lulay greg (11 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. 1st edition. Hardbound, no dust jacket.

Hardcover. Condizione: As New. No Jacket. 1st Edition. Still in shrink wrap.

First Edition. First edition. Hardcover. Exhibition catalog for a show that ran February 1 through March 31, 2007. Features text by Mark Rosenthal. Includes numerous color illustrations and catalogue notes by Alexandra Whitney. A clean and tight very near fine copy in paper covered boards with a cloth spine. No dust jacket as issued.

Hardcover. Condizione: Very Good. 1st Edition. 20 color plates, one fold-out. Issued in conjunction with a 2007 exhibition of selected artwork by German artist Joseph Beuys (1921-1986). With an essay by Mark Rosenthal. The catalogue features 20 specific pieces, with annotations after the illustrations. 66 pages. Very good clean copy,

Hardcover. Condizione: Very good. Hardcover. [68]pp. Very good hardback bound in publisher's cloth backed boards.

Hardcover without dustjacket as issued; unpaginated, very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Mit 26 (22 ganzseitigen, 2 doppelseitigen) farb. Abb. 66 n.n. S. (davon 2 gefaltet). Kl. 4°. OHLn. Gutes Exemplar. (480 Gr.) Sprache: englisch.

Leinen. Condizione: Sehr gut. 26x22cm; 133 S. Gewebe. Sprache: Englisch, überw. Ill. Zustand: Sehr Gut, eher ungelesen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

VG.near fine. hardcovers. no dj. without cuts or rubbings to any edges. collectable condition. no inscriptions or marginalia. delightful clean copy. from the personal collection of a dealer/collector. This catalogue presents numerous large paintings on canvas from the 1960s to the early 1980s, as well as small-scale paintings on paper, to which James Bishop turned exclusively in 1986 and which he continues to produce today. Throughout his career, James Bishop has engaged with European and American traditions of postwar abstraction while developing a subtle, poetic, and highly unique visual language of his own. Alternating between-and at times interweaving-painting and drawing, Bishop's works explore the ambiguities and paradoxes of material opacity and transparency, flatness and spatiality, as well as linear tectonics and loosely composed forms. Privileging the nuanced and expressive qualities of color and scale, Bishop's luminous works have been described by American poet and art critic John Ashbery as "half architecture, half air." Published to coincide with James Bishop's first solo presentation in New York since 1987, which was held at David Zwirner in New York in 2014, this volume includes works spanning the artist's prolific career. In addition, the book includes details and installation views, providing further context for understanding the artist's work. In the early 1960s, Bishop developed the vocabulary of color and form that would characterize his paintings on canvas for over twenty years: a reduced but rich palette, the employment of subtle architectonic abstractions, and a consistently large, square format that reinforces the viewer's sense of scale and space. By overlapping thin but radiant veils of monochrome color, Bishop creates discrete geometric frameworks that suggest doors, windows, cubes, or what the artist describes as an uncertain scaffolding.

Condizione: Sehr gut. Erstausgabe. Unpag., 4°, hardback, with colour ill., this catalogue accompanies the exhibition at Zwirner & Wirth Feb 18 - April 23 2005. Sprache(n)/language(s): deVery good condition.