Lydia hamlett (29 risultati)

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Buch. Condizione: Neu. Neuware - Painted interiors, narratives spilling over walls and ceilings, can unlock the sensory worlds of the British Isles in the 17th century. Lydia Hamlett explores how these paintings were designed to appeal to our emotions through the five senses, and reframes the British Baroque interior as an active, imaginative space. This book features stunning new photography by Sara Rawlinson, shining a light on the mural schemes of British royal palaces, town and country houses and public buildings of the Baroque period.Murals of this period served to educate, persuade and entertain, conveying messages on politics, virtue and morality in modes that were both tragic and comic. Architectural spaces were transformed into Olympian realms, Biblical settings, imagined landscapes or estates. Whilst there are hundreds of examples of Baroque mural paintings across the British Isles, only a fraction of them are intact today. They include James Thornhill's painted interiors for Chatsworth House, Derbyshire, Orazio and Artemisia Gentileschi's ceiling decorations for Marlborough House, London, and Antonio Verrio's cartoon for Burghley House, Lincolnshire, among many others.…

Taschenbuch. Condizione: Neu. Mural Painting in Britain 1630-1730 | Experiencing Histories | Lydia Hamlett | Taschenbuch | Englisch | Routledge | EAN 9781032474670 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.…

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book illuminates the original meanings of seventeenth- and early-eighteenth-century mural paintings in Britain.At the time, these were called 'histories'. Throughout the eighteenth century, though, the term became directly associated with easel painting and, as 'history painting' achieved the status of a sublime genre, any link with painted architectural interiors was lost. Whilst both genres contained historical figures and narratives, it was the ways of viewing them that differed. Lydia Hamlett emphasises the way that mural paintings were experienced by spectators within their architectural settings. New iconographical interpretations and theories of effect and affect are considered an important part of their wider historical, cultural and social contexts.This book is intended to be read primarily by specialists, graduate and undergraduate students with an interest in new approaches to British art of the seventeenth and eighteenth centuries. 192 pp. Englisch. …

Hardcover. Condizione: new. Hardcover. Painted interiors, narratives spilling over walls and ceilings, can unlock the sensory worlds of the British Isles in the 17th century. Lydia Hamlett explores how these paintings were designed to appeal to our emotions through the five senses, and reframes the British Baroque interior as an active, imaginative space. This book features stunning new photography by Sara Rawlinson, shining a light on the mural schemes of British royal palaces, town and country houses and public buildings of the Baroque period.Murals of this period served to educate, persuade and entertain, conveying messages on politics, virtue and morality in modes that were both tragic and comic. Architectural spaces were transformed into Olympian realms, Biblical settings, imagined landscapes or estates. Whilst there are hundreds of examples of Baroque mural paintings across the British Isles, only a fraction of them are intact today. They include the extensive painted interiors of Chatsworth House, Derbyshire; Orazio and Artemisia Gentileschis ceiling and Louis Laguerre's walls at Marlborough House, London; and Antonio Verrios enfilade at Burghley House, Lincolnshire, among many others. This book explores how British 17thcentury painted interiors were designed to appeal to our emotions through the five senses. It features stunning new photography of surviving interiors to shed new light on the mural schemes of British royal palaces, town and country houses and public buildings of the Baroque period. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book illuminates the original meanings of seventeenth- and early-eighteenth-century mural paintings in Britain.At the time, these were called 'histories'. Throughout the eighteenth century, though, the term became directly associated with easel painting and, as 'history painting' achieved the status of a sublime genre, any link with painted architectural interiors was lost. Whilst both genres contained historical figures and narratives, it was the ways of viewing them that differed. Lydia Hamlett emphasises the way that mural paintings were experienced by spectators within their architectural settings. New iconographical interpretations and theories of effect and affect are considered an important part of their wider historical, cultural and social contexts.This book is intended to be read primarily by specialists, graduate and undergraduate students with an interest in new approaches to British art of the seventeenth and eighteenth centuries.…

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book illuminates the original meanings of seventeenth- and early-eighteenth-century mural paintings in Britain.At the time, these were called 'histories'. Throughout the eighteenth century, though, the term became directly associated with easel painting and, as 'history painting' achieved the status of a sublime genre, any link with painted architectural interiors was lost. Whilst both genres contained historical figures and narratives, it was the ways of viewing them that differed. Lydia Hamlett emphasises the way that mural paintings were experienced by spectators within their architectural settings. New iconographical interpretations and theories of effect and affect are considered an important part of their wider historical, cultural and social contexts.This book is intended to be read primarily by specialists, graduate and undergraduate students with an interest in new approaches to British art of the seventeenth and eighteenth centuries. 192 pp. Englisch.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book illuminates the original meanings of seventeenth- and early-eighteenth-century mural paintings in Britain.At the time, these were called 'histories'. Throughout the eighteenth century, though, the term became directly associated with easel painting and, as 'history painting' achieved the status of a sublime genre, any link with painted architectural interiors was lost. Whilst both genres contained historical figures and narratives, it was the ways of viewing them that differed. Lydia Hamlett emphasises the way that mural paintings were experienced by spectators within their architectural settings. New iconographical interpretations and theories of effect and affect are considered an important part of their wider historical, cultural and social contexts.This book is intended to be read primarily by specialists, graduate and undergraduate students with an interest in new approaches to British art of the seventeenth and eighteenth centuries.…