while looking relaxed or frantic, but nearly always blissful. Some of the action takes place in rural fields, some in dance halls, some at civic events, some in living rooms and basements. Wherever there was an urge to make acoustic or electric musicwhether to help at a rent party, busk in front of a crowd or testify in the name of Jesusthere was an uncredited photographer there to snap an image, and these are the photographs that comprise Linderman's fascinating narrative. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condizione: Neu. Neuware - In The Birth of Rock and Roll, Americana collector Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit of rock and roll in its early days--when 'a juke-joint with fifty patrons was a big show,' as Linderman writes in his introduction. 'A church with fifty congregants was a full house. The annual square dance at the town hall, a rent party, a fish-fry, the honky-tonk piano in the whore house, the union meeting . There was no real money in it. A performer was lucky to be fed, get drunk and get laid.' The photographs have little to do with the conventional iconography of the birth of rock and roll: conspicuously absent are pictures of young white men in Memphis, poodle skirts, Alan Freed and Bill Haley's Brylcream. These photographs instead document and celebrate the pure but indefinable essence of rocking. Ordinary, anonymous men, women and children--some white, some black--are holding guitars and strumming while looking relaxed or frantic, but nearly always blissful. Some of the action takes place in rural fields, some in dance halls, some at civic events, some in living rooms and basements. Wherever there was an urge to make acoustic or electric music--whether to help at a rent party, busk in front of a crowd or testify in the name of Jesus--there was an uncredited photographer there to snap an image, and these are the photographs that comprise Linderman's fascinating narrative.