Locke alain ed (16 risultati)

Paperback. Condizione: Very Good. Grade 3 out 5 points. Book has wear on cover and pages. May have personalized notes/names, stickers/labels. Has no markings on pages. May not include extra materials like access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business.…

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Trade Paperback. Condizione: Good+. Crisp, clean pages except for a prior owner's name on the first (half-title) page and a small gray smudge on the right edge of the book; soft cover is faded along the spine and shows mild edge wear at spine ends, otherwise very well-kept. xxxiv, 452pp. incl. index. …

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Very Good +. Condizione sovraccoperta: Very Good. With a few black & white illustrations, a bibliography and index. x, 332 pages. 8vo. Hardcover, bound in black cloth. Date written in ink on the free front endpaper. A little pale foxing to the edges. In a dust jacket. Very Good +/Very Good.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Very Good. No Jacket. Reprint. Boards (HB) in very good condition. Ex-lib with only stamps to page edges, card inside cover and stamp to top of page and some light soiling to bottom of spine and back cover. Inside ia all clean and bright with no marks, folds or soiling of any kind.The first serious book-length study of Black artists.A major document of African American Art up to 1940. With copious notes and artist biographies. 224 pages with selected bibliography.…

8vo (8.325" x 5.5"), original staple-bound printed wrappers. 31 pp. CONDITION: Very good, two faint vertical creases to front wrapper and document tape repair at verso of front wrapper along 2" tear at right edge, slight toning and wear to spine, one small spot of soiling to rear wrapper, contents very good. First edition of this Pamphlet Poets series collection of poems by Countee Cullen, Langston Hughes, Jean Toomer, and Claude McKay, edited by the "dean" of the Harlem Renaissance, Alain Locke. Lauding Toomer, Cullen, Hughes, and McKay as "modernists among moderns," Locke introduces this collection of their previously-published poems as "A reflection of Negro experience true to its idiom of emotion and circumstance." He highlights McKay's "proud spirit.[linking] our newly insurgent race pride and consciousness with the rebel poetry of radical thought," Toomer's "probing into the sub-soil of Southern life," Cullen's "polished lyricism.[and] exuberant flow of an awakening Negro life," and Hughes's "democratic sweep and universality." Biographies of the poets appear on the final page. Simon and Schuster began the "Pamphlet Poets" series just two years after the publishing house was founded, intending the 25-cent volumes as affordable introductions to poetry. The series was published for just three years, and reached sixteen titles, including a volume devoted solely to Langston Hughes, also introduced by Locke. Scarce in the trade: no examples recorded in Rare Book Hub.…

Hardcover. Condizione: Good. First Edition. Is there a reader in "Negro," African-American literature more stuffed with such heavy-hitters, verily, a Murderer's Row of brilliance? Alaine Locke has edited this fine collection and that has been beautifully augmented with the portraits and book decorations of Winold Reiss. This anthology of short fiction, literary essays and poetry surveys the moment of African-American and African art, criticism, experience and literature, the opening salvo of the Harlem Renaissance. Alain LeRoy Locke for a long time taught at Howard University in Washington, D.C., a leading H.B.C.U. A perfectly serviceable reference copy; nothing fancy, but complete and still sturdy, bound in now rubbed and scratched, illustrated black paper over boards, light brown linen cloth-backed. Rubbing to, scuffing of tips, edges, bumping to spine head and foot, moderate toning to text-block, else a remarkably attractive, tightly bound tome. Raspberry and tan illustrated endpapers (a stylized "African" man and women, a toucan and two cats). Chapter heads and tails. An extremely arresting Madonna and child at frontis. Contributions, sometimes multiple, by the editor, Alain Locke, and by Jean Toomer, Zora Neale Hurston, Claude McKay, Countee Cullen, Angelina Grimke, Langston Hughes, W.E.B. DuBois, Melville Herskovits, Winold Reiss, William Stanley Braithwaite, John Mathews, Bruce Nugent, James Weldon Johnson, Georgia Douglas Johnson, Anne Spencer, Angelina Grimke, Lewis Alexander, Walter White, Elise Johnson MacDougold, Montgomery Gregory, Jessie Fouset, J.A. Rogers, Paul U. Kellog, E. Franklin Frazier, W.A. Domingo, Kelly Miller, Robert R. Moton, Cugo Lewis and Arthur A. Schomburg (Arturo Alfonso Schomburg). xviii [1], 3-446 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…