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8° Leinen. Condizione: Gut. 272 Seiten Ausgetragenes Bibliotheksexemplar, Deckel mit beriebenen Ecken und ggfs. mit kratzspuriger Stelle, Seiten altersgemäß angedunkelt/stockfleckig, sonst sehr gut erhalten B05-03-06G Sprache: Deutsch Gewicht in Gramm: 250.

191 p. Linnen met stofomslag (Mooi exemplaar.).

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Condizione: New.

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Encuadernación de tapa blanda. Condizione: Nuevo. LOMBAERDE, P., ED.: HANS VREDEMAN DE VRIES AND THE "ARTES MECHANICAE" REVISITED. TURNHOUT, 2005, xii 260 p. figuras, 1024 gr. Encuadernacion original. Nuevo. (TB-1-4) 1024 gr. Libro.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. During the sixteenth century Antwerp was at the forefront of the Renaissance north of the Alps. Not only a new architectural style flourished in the Antwerp metropolis, but at the end of the sixteenth century sciences such as mathematics, optics, geometry and perspective became more and more important. They helped to redefine architecture and the other fine arts on a more scientific base. Their introduction in the arts at the beginning of the seventeenth century lead to new experiences, applications and even innovations in architecture. The Jesuit Order played a very crucial rule in this process. The realization of their new church in the centre of the city of Antwerp became one of the first attempts to bring together the applications of all those new ideas in one total project. Paintings by Peter Paul Rubens and sculptures by Hieronymus Duquenoy, Artus Quellinus etc. were participating in one of the first Early Baroque architectural realizations in the Low Countries. The Jesuit Church of Antwerp, actually the St Carolus Borromeus Church, was designed by Francois d'Aguilon, a scientist and architect of the Jesuit Order. His publication Opticorum Libri sex on optics and on the reflection of light was edited by the Officina Plantiniana in 1613, the same year he started his project for the church. This scientific and theoretical work helps us to understand the new experiences with light and space he experimented with. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time. The central question will be whether we can conclude that at the beginning of the seventeenth century the innovative sense of creating a new architecture, so typical for the sixteenth century in Antwerp, still persisted in this city during the early seventeenth century, and even lead to a new interpretation of architectural space in European context. During the sixteenth century Antwerp was at the forefront of the Renaissance north of the Alps. Not only a new architectural style flourished in the Antwerp metropolis, but at the end of the sixteenth century sciences such as mathematics, optics, geometry and perspective became more and more important. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Kartoniert / Broschiert. Condizione: New.

in 8, 1 vol, 592 p, br.

Condizione: New. 2008. 1st Edition. paperback. . . . . .

Condizione: New.

Condizione: New. 2008. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Paperback. Condizione: new. Paperback. During the sixteenth century Antwerp was at the forefront of the Renaissance north of the Alps. Not only a new architectural style flourished in the Antwerp metropolis, but at the end of the sixteenth century sciences such as mathematics, optics, geometry and perspective became more and more important. They helped to redefine architecture and the other fine arts on a more scientific base. Their introduction in the arts at the beginning of the seventeenth century lead to new experiences, applications and even innovations in architecture. The Jesuit Order played a very crucial rule in this process. The realization of their new church in the centre of the city of Antwerp became one of the first attempts to bring together the applications of all those new ideas in one total project. Paintings by Peter Paul Rubens and sculptures by Hieronymus Duquenoy, Artus Quellinus etc. were participating in one of the first Early Baroque architectural realizations in the Low Countries. The Jesuit Church of Antwerp, actually the St Carolus Borromeus Church, was designed by Francois d'Aguilon, a scientist and architect of the Jesuit Order. His publication Opticorum Libri sex on optics and on the reflection of light was edited by the Officina Plantiniana in 1613, the same year he started his project for the church. This scientific and theoretical work helps us to understand the new experiences with light and space he experimented with. It is the aim of this publication to bring together researchers to confront the results of their studies about the interpretation of the facade of this Counter-Reformation church, the phenomenon of diffuse light created by reflection and refraction on marble statues, pillars and multiple ornaments, the combination of linear and parallel perspective applications, the sacral and social use of space, the signification of the facade and towers as parts of a perspective scene in the city landscape and the relationship of Rubens's paintings with the Baroque interior. Special attention is also devoted to the School of Mathematics, installed in Antwerp by the Jesuits at that time. The central question will be whether we can conclude that at the beginning of the seventeenth century the innovative sense of creating a new architecture, so typical for the sixteenth century in Antwerp, still persisted in this city during the early seventeenth century, and even lead to a new interpretation of architectural space in European context. During the sixteenth century Antwerp was at the forefront of the Renaissance north of the Alps. Not only a new architectural style flourished in the Antwerp metropolis, but at the end of the sixteenth century sciences such as mathematics, optics, geometry and perspective became more and more important. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

pleine toile. in 8, 1 vol, 592 p, rel.

Couverture souple. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Architectura Moderna(ARCHMOD 11) The Notion of the Painter-Architect in Italy and the Southern Low Countries P. Lombaerde (ed.) XXIV+311 p., 258 b/w ill., 220 x 280 mm, 2014 ISBN: 978-2-503-54850-0 Languages: English Paperback The publication is available. Retail price: EUR 125,00 Since the time of Vitruvius, architects have been expected to have a broad knowledge of the arts and sciences. The need for good skills in sketching and working up drawings even led, from the sixteenth century onwards, to fierce debates on the meaning and status of 'disegno'. While Italy saw the emergence of famous painters who excelled as architects, also in the Southern Netherlands the notion that an architect must also have a mastery of the painter's art became widespread, owing in part to the dissemination of publications by Sebastiano Serlio and Pieter Coecke van Aelst. In the seventeenth century, Peter Paul Rubens was able to make his own contribution to this discussion as a consequence of his sojourns in Italy (1601-1608). Bringing together distinguished art and architecture historians from Europe and North America, this interdisciplinary approach will shed light on the interrelationship of architecture and painting in the Southern Netherlands. Piet Lombaerde is professor in theory and history of architecture and urbanism at the University of Antwerp, faculty of design sciences. His research interests cover the history of fortifications (1500-1900), urban history and the history of hydraulics. He is co-editor with Krista De Jonge (KU Leuven) of the series Architectura Moderna (Brepols Publisher) and author of several books on the history and theory of architecture and urban planning. ? Size: 220 x 280 Mm.