Lisa gail collins (74 risultati)

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. Examines the work of contemporary African-American women artists, focusing on four problems that recur when these artists confront their histories: the documentation of truth; the status of the black female body; and the relationships between art and cultural contact, and art and black girlhood.…

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Paperback. Condizione: Very Good. Examines the work of contemporary African-American women artists, focusing on four problems that recur when these artists confront their histories: the documentation of truth; the status of the black female body; and the relationships between art and cultural contact, and art and black girlhood.…

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Good.

Condizione: acceptable.

paperback. Condizione: Good.

Condizione: New.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback or Softback. Condizione: New. Stitching Love and Loss: A Gee's Bend Quilt. Book.

Condizione: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Paperback. Condizione: New. Winner of the 2023 Horowitz Prize by the Bard Graduate CenterWinner of the 2025 James A. Porter and David C. Driskell Award in African American Art History from the Driskell Center at the University of MarylandShortlisted for the 2024 Charles C. Eldredge Prize by the Smithsonian American Art MuseumFinalist for the 2024 Sterling Stuckey Book Prize by the Association for the Study of the Worldwide African DiasporaA meditation on suffering, resilience, creativity, and graceIn 1942 Missouri Pettway, newly suffering the loss of her husband, pieced together a quilt out of his old, worn work clothes. Nearly six decades later her daughter Arlonzia Pettway, approaching eighty at the time and a seasoned quiltmaker herself, readily recalled the cover made by her grieving mother within the small African American farming community of Gee's Bend, Alabama.At once a story of grief, a quilt, and a community, Stitching Love and Loss connects Missouri Pettway's cotton covering to the history of a place, its residents, and the work of mourning. Interpreting varied sources of history and memory, Lisa Gail Collins engages crucial and enduring questions, simultaneously singular and shared: What are the languages, practices, and processes of mourning? How is loss expressed and remembered? What are the roles for creativity in grief? And how might a closely crafted material object, in its conception, construction, use, and memory, serve the work of grieving a loved one? Placing this singular quilt within its historical and cultural context, Collins illuminates the perseverance and creativity of the African American women quilters in this rural Black Belt community.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. Winner of the 2023 Horowitz Prize by the Bard Graduate CenterWinner of the 2025 James A. Porter and David C. Driskell Award in African American Art History from the Driskell Center at the University of MarylandShortlisted for the 2024 Charles C. Eldredge Prize by the Smithsonian American Art MuseumFinalist for the 2024 Sterling Stuckey Book Prize by the Association for the Study of the Worldwide African DiasporaA meditation on suffering, resilience, creativity, and graceIn 1942 Missouri Pettway, newly suffering the loss of her husband, pieced together a quilt out of his old, worn work clothes. Nearly six decades later her daughter Arlonzia Pettway, approaching eighty at the time and a seasoned quiltmaker herself, readily recalled the cover made by her grieving mother within the small African American farming community of Gee's Bend, Alabama.At once a story of grief, a quilt, and a community, Stitching Love and Loss connects Missouri Pettway's cotton covering to the history of a place, its residents, and the work of mourning. Interpreting varied sources of history and memory, Lisa Gail Collins engages crucial and enduring questions, simultaneously singular and shared: What are the languages, practices, and processes of mourning? How is loss expressed and remembered? What are the roles for creativity in grief? And how might a closely crafted material object, in its conception, construction, use, and memory, serve the work of grieving a loved one? Placing this singular quilt within its historical and cultural context, Collins illuminates the perseverance and creativity of the African American women quilters in this rural Black Belt community. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. Winner of the 2023 Horowitz Prize by the Bard Graduate CenterWinner of the 2025 James A. Porter and David C. Driskell Award in African American Art History from the Driskell Center at the University of MarylandShortlisted for the 2024 Charles C. Eldredge Prize by the Smithsonian American Art MuseumFinalist for the 2024 Sterling Stuckey Book Prize by the Association for the Study of the Worldwide African DiasporaA meditation on suffering, resilience, creativity, and graceIn 1942 Missouri Pettway, newly suffering the loss of her husband, pieced together a quilt out of his old, worn work clothes. Nearly six decades later her daughter Arlonzia Pettway, approaching eighty at the time and a seasoned quiltmaker herself, readily recalled the cover made by her grieving mother within the small African American farming community of Gee's Bend, Alabama.At once a story of grief, a quilt, and a community, Stitching Love and Loss connects Missouri Pettway's cotton covering to the history of a place, its residents, and the work of mourning. Interpreting varied sources of history and memory, Lisa Gail Collins engages crucial and enduring questions, simultaneously singular and shared: What are the languages, practices, and processes of mourning? How is loss expressed and remembered? What are the roles for creativity in grief? And how might a closely crafted material object, in its conception, construction, use, and memory, serve the work of grieving a loved one? Placing this singular quilt within its historical and cultural context, Collins illuminates the perseverance and creativity of the African American women quilters in this rural Black Belt community.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

CD-ROM. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Cloth. Condizione: Very Good. No Jacket. 161pp, 2002. Tan cloth hardcover, ex-library with library markings and marked "withdrawn". Still a bright copy. Size: 4to - over 9? - 12" tall. Book.

1st. 4to. NO INTERNATIONAL OR PRIORITY. Has the CD, slides and booklet. Near Fine (still shrink-wrapped, but a bit of wear evident.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condizione: Good. : Este libro se centra en la obra de artistas afroamericanos durante la Depresión y los años de guerra (1929-1945), cuando los programas patrocinados por el gobierno, como la WPA, condujeron a un resurgimiento general de la producción artística en los Estados Unidos. El catálogo presenta la obra de Robert Blackburn, Raymond Steth, Horace Woodroff y Dox Trash, entre otros, con una selección más pequeña de pinturas y acuarelas de artistas tan notables como Horace Pippin, Romare Bearden, Jacob Lawrence y Bill Traylor. Se incluyen ensayos sobre la obra en su contexto cultural y sobre las técnicas de grabado. La mayoría de las obras de este volumen son adquisiciones recientes del Metropolitan Museum of Art y no se han publicado anteriormente. EAN: 9780300098778 Tipo: Libros Categoría: Arte y Cultura|Historia Título: African-American Artists, 1929-1945 Autor: Lisa Gail Collins| Lisa Mintz Messinger| Rachel Mustalish Editorial: Metropolitan Museum of Art Idioma: en Páginas: 92 Formato: tapa blanda.…