Locke alain editor (37 risultati)

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. This copy is NEAR FINE; the text is clear, bright, and unmarked, binding is tight, but pages and edges are aging. The covers are also near fine; absolutely intact, including color and design, but slight bump bottom front. We have a five star rating because of our fulfilment success and because our descriptions are accurate. We guarantee: NO NASTY SURPRISES.…

Condizione: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Condizione: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.

Paperback. Condizione: As New. None. A clean, unmarked copy.

Soft cover. Condizione: Near Fine. 622-724pp. Pictorial soft Cover: Roland Hayes drawn by Winold reiss. Small crease on corner of rear cover. Size: 4to - over 9¾" - 12" tall. Soft Cover.

Paperback. Condizione: Brand New. reprint edition. 452 pages. 8.50x5.75x1.25 inches. In Stock.

Paperback. Condizione: Brand New. 429 pages. 7.75x5.00x1.00 inches. In Stock.

Paperback. Condizione: Brand New. 368 pages. 7.75x5.06x0.59 inches. In Stock.

Paperback. Condizione: Brand New. reprint edition. 452 pages. 8.50x5.75x1.25 inches. In Stock.

Paperback. Condizione: As New. None. First Edition. With the '1' in a number line. First book publication of essays on Hurston by the aforementioned and others. Laid in a book review by David Nicholson. A pristine copy, clean and unmarked.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. With the '1' in a number line. First book publication of essays on Hurston by the aforementioned and others. Laid in a book review by David Nicholson. A pristine copy, clean and unmarked.

Condizione: New. Satisfaction Guaranteed or your money back.

Hardcover. Condizione: Very Good. No Jacket. Pink-purplish boards with title in white to spine. A few small marks to text block edges.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: Very Good. No Jacket. 2nd Edition. A RARE AND IMPORTANT TITLE EX LIBRARY COPY WITH MINIMAL MARKINGS FINE TEXTBLOCK A BIT ROUGH AROUND THE EDGES WITH LIGHT SOILING TO COVER AND SEVERAL BUMPS TO TIPS BOUND IN WHTE WITH COMPLETE GOLD LETTERING DONE IN CHRONOLOGICAL ORDER , THIS GROUNDBREAKING WORK EXPLORES THE NEGRO THEME IN ART IN MANY DIFFERENT MEDIUMS FROM THE 1680'S TO THE 1940'S A GREAT STUDY OR REFERENCE COPY. PHOTOS (illustratore).…

Hardcover. Condizione: Good. No Jacket. Ex library hardback with illustrated boards; usual stamps/markings. Published in 1979 by Hacker Art Books, Light wear to boards otherwise a good, very clean copy. Extensively illustrated throughout. Heavy book will ship overseas for extra postage. Ready for immediate despatch from UK. BS-1G*.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Gift inscribed and signed by Leonard Harris (Editor). Some of the pages stating to tan. Discusses Locke's life and views and their impact on American philosophy, as well as his role in the Harlem Renaissance. Black and white cartoons (illustratore).…

Soft cover. Condizione: Very Good. 1st Edition. Volume VIII, number 3 of this influential Christian Socialist and pacifist little magazine, published in March, 1925 by The Fellowship Press. 4to (8.75 × 11 inches), stapled self-wrappers, pp. 65-96. Special issue devoted to "ART—and the new social order," examining modern art, aesthetics, internationalism, religion, and creative expression within a changing social and political order. Contributions by Dorothy Loeb, Babette Deutsch, Clement Wood, Devere Allen, Marguerite Wilkinson, and others. Rear wrapper with Anna Louise Strong's appeal concerning the John Reed Children's Colony in Soviet Russia. Of particular significance is Alain Locke's "Internationalism—Friend or Foe of Art?" (pp. 75-76), an important statement of Locke's developing philosophy of cultural pluralism. Rejecting both chauvinistic nationalism and a homogenized international culture, Locke argues for the preservation of distinctive national and racial cultures joined through reciprocity and exchange—ideas central to the cultural philosophy he was simultaneously bringing to bear on the emerging Harlem Renaissance. Locke's essay appeared in March 1925, the same month as the celebrated Survey Graphic number "Harlem: Mecca of the New Negro," which Locke guest-edited and for which he contributed "Harlem," "Enter the New Negro," "Youth Speaks," and "Art of the Ancestors." That project would be expanded later in 1925 into The New Negro: An Interpretation, the defining anthology of the Harlem Renaissance. "Internationalism—Friend or Foe of Art?" thus belongs to the extraordinary cluster of writings produced at the moment Locke was articulating the intellectual framework of the New Negro movement. The World Tomorrow was itself an important progressive interwar little magazine, emerging from the pacifist Fellowship of Reconciliation milieu and providing a forum for Christian socialism, internationalism, labor, racial equality, anti-imperialism, and social reform. Its engagement with the developing Harlem Renaissance was substantial: two years earlier its May 1923 special number, "Making a Living: What the Negro Faces," had brought together W. E. B. Du Bois, Langston Hughes, Charles S. Johnson, and other leading Black writers and intellectuals in what can be regarded as an important precursor document of the Harlem Renaissance. The present issue carries that discussion forward, placing Locke's argument for cultural reciprocity within a broader consideration of art and the new social order. A scarce original periodical appearance of a significant Alain Locke essay, published at the moment the New Negro movement was achieving its defining intellectual and literary expression. No copy of this March 1925 issue located in the current marketplace during our search. Light bumping and rubbing to extremities, with two small closed tears to edges of wrappers. Closed tear towards spine tail, affecting first and last four leaves. Very good for the fragile newsprint format.…

Hardcover. Condizione: Good. No Jacket. 1st Edition. Bound in publisher's original blue paper-covered boards over buckram spine cloth lettered in blue. The boards are heavily rubbed with a2 2/3 inch split at the edge of the spine base. The binding is sound. Ex-library with the usual markings.

Paperback. Condizione: Brand New. 368 pages. 7.75x5.06x0.59 inches. In Stock. This item is printed on demand.

Hardcover. Condizione: Very Good. Class report. Cloth and papercovered boards. Corners bumped, a trifle soiled, very good. A survey of the Class of 1908 including autobiographical statements from most of the class members. Signed by the editor and class secretary, Guy Emerson. This was poet John Hall Wheelock's copy, and is signed by him by his statement. It also includes autobiographical statements from author Van Wyck Brooks, African-American scholar and author Alain Locke, historian Samuel Eliot Morison, and world-renowned cardiologist, Paul Dudley White.…

Hardcover. Condizione: Near Fine. Class report. Red cloth gilt. Light wear, near fine. A survey of the Class of 1908 including relatively long autobiographical statements by the class members. This was poet John Hall Wheelock's copy, and is signed by him by his statement. It also includes autobiographical statements from author Van Wyck Brooks, African-American scholar and author Alain Locke, historian Samuel Eliot Morison, and world-renowned cardiologist, Paul Dudley White. This issue of the class report also includes photos of the students as undergraduates, and as they were when this volume was printed.…

Hardcover. Condizione: Near Fine. Class report. Red cloth gilt. Fine. A survey of the Class of 1908 including autobiographical statements by the class members. This was poet John Hall Wheelock's copy, and is Signed by him by his statement. It also includes autobiographical statements from author Van Wyck Brooks, African-American scholar and author Alain Locke, historian Samuel Eliot Morison, and world-renowned cardiologist, Paul Dudley White.…

Hardcover. Condizione: Very Good. Class report. Black cloth gilt. A bit of wear to the cloth at the spine ends, very good. A survey of the Class of 1908 including autobiographical statements from most of the class members. This was poet John Hall Wheelock's copy, and is Signed by him by his statement. It also includes autobiographical statements from author Van Wyck Brooks, African-American scholar and author Alain Locke, historian Samuel Eliot Morison, and world-renowned cardiologist, Paul Dudley White.…

Hardcover. First Edition. Octavo, xviii, 446 pages. In Very Good condition. Bound in publisher's quarter tan cloth and navy blue paper boards with blue lettering to spine. General shelf wear, with moderate to heavy rubbing along extremities. Some sunning and scratching to boards. Fading to red dye on top edge of textblock. With pink pictorial endpapers. Previous bookseller's sticker adhered to rear pastedown. Mild tearing to fore edges of pages xv-xviii. Light age toning with minor penciling scattered throughout. Shelved in Case 1. "The New Negro: An Interpretation" is an anthology of fiction, poetry, and essays on African-American and African art and literature. The title lent itself to The New Negro Movement, a contemporary name for what is now commonly known as the Harlem Renaissance. Editor Alain LeRoy Locke was a leading figure in the Harlem Renaissance and a professor at HBCU Howard University in Washington, DC. 1405855. Shelved Dupont Bookstore.…

Hardcover. Condizione: Very Good. 1st ed. frontis (color), numerous black & white illustrations and two pages in color, 124, [4], 125-222p. Recent quarterbinding (marbled boards attractively backed in leather). 31 cm. Horizontal crease (as usual) on frontis. Other internal soiling and wear but generally sound. No jacket. When we got this book, the binding was beyond repair. We had the binder preserve and mount a small piece (less than the size of a business-card) of the original endpaper on which Locke had INSCRIBED this copy to Dorothy Maynor, the talented singer and founder of the Harlem School of the Arts. The three panels of the Amistad Murals done on canvas by Hale Woodruff and located in Savery Memorial Library at Talladega College in Talladega, Alabama, are illustrated in color on the center pages of the unnumbered four page section which is found after page 124. These mural panels were unveiled in 1939, just a year before publication of this book. The unnumbered Amistad Murals section may have been a last minute addition to the book. The section is described on the Contents page as facing page 124. We don't know whether it was present in all copies of the 1940 edition. Signed.…

Hardcover. Condizione: Good. 1st ed. frontis (color), numerous black & white illustrations and two pages in color, 124, [4], 125-222p. Original green cloth. 31 cm. Moderate cover soil and wear. Backstrip and lettering moderately faded. Bookplate (Fannie [?] Targ). Contents sound and clean. No jacket. The three panels of the Amistad Murals done on canvas by Hale Woodruff and located in Savery Memorial Library at Talladega College in Talladega, Alabama, are illustrated in color on the center pages of the unnumbered four page Amistad Mural section which is found after page 124. These mural panels were unveiled in 1939, just a year before publication of this book. The unnumbered Amistad Murals section may have been a last minute addition to the book. The section is described on the Contents page as facing page 124. We don't know whether it was present in all copies of the 1940 edition.…