Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Condizione: Good. Has some wear and creases. Has a remainder mark. paperback Used - Good 2019.
Da: Goodwill Southern California, Los Angeles, CA, U.S.A.
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Aggiungi al carrelloCondizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Michael Wiese Productions, Seattle, 2019
ISBN 10: 161593300X ISBN 13: 9781615933006
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. 'The first draft of the script is the first cut of the movie, and the final cut of the movie is the last draft of the script' - Quentin TarantinoEditing is what makes a movie a movie. Consulting with master film editors including Walter Murch, Juliette Welfling, Eddie Hamilton, and Anne V. Coates (whose insights and wisdom anchor the book), author Greg Loftin engagingly, smartly details the storytelling nuances and tricks screenwriters can learn from their film-editor peers. Cutting-room veterans have long maintained that visual juxtaposition fuels film storytelling. Over-lapped images spark fresh ideas in the minds of viewers, encouraging them to become active partners in your storytelling and discover your story for themselves. In later chapters, Writing for the Cut shows how we can bring our stories closer to the screen by writing not only with text, but with images and sounds. The screenwriter is taken deep into the edit suite to learn the secrets of the sizzle reel. 'The first draft of the script is the first cut of the movie, and the final cut of the movie is the last draft of the script' - Quentin Tarantino Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Michael Wiese Productions, US, 2019
ISBN 10: 161593300X ISBN 13: 9781615933006
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 24,99
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Aggiungi al carrelloPaperback. Condizione: New.
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 23,75
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Aggiungi al carrelloCondizione: New. 2019. Paperback. . . . . .
Condizione: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.
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Da: Ria Christie Collections, Uxbridge, Regno Unito
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.
Editore: Michael Wiese Productions, 2019
ISBN 10: 161593300X ISBN 13: 9781615933006
Da: Revaluation Books, Exeter, Regno Unito
EUR 23,44
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Aggiungi al carrelloPaperback. Condizione: Brand New. 135 pages. 9.00x6.00x0.50 inches. In Stock.
Editore: Michael Wiese Productions, 2019
ISBN 10: 161593300X ISBN 13: 9781615933006
Da: Revaluation Books, Exeter, Regno Unito
EUR 28,26
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Aggiungi al carrelloPaperback. Condizione: Brand New. 135 pages. 9.00x6.00x0.50 inches. In Stock.
Lingua: Inglese
Editore: Michael Wiese Productions, Seattle, 2019
ISBN 10: 161593300X ISBN 13: 9781615933006
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 29,69
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. 'The first draft of the script is the first cut of the movie, and the final cut of the movie is the last draft of the script' - Quentin TarantinoEditing is what makes a movie a movie. Consulting with master film editors including Walter Murch, Juliette Welfling, Eddie Hamilton, and Anne V. Coates (whose insights and wisdom anchor the book), author Greg Loftin engagingly, smartly details the storytelling nuances and tricks screenwriters can learn from their film-editor peers. Cutting-room veterans have long maintained that visual juxtaposition fuels film storytelling. Over-lapped images spark fresh ideas in the minds of viewers, encouraging them to become active partners in your storytelling and discover your story for themselves. In later chapters, Writing for the Cut shows how we can bring our stories closer to the screen by writing not only with text, but with images and sounds. The screenwriter is taken deep into the edit suite to learn the secrets of the sizzle reel. 'The first draft of the script is the first cut of the movie, and the final cut of the movie is the last draft of the script' - Quentin Tarantino Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 28,34
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Aggiungi al carrelloKartoniert / Broschiert. Condizione: New. Über den AutorrnrnGreg Loftin is a screenwriter. He wrote and directed his first feature film in 2007, the award-winning urban western Saxon. He is also course leader of the very first undergraduate program in film editing and postproductio.
Lingua: Inglese
Editore: Michael Wiese Productions Jun 2019, 2019
ISBN 10: 161593300X ISBN 13: 9781615933006
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 28,47
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - Editing is what makes a movie a movie. Consulting with master film editors including Walter Murch, Juliette Welfling, Eddie Hamilton, and Anne V. Coates (whose insights and wisdom anchor the book), author Greg Loftin engagingly, smartly details the storytelling nuances and tricks screenwriters can learn from their film-editor peers.Cutting-room veterans have long maintained that visual juxtaposition fuels film storytelling. Over-lapped images spark fresh ideas in the minds of viewers, encouraging them to become active part-ners in your storytelling and discover your story for themselves.In later chapters, Writing for the Cut shows how we can bring our stories closer to the screen by writing not only with text, but with images and sounds. The screenwriter is taken deep into the edit suite to learn the secrets of the sizzle reel.
Lingua: Inglese
Editore: Michael Wiese Productions, US, 2019
ISBN 10: 161593300X ISBN 13: 9781615933006
Da: Rarewaves.com UK, London, Regno Unito
EUR 22,26
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Aggiungi al carrelloPaperback. Condizione: New.
EUR 32,70
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Writing for the Cut | Shaping Your Script for Cinema | Greg Loftin | Taschenbuch | Kartoniert / Broschiert | Englisch | 2019 | Michael Wiese Productions | EAN 9781615933006 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.