Lisa jakelski (33 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New. Presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. The author examines the festival's institutional organization, negotiations among its various actors, and its reception in Poland. Series: California Studies in 20th-Century Music. Num Pages: 272 pages, 9 b/w, 3 music ex, 3 tables. BIC Classification: 1DVP; 3JJPG; 3JJPK; AVGC6; HBJD; HBLW3; HBTB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 173 x 271 x 25. Weight in Grams: 510. . 2016. 1st Edition. Hardcover. . . . .…

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festival's institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festival's worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices, values, and concepts associated with new music.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. Presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. The author examines the festival's institutional organization, negotiations among its various actors, and its reception in Poland. Series: California Studies in 20th-Century Music. Num Pages: 272 pages, 9 b/w, 3 music ex, 3 tables. BIC Classification: 1DVP; 3JJPG; 3JJPK; AVGC6; HBJD; HBLW3; HBTB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 173 x 271 x 25. Weight in Grams: 510. . 2016. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Condizione: New. In English.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: new.

Hardback. Condizione: New. Witold Lutoslawski was one of the most important composers of the twentieth century, whose significance extends far beyond his native Poland. His vita is just as captivating as his compositionally path-breaking music.Witold Lutoslawski (1913-1994) was one of the most important composers of the twentieth century. His significance extends far beyond his native Poland: his classical music was premiered by internationally renowned performers likethe LaSalle Quartet and Krystian Zimerman, and his symphonies, concertante, chamber, instrumental and vocal music are produced by the leading labels of the recording industry. Lutoslawski's vita is just as captivating as his compositionally path-breaking music. He lived through the Second World War and brutal German oppression of Poland, negotiated the challenges of Soviet influence and fluctuating local politics during Poland's post-war transition to communism, and finally strove for a new voice in the post-Stalin Thaw of the mid-1950s. Lutoslawski's Worlds is a landmark volume which looks at the multi-faceted spheres that informed the composer's life and works andrepresents a new departure in the study of his music. Throughout his life, he steered musicologists away from the connections between his extraordinary biography and concert music. He also sought to minimize scholarly attention to the many other spheres of creative activity - popular music, theatre music, film scoring, propaganda music, and educational music - that occupied him. In this volume, for the first time, the world's leading Lutoslawski scholars consider the full range of his musical output and the biographical, cultural and historical contexts in which those musics were created. It contends that all of Lutoslawski's worlds are equally worthy of study, because each represents an opportunity better to understand the life and music of a figure of paramount importance to the critical and cultural history of twentieth-century music.…

Hardcover. Condizione: new. Hardcover. Witold Lutoslawski was one of the most important composers of the twentieth century, whose significance extends far beyond his native Poland. His vita is just as captivating as his compositionally path-breaking music.Witold Lutoslawski (1913-1994) was one of the most important composers of the twentieth century. His significance extends far beyond his native Poland: his classical music was premiered by internationally renowned performers likethe LaSalle Quartet and Krystian Zimerman, and his symphonies, concertante, chamber, instrumental and vocal music are produced by the leading labels of the recording industry. Lutoslawski's vita is just as captivating as his compositionally path-breaking music. He lived through the Second World War and brutal German oppression of Poland, negotiated the challenges of Soviet influence and fluctuating local politics during Poland's post-war transition to communism, and finally strove for a new voice in the post-Stalin Thaw of the mid-1950s.Lutoslawski's Worlds is a landmark volume which looks at the multi-faceted spheres that informed the composer's life and works andrepresents a new departure in the study of his music. Throughout his life, he steered musicologists away from the connections between his extraordinary biography and concert music. He also sought to minimize scholarly attention to the many other spheres of creative activity - popular music, theatre music, film scoring, propaganda music, and educational music - that occupied him. In this volume, for the first time, the world's leading Lutoslawski scholars consider the full range of his musical output and the biographical, cultural and historical contexts in which those musics were created. It contends that all of Lutoslawski's worlds are equally worthy of study, because each represents an opportunity better to understand the life and music of a figure of paramount importance to the critical and cultural history of twentieth-century music. Witold Lutoslawski was one of the most important composers of the twentieth century, whose significance extends far beyond his native Poland. His vita is just as captivating as his compositionally path-breaking music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

hardcover. Condizione: As New. Binding is tight and square. Contents are crisp, clean, complete and undamaged. Book is like new in all respects. Book was donated to Friends of Omaha Public Library.

Condizione: New. In English.

Condizione: New. pp. 336.

Hardcover. Condizione: Brand New. 402 pages. 9.50x6.25x1.50 inches. In Stock.

Condizione: New. pp. 336.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2018. Hardcover. . . . . .

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Brand New. 1st edition. 245 pages. 9.25x6.25x0.75 inches. In Stock.

Hardback. Condizione: New. Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festival's institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festival's worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices, values, and concepts associated with new music.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Gebunden. Condizione: New. Witold Lutoslawski was one of the most important composers of the twentieth century, whose significance extends far beyond his native Poland. His vita is just as captivating as his compositionally path-breaking music.Inhaltsverzeichnis.

Condizione: New. Presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. The author examines the festival s institutional or.

Buch. Condizione: Neu. Neuware - Witold Lutoslawski was one of the most important composers of the twentieth century, whose significance extends far beyond his native Poland. His vita is just as captivating as his compositionally path-breaking music.Witold Lutoslawski (1913-1994) was one of the most important composers of the twentieth century. His significance extends far beyond his native Poland: his classical music was premiered by internationally renowned performers likethe LaSalle Quartet and Krystian Zimerman, and his symphonies, concertante, chamber, instrumental and vocal music are produced by the leading labels of the recording industry. Lutoslawski's vita is just as captivating as his compositionally path-breaking music. He lived through the Second World War and brutal German oppression of Poland, negotiated the challenges of Soviet influence and fluctuating local politics during Poland's post-war transition to communism, and finally strove for a new voice in the post-Stalin Thaw of the mid-1950s. Lutoslawski's Worlds is a landmark volume which looks at the multi-faceted spheres that informed the composer's life and works andrepresents a new departure in the study of his music. Throughout his life, he steered musicologists away from the connections between his extraordinary biography and concert music. He also sought to minimize scholarly attention to the many other spheres of creative activity - popular music, theatre music, film scoring, propaganda music, and educational music - that occupied him. In this volume, for the first time, the world's leading Lutoslawski scholars consider the full range of his musical output and the biographical, cultural and historical contexts in which those musics were created. It contends that all of Lutoslawski's worlds are equally worthy of study, because each represents an opportunity better to understand the life and music of a figure of paramount importance to the critical and cultural history of twentieth-century music.<br</br<brLISA JAKELSKI is Associate Professor of Musicology at the Eastman School of Music, University of Rochester.NICHOLAS REYLAND is Head of Undergraduate Programmes at the Royal Northern College of Music.Contributors: STANISLAW BEDKOWSKI, ANDREA F. BOHLMAN, DANUTA GWIZDALANKA, LISA JAKELSKI, MICHAEL L. KLEIN, IWONA LINDSTEDT, WIOLETA MURAS, KATARZYNA NALIWAJEK-MAZUREK, NICHOLAS REYLAND, ZBIGNIEW SKOWRON, STEVEN STUCKY, ADRIAN THOMAS, DAVID TOMPKINS, LISA COOPER VEST</br.…

Condizione: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condizione: Neu. Neuware - Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festival's institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festival's worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices, values, and concepts associated with new music. …