lori cole (32 risultati)

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Boards and unclipped dust jacket in near fine condition. Binding tight and text clean. Looks like it was never read.

Paperback. Condizione: Near Fine. Clean and solid. ; Illustrations; 4to; 128 pages.

Condizione: New. Cole, Whitney (illustratore). In.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Paperback. Condizione: Near Fine. Still in shrinkwrap. ; Illustrations ; 4to; 128 pages.

PF. Condizione: New. Cole, Whitney (illustratore).

Paperback. Condizione: Brand New. 113 pages. 8.00x5.00x0.29 inches. In Stock.

Soft cover. Condizione: Good. Minor to moderate wear. Sticker and tape on front cover. Binding tight, pages clean. Pictures available upon request.

Paperback. Condizione: VG. White and red wraps with black lettering. 240 pp. Facsimiles. ".unearths a history of the modernist era as told self-reflexively by its protagonists.".

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fair. The Pennsylvania State University Press, 2017. Hardback, d/j, 4to, xiv,240pp. Slightly bumped. A good copy. 9780271080918 . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).

hardcover. Condizione: Very Good.

Condizione: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

Condizione: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

PAP. Condizione: New. Cole, Whitney (illustratore). New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: New.

PAP. Condizione: New. Cole, Whitney (illustratore). New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condizione: New. Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde.Questions such as "How do you imagine Latin America?" and "What should American art be?" issued by avant-garde magazines like Imán, a Latin American periodical based in Paris, and Cuba's Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of "America," particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like "American art," as well as "modernism" and "avant-garde," were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges.The book traces a genealogy of the genre from the Renaissance paragone, or "comparison of the arts," through the rise of enquêtes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists' and writers' understanding of themselves and their place in the world.Based on extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Cole's original and compellingly crafted work.

Hardcover. Condizione: new. Hardcover. Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde.Questions such as How do you imagine Latin America? and What should American art be? issued by avant-garde magazines like Iman, a Latin American periodical based in Paris, and Cubas Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of America, particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like American art, as well as modernism and avant-garde, were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges.The book traces a genealogy of the genre from the Renaissance paragone, or comparison of the arts, through the rise of enquetes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists and writers understanding of themselves and their place in the world.Based on extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Coles original and compellingly crafted work. Examines art and literature of the Americas through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Demonstrates how modernism and the avant-garde were debated at the very moment of their development and consolidation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Encuadernación de tapa blanda. Condizione: Nuevo. Condizione sovraccoperta: Muy bien. ¿Qué es un jardín? ¿Qué lugar ocupa en nuestras ciudades, nuestras casas, nuestros recuerdos? ¿Existe como tal, o es una construcción emocional? Estas y otras preguntas son las que hemos tratado de responder en este número, donde se muestran distintas aproximaciones al concepto del jardín. El jardín como espacio social y de reunión, pero también como lugar sagrado, como motivo estético, o como fuente de placer sensorial. En la intersección entre arquitectura, naturaleza intervenida, espacio comunitario, o pretexto ético, el jardín ocupa distintos lugares en la vida y el arte contemporáneo, pero siempre hay una idea que lo atraviesa: la mirada del que contempla, del que lo vive.

Hardcover. Condizione: Brand New. German language. 11.38x8.74x0.51 inches. In Stock.

Condizione: New. Cole, Whitney (illustratore). Print on Demand pp. 36.

Hardcover. Condizione: new. Hardcover. Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde.Questions such as How do you imagine Latin America? and What should American art be? issued by avant-garde magazines like Iman, a Latin American periodical based in Paris, and Cubas Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of America, particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like American art, as well as modernism and avant-garde, were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges.The book traces a genealogy of the genre from the Renaissance paragone, or comparison of the arts, through the rise of enquetes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists and writers understanding of themselves and their place in the world.Based on extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Coles original and compellingly crafted work. Examines art and literature of the Americas through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Demonstrates how modernism and the avant-garde were debated at the very moment of their development and consolidation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condizione: New. Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde.Questions such as "How do you imagine Latin America?" and "What should American art be?" issued by avant-garde magazines like Imán, a Latin American periodical based in Paris, and Cuba's Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of "America," particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like "American art," as well as "modernism" and "avant-garde," were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges.The book traces a genealogy of the genre from the Renaissance paragone, or "comparison of the arts," through the rise of enquêtes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists' and writers' understanding of themselves and their place in the world.Based on extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Cole's original and compellingly crafted work.

Condizione: New. Cole, Whitney (illustratore). Print on Demand pp. 36.

Condizione: New. Cole, Whitney (illustratore). PRINT ON DEMAND pp. 36.

Paperback. Condizione: New. Cole, Whitney (illustratore). This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Kartoniert / Broschiert. Condizione: New. Cole, Whitney (illustratore). Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnLilly and Henrietta are the best of friends. While Lilly is determined to be in the town s parade, she has more than a little trouble finding her talent. With Henrietta s help, Lilly realizes she is special just the way she is.