Louisa rose screenwriter (2 risultati)
Altre immaginiSisters (Two original photographs from the 1973 film)
Brian De Palma (director, screenwriter); Louisa Rose (screenwriter); Margot Kidder, Jennifer Salt, Charles Durning (starring)
Editore: American International Pictures [AIP], Los Angeles, 1973
- Foto
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 32,21
EUR 8,94 spedizioneSpedito in U.S.A.Quantità: 1 disponibile
Aggiungi al carrelloTwo vintage black-and-white still photographs from the 1973 US film. De Palma does "Rear Window" (sort of) in the breakthrough film that would signal his move toward both Hollywood and the psycho-sexual thrillers that would come to be his signature as much as his virtuosic visual style. Set and shot on location in New York City. 8 x 10 inches. Near Fine with some light toning. Arrow 919. Criterion Collection 89. Grant US. Spicer US.…
Altre immaginiPhantom of the Paradise (Eight original color lobby cards from the 1974 film)
Brian De Palma (director, screenwriter); Louisa Rose (screenwriter); William Finley, Paul Williams, Jessica Harper, Gerrit Graham (starring)
Editore: Twentieth Century-Fox, Los Angeles, 1974
- Manoscritto/carta da collezione
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 115,04
EUR 8,94 spedizioneSpedito in U.S.A.Quantità: 1 disponibile
Aggiungi al carrelloEight vintage color lobby cards from the 1974 film. One of the greatest and most garish rock musicals ever made, imposing a wild, psychedelic pop veneer on the "Phantom of the Opera" and Faust stories and updating them to the present-day of 1970s mega-record-label-dominated culture. Written and directed by De Palma at the beginning of his "classic" period of the 1970s and 1980s, on the heels of "Sisters" (1973). Singer Paul Williams is unforgettably, ambitiously nasty as Swan, the head of an evil conglomerate that ruins the life of young Winslow (William Finley), with a teeth-clenching opening narration by Rod Serling. Twentieth Century-Fox bought the film for two million dollars (the largest sum ever paid by the company for an independent film), but failed to properly market it, and the film did not reach a large audience. "Phantom" did please the critics, however, notably Pauline Kael, who called the film "a new Guignol, in a modern idiom, out of the Guignol of the past." Shot on location in Beverly Hills, California, and Dallas, Texas. 14 x 11 inches. Near Fine.…