Lingua: Lingue multiple
Editore: Outsider Art Museum, 2016
ISBN 10: 9080604437 ISBN 13: 9789080604438
Da: Klondyke, Almere, Paesi Bassi
EUR 16,50
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Peerdeman, Kees (illustratore). Paperback, numerous (full page) illustrations in colour and b/w, text in Dutch and English, 8vo.; Shelfwear along edges and corners.
Da: Mooney's bookstore, Den Helder, Paesi Bassi
EUR 36,58
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very good. Peerdeman, Kees (illustratore).
Lingua: Olandese
Editore: Museum het Dolhuys: Geen plaats, 2017, 2017
ISBN 10: 9080604453 ISBN 13: 9789080604452
Da: Antiquariaat Fenix, Amsterdam, Paesi Bassi
EUR 40,00
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Peerdeman, Kees (illustratore). Geïllustreerd karton 124 pp. Lichte gebruikssporen aan omslag. 32.2x 21.5x1.9 cm. In zeer goede staat.
Da: Mooney's bookstore, Den Helder, Paesi Bassi
EUR 72,18
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very good. Peerdeman, Kees (illustratore).
Editore: Het Dolhuys, 2012
Da: Anywhere Out of the World, Manchester, Regno Unito
EUR 77,27
Quantità: 1 disponibili
Aggiungi al carrello
Lingua: Lingue multiple
Editore: Amsterdam Outsider Art Museum, 2019
ISBN 10: 9080604496 ISBN 13: 9789080604490
Da: Antiquariaat Digitalis, Amsterdam, Paesi Bassi
Prima edizione
EUR 75,00
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. 1st Edition. Folded softcover, 255p : illustrations (chiefly color), facsimiles ; 24 cm. Very good, light edge-wear to delicate paper wrappers. Text in Dutch and English. Immediately after the Second World War the artist and collector Jean Dubuffet embarked on his search for new, pure and spontaneous works of art, remote from the established order. On his journey he visited psychiatric institutions and prisons, created a networks of intellectuals, poets, painters and collectors. During his various encounters he collected works which in his opinion were the proof that this art form, the one produced by people with no specific education to art, deserved a place in the art world. Established assumptions, academic views and standards must be cast aside in favour of a new, pure and spontaneous art. This exhibition provides a reconstruction of the basic ideas of Art Brut, with reference to the works assembled by Dubuffet. Why did he purchase some works but not others? Which criteria did he use when collection work, and what information did he collect? And what became of the artists whose work he collected for his Compagnie de l'Art Brut?