louis morin illustrator (5 risultati)

Condizione: Good. 4to, 20 x 26.5cm. Original wraps and board slipcase. Very good. One of 135 numbered copies .Luc Monod: Manuel De L'Amateur Livres Illustres Modernes 1875-1975, no. 3228.; OCLC Number / Unique Identifier:1009134425: "A Louise Lara."Written as a direct sequel to Molière's Le misanthrope; also in Alexandrine verse"Ce volume . a été achevé d'imprimer le Juin 1933, pour les lithographies originales de Louis Morin sur les presses de Desjobert, Imprimeur d'art à Paris et pour le texte dans le caractère "Française", corps 24, par Jean Hérissey, Maître-imprimeur à Evreux. Le tirage a été limité à 135 exemplaires, savoir: 120 exemplaires nominatifs numérotés de 1 à 120 pour les Membres de la Société et 15 exemplaires numérotés de I à XV destinés aux collaborateurs et au depôt légal. Il a été aussi tiré 15 suites des lithographies en noir et 10 suites en coleurs avec remarques, toutes justifiées et signées pa l'artiste." -- Colophon".

A charming livre d'artiste, the first of eleven published between 1904 and 1906 in the "Collection de l'Academie des Goncourt". THIS IS THE PUBLISHER'S COPY, aside from the edition of 350 numbered copies. Illustrated with a frontispiece portrait of the authors and ten charming original engravings (8 of which are full-page and hors-texte) by Louis Morin, a few lightly erotic. Beautifully printed in Auriol types (an art nouveau font) on fine wove paper. This copy includes: a complete set of page proofs, on the front of which Romagnol, the editor, has scrawled in ink his plan for the entire collection; two autograph letters signed by Morin to Romagnol, in which he discusses the illustrations for this book (and getting paid for them); 2 additional suites, in different states, of the eleven engravings in the book, including a suite in remarque state; 2 rejected engravings, each in 2 states (these are perhaps unique: according to the justification, no copies were issued with the "planches refusees"); a prospectus for the entire collection; 9 specimens of etchings by artists whose work would appear in the collection (Jouas, Vidal, etc.); a newspaper article (from Les annales politiques et litteraires, October 20, 1903) about the FIRST PRIX GONCOURT, which was to be given a few days later; and a newspaper ad announcing the Collection de l'Academie des Goncourt. 8vo. Book in original wraps, suites loose in wraps, as issued. Both are housed along with the other material in a contemporary custom-made cloth slipcase. In near fine to fine condition throughout. A unique item.

First edition of this lighthearted account of the typical Parisian Sunday, with superb etched vignettes by Lepère depicting picnics, rambles, cycling, drinking, dining and boating, complete with an original sketch for the first vignette, initialled by the artist. Number 50 of 250 copies. While Lepère is best known for his work in the revival of the woodcut in France, his immense talent in other media, including etching is attested by his many book illustrations. This deluxe copy, bound by Lenoë, has an inlaid engraved stone plaquette, evidently the work of Lepère, and perhaps an experimental or trial plate - its smooth surface has been incised in the manner of a woodcut (suggesting a soft stone like soapstone or alabaster) and inked. It depicts a tavern or dining room scene with diners, drinkers and a breastfeeding mother in the foreground. Large 8vo (258 × 170 mm), pp. [8], 213, [3], plus etched frontispiece and 40 head- and tailpieces, all present in an additional suite of the prints only, bound adjacent to the relevant pages. Plus an original pencil drawing by Lepère. Contemporary morocco by Charles Lanoë with cover inlay of an engraved white stone, inked (now with transverse crack), wide turn-ins with coloured floral onlays, brocade silk covered endpapers, gilt edges, slipcase, original wrappers bound in. Spine lightly sunned. Etched bookplates of Léon Comar and Henri Marcus. [Carteret IV, 294. 'Dernière et très belle publication de cet éditeur, très cotée. maintenant que le livre est très coté, on peur dire que c'est une des meillures et des plus pittoresques de l'artiste, la plus importante avec des eaux-fortes'.].

Paris, Ollendorf, Janvier 1900 - Oct./Jan 1901, in-12°, complete set bound in one volume, original wrappers of the four issues preserved, added an autograph letter of the editor. Contemporary half leather binding. Contains ca. 400 illustrations by the Artiste-Auteur Morin, coloriés sous sa direction (Carteret, IV, 294).

Paris, L'Artiste, Revue de l'Art Contemporain (éditeur), 1898, grande in-8°, (4)pp nn + 80 pp + (4)pp nn + 36 illustrations dont 11 planches hors-texte, broché, couverture originale illustrée. Tiré à 50 exemplaires tous sur papier de Chine (ceci le numéro 17). Parmi les illustrations hors-texte il y a comme planches originales; 2 gravures à la sanguine de Chéret, une eau-forte de Lepère, une gravure sur bois de Lepère, une eau-forte de Louis Legrand et trois vernis mou de Louis Legrand. Bel exemplaire de cette publication très rare illustrée avec des superbes vernis mou de Louis Legrand.