loya shay (20 risultati)

Softcover. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Contents: Ferreira, The medieval fate of the Cantigas de Santa Maria: Iberian politics meets song. Stau, Schütz's Saul, Sal, was verfolgst du ich? and the politics of the Thirty Years War. Loya, Recomposing national identity: four transcultural readings of Liszt's Marche hongroise d'après Schubert. Gopinath and Schultz, Sentimenta remembrance and the amusements of forgetting in Karl and Harty's "Kentucky." Bakkan, et al., Colloquy: on the disability aesthetics of music. ; 9.25" tall; 297 pages. Very Good in No Dust Jacket dust jacket.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. BOUND IN PICTORIAL BOARDS, FEATURING PORTRAIT OF LISZT AND CLEAR TITLES TO FRONT COVER WITH CRITICISM TO REAR PANEL, THIS DATED 2011 HARDCOVER FIRST EDITION IS VG. SIGNED ON PRELIMS BY AUTHOR, WITH DEDICATION TO MICHAEL SHORT, WHO ALSO HAS SIGNED AND ADDED HIS RUBBER STAMP "MICHAEL SHORT ARCHIVE" TO FFEP. XV111/341pp WITH PRFACE, NOTES, INTRODUCTION, 7 CHAPTERS, SEVERAL MUSICAL QUOTATIONS AND TABLES, BIBLIOGRAPHY AND INDEX.CONDITION ALL VG. Signed by Author(s).

Condizione: New.

Condizione: New. In.

Hardback. Condizione: New. The first thorough study of Liszt's use of the musical style associated with the Hungarian Roma ["Gypsies"] in his renowned Hungarian Rhapsodies and less overtly Hungarian works.Some of Franz Liszt's most renowned pieces -- most famously his Hungarian Rhapsodies -- are written in a nineteenth-century Hungarian style known as verbunkos. Closely associated with the virtuosic playing tradition of theHungarian-Gypsy band, the meaning and uses of this style in Liszt's music have been widely taken for granted and presented as straightforward. Taking a novel transcultural approach to nineteenth-century modernism, Shay Loya presents a series of critiques and sensitive music analyses that demonstrate how the verbunkos idiom, rich and artful in itself, interacted in myriad ways with Liszt's multiple cultural identities, compositional techniques, and modernist aesthetics. Even supposedly familiar works such as the Rhapsodies emerge in a new light, and more startlingly, we find out how the idiom inhabits and shapes works that bear no outward marks of nationality or ethnicity. Particularly surprising is its role in the famously enigmatic compositions of Liszt's old age, such as Nuages gris and Bagatelle sans tonalité. We are pleased to announce that Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition is one of two winners of the 2014 Alan Walker Book Award, given by the American Liszt Society. Shay Loya is a Lecturer at City University London and is a board member of the Societyfor Music Analysis (UK).

Condizione: New.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 362 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. The first thorough study of Liszt's use of the musical style associated with the Hungarian Roma ["Gypsies"] in his renowned Hungarian Rhapsodies and less overtly Hungarian works.Some of Franz Liszt's most renowned pieces -- most famously his Hungarian Rhapsodies -- are written in a nineteenth-century Hungarian style known as verbunkos. Closely associated with the virtuosic playing tradition of theHungarian-Gypsy band, the meaning and uses of this style in Liszt's music have been widely taken for granted and presented as straightforward. Taking a novel transcultural approach to nineteenth-century modernism, Shay Loya presents a series of critiques and sensitive music analyses that demonstrate how the verbunkos idiom, rich and artful in itself, interacted in myriad ways with Liszt's multiple cultural identities, compositional techniques, and modernist aesthetics. Even supposedly familiar works such as the Rhapsodies emerge in a new light, and more startlingly, we find out how the idiom inhabits and shapes works that bear no outward marks of nationality or ethnicity. Particularly surprising is its role in the famously enigmatic compositions of Liszt's old age, such as Nuages gris and Bagatelle sans tonalité. We are pleased to announce that Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition is one of two winners of the 2014 Alan Walker Book Award, given by the American Liszt Society. Shay Loya is a Lecturer at City University London and is a board member of the Societyfor Music Analysis (UK).

Hardcover. Condizione: Brand New. 288 pages. 9.29x6.38x1.02 inches. In Stock.

Condizione: New. Print on Demand pp. 362.

Condizione: New. Print on Demand pp. 362 Illus.

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. PRINT ON DEMAND pp. 362.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisPrefaceIntroductionTranscultural ModernismVerbunkosIdentity, Nationalism, and ModernismModernism and AuthenticityListening to Transcultural Tonal PracticesThe Verbunkos Idiom in the Music of the Fut.

Buch. Condizione: Neu. Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition | Shay Loya | Buch | Einband - fest (Hardcover) | Englisch | 2011 | University of Rochester Press | EAN 9781580463232 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Some of Franz Liszt's most renowned pieces -- most famously his Hungarian Rhapsodies -- are written in a nineteenth-century Hungarian style known as verbunkos. Closely associated with the virtuosic playing tradition of the Hungarian-Gypsy band, the meaning and uses of this style in Liszt's music have been widely taken for granted and presented as straightforward. Taking a novel transcultural approach to nineteenth-century modernism, Shay Loya presents a series of critiques and sensitive music analyses that demonstrate how the verbunkos idiom, rich and artful in itself, interacted in myriad ways with Liszt's multiple cultural identities, compositional techniques, and modernist aesthetics. Even supposedly familiar works such as the Rhapsodies emerge in a new light, and more startlingly, we find out how the idiom inhabits and shapes works that bear no outward marks of nationality or ethnicity. Particularly surprising is its role in the famously enigmatic compositions of Liszt's old age, such as Nuages gris and Bagatelle sans tonalité.Shay Loya teaches at the University of Durham and is a board member of the Society for Music Analysis (UK).