lisa hoerstmann (18 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Bruecke artists. In the interwar period she was celebrated in Berlin for her "exotic" paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.The German-South African artist Irma Stern (1894-1966) was a well-known figure in the Berlin art scene after the First World War, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. While marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa's apartheid regime. Her complex body of work was shaped both by emancipation and by cultural appropriation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 208 pages. 10.82x8.94x10.51 inches. In Stock.

Paperback. Condizione: Brand New. 208 pages. 10.82x8.94x10.51 inches. In Stock.

Taschenbuch. Condizione: Neu. Neu -Im Werk Irma Sterns treffen Motive ihrer südafrikanischen Heimat auf den Expressionismus der Brücke-Künstler. In Berlin wurde sie ab 1918 für ihre 'exotischen' Bilder gefeiert, in Südafrika später zur Nationalkünstlerin gekürt. Der reich bebilderte Band legt einen Fokus auf ihre ausdrucksstarken Porträts und thematisiert Fragen von Entstehungskontexten und Rezeption bis heute. Die deutsch-südafrikanische Künstlerin Irma Stern (1894-1966) etablierte sich nach dem Ersten Weltkrieg erfolgreich in der Berliner Kunstszene, bis sie 1933 aufgrund der Verfolgung der Juden durch die Nationalsozialisten ihre Aufenthalte in Deutschland vollständig einstellen musste. Marginalisiert als Frau und vom Antisemitismus bedroht, war sie als Weiße zugleich Nutznießerin des südafrikanischen Apartheidregimes. Sie brachte ein komplexes Werk hervor, das zugleich von Emanzipation und kultureller Aneignung geprägt ist. 208 pp. Deutsch, Englisch.

Paperback. Condizione: new. Paperback. In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Bruecke artists. In the interwar period she was celebrated in Berlin for her "exotic" paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.The German-South African artist Irma Stern (1894-1966) was a well-known figure in the Berlin art scene after the First World War, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. While marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa's apartheid regime. Her complex body of work was shaped both by emancipation and by cultural appropriation. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Bruecke artists. In the interwar period she was celebrated in Berlin for her "exotic" paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.The German-South African artist Irma Stern (1894-1966) was a well-known figure in the Berlin art scene after the First World War, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. While marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa's apartheid regime. Her complex body of work was shaped both by emancipation and by cultural appropriation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condizione: Neu. Neuware - Im Werk Irma Sterns treffen Motive ihrer südafrikanischen Heimat auf den Expressionismus der Brücke-Künstler. In Berlin wurde sie ab 1918 für ihre 'exotischen' Bilder gefeiert, in Südafrika später zur Nationalkünstlerin gekürt. Der reich bebilderte Band legt einen Fokus auf ihre ausdrucksstarken Porträts und thematisiert Fragen von Entstehungskontexten und Rezeption bis heute. Die deutsch-südafrikanische Künstlerin Irma Stern (1894-1966) etablierte sich nach dem Ersten Weltkrieg erfolgreich in der Berliner Kunstszene, bis sie 1933 aufgrund der Verfolgung der Juden durch die Nationalsozialisten ihre Aufenthalte in Deutschland vollständig einstellen musste. Marginalisiert als Frau und vom Antisemitismus bedroht, war sie als Weiße zugleich Nutznießerin des südafrikanischen Apartheidregimes. Sie brachte ein komplexes Werk hervor, das zugleich von Emanzipation und kultureller Aneignung geprägt ist.

Taschenbuch. Condizione: Neu. Irma Stern | Eine Künstlerin der Moderne zwischen Berlin und Kapstadt | Lisa Hörstmann (u. a.) | Taschenbuch | 208 S. | Deutsch | 2025 | Hirmer Verlag GmbH | EAN 9783777445298 | Verantwortliche Person für die EU: Hirmer Verlag GmbH, Sabine Herri, Bayerstr. 57-59, 80335 München, mail[at]hirmerverlag[dot]de | Anbieter: preigu.

Taschenbuch. Condizione: Neu. Neuware -In the art of Irma Stern, motifs from her South African homeland meet the expressionism of the Brücke artists. In the interwar period she was celebrated in Berlin for her 'exotic' paintings, and later became a prominent artist in South Africa. This richly illustrated volume focuses on her highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today.The German-South African artist Irma Stern (1894-1966) was a well-known figure in the Berlin art scene after the First World War, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. While marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa's apartheid regime. Her complex body of work was shaped both by emancipation and by cultural appropriation. 208 pp. Englisch, Deutsch.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This work describes different facets of South African settler primitivism and the interactions of its protagonists, who moved between the poles of European modernism and local traditional cultures. Marked by great ambivalences, they oscillated between transnational and national approaches to an art production that appropriated indigenous landscapes, peoples and their visual cultures in order to indigenise white settlers to the South African land. A focus is set on the women artists Irma Stern and Maggie Laubser, who were key to the development of South African modernism. 288 pp. Englisch.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This work describes different facets of South African settler primitivism and the interactions of its protagonists, who moved between the poles of European modernism and local traditional cultures. Marked by great ambivalences,.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This work describes different facets of South African settler primitivism and theinteractions of its protagonists, who moved between the poles of European modernismand local traditional cultures. Marked by great ambivalences, they oscillatedbetween transnational and national approaches to an art production that appropriatedindigenous landscapes, peoples and their visual cultures in order to indigenisewhite settlers to the South African land. A focus is set on the women artists IrmaStern and Maggie Laubser, who were key to the development of South Africanmodernism.arthistoricum.net, Plöck 107-109, 69047 Heidelberg, Neckar 288 pp. Englisch.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This work describes different facets of South African settler primitivism and the interactions of its protagonists, who moved between the poles of European modernism and local traditional cultures. Marked by great ambivalences, they oscillated between transnational and national approaches to an art production that appropriated indigenous landscapes, peoples and their visual cultures in order to indigenise white settlers to the South African land. A focus is set on the women artists Irma Stern and Maggie Laubser, who were key to the development of South African modernism.

Taschenbuch. Condizione: Neu. (Trans)Nationalism and "Indigenisation" | Ambivalences in South African Settler Primitivism between the 1920s and 1960s | Lisa Hörstmann | Taschenbuch | Englisch | 2023 | [.] | EAN 9783985011131 | Verantwortliche Person für die EU: [.], Plöck 107-109, 69047 Heidelberg, Neckar, ub[at]ub[dot]uni-heidelberg[dot]de | Anbieter: preigu Print on Demand.