Lynda jessup (44 risultati)

Condizione: Very Good. Paperback. Spine slightly crased, else very minimal shelf-wear. No notes or highlights. Used - Very Good.

Paperback. Condizione: As New. Unread paperback with light shelf wear so we are listing it as used.

Paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. 1st Edition. First edition. Paperback. 24.5 × 17cm, 223pp. Antimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, history, and feminist media studies explore antimodernism as an artistic response to a perceived sense of loss - in particular, the loss of 'authentic' experience. Embracing the 'authentic' as a redemptive antidote to the threat of unheralded economic and social change, antimodernism sought out experience supposedly embodied in pre-industrialized societies - in medieval communities or 'oriental cultures, ' in the Primitive, the Traditional, or Folk. In describing the ways in which modern artists used antimodern constructs in formulating their work, the contributors examine the involvement of artists and intellectuals in the reproduction and diffusion of these concepts. In doing so they reveal the interrelation of fine art, decorative art, souvenir or tourist art, and craft, questioning the ways in which these categories of artistic expression reformulate and naturalise social relations in the field of cultural production. Condition: This copy is in very good condition.…

Condizione: new.

Condizione: Good. Paperback. Spine is creased, else very good. No notes or highlights. Collectible - Good.

Condizione: New. 2014. paperback. . . . . .

Paperback. Condizione: New. At a moment when the discipline of Canadian art history seems to be in flux and the study of Canadian visual culture is gaining traction outside of art history departments, the authors of Negotiations in a Vacant Lot were asked: is "Canada" - or any other nation - still relevant as a category of inquiry? Is our country simply one of many "vacant lots" where class, gender, race, ethnicity, and sexual orientation interact? What happens to the project of Canadian visual history if we imagine that Canada, as essence, place, nation, or ideal, does not exist? The argument that culture is increasingly used as an economic and socio-political resource resonates strongly with the popular strategies of "urban gurus" such as Richard Florida, and increasingly with government policy. Such strategies both contrast with, but also speak to traditions of Canadian state support for culture that have shaped the national(ist) discipline of Canadian art history. The authors of this collection stand at the multiple points where national culture and globalization collide, however, suggesting that academic investigation of the visual in Canada is contested in ways that cannot be contained by arbitrary borders. Bringing together the work of scholars from diverse backgrounds and illustrated with dozens of works of Canadian art, Negotiations in a Vacant Lot unsettles the way we have used "nation" to examine art and culture and looks ahead to a global future. Contributors include Susan Cahill (Nipissing University), Mark A. Cheetham (University of Toronto), Peter Conlin (Academia Sinica, Taipei), Annie Gérin (Université du Québec à Montréal), Richard William Hill (York University), Kristy A. Holmes (Lakehead University), Heather Igloliorte (Concordia University), Barbara Jenkins (Wilfrid Laurier University), Alice Ming Wai Jim (Concordia University), Lynda Jessup (Queen's University), Erin Morton (University of New Brunswick), Kirsty Robertson (Western University), Rob Shields (University of Alberta), Sarah E.K. Smith (Queen's University), Imre Szeman (University of Alberta), and Jennifer VanderBurgh (Saint Mary's University).…

Condizione: New. Scholars in art history, anthropology, history, and feminist media studies explore Western antimodernism of the turn of the 20th century as an artistic response to a perceived loss of ?authentic? experience. Editor(s): Jessup, Lynda. Num Pages: 306 pages, 82 illustrations. BIC Classification: 3JJ; ACX; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 247 x 172 x 19. Weight in Grams: 600. . 2001. Paperback. . . . .…

Hardcover. Condizione: As New. Not Issued. First Edition. Color illus. paper covered boards. Slight erasure mark at top corner of front flyleaf, otherwise new. 320 pp., fully illus. A lovely production. Catalogue to accompany exhibition. Size: 4to - over 9¾" - 12" tall. Book.

Condizione: New. pp. 320.

Paperback. Condizione: New. Antimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, history, and feminist media studies explore antimodernism as an artistic response to a perceived sense of loss - in particular, the loss of 'authentic' experience. Embracing the 'authentic' as a redemptive antidote to the threat of unheralded economic and social change, antimodernism sought out experience supposedly embodied in pre-industrialized societies - in medieval communities or 'oriental cultures,' in the Primitive, the Traditional, or Folk. In describing the ways in which modern artists used antimodern constructs in formulating their work, the contributors examine the involvement of artists and intellectuals in the reproduction and diffusion of these concepts. In doing so they reveal the interrelation of fine art, decorative art, souvenir or tourist art, and craft, questioning the ways in which these categories of artistic expression reformulate and naturalise social relations in the field of cultural production. …

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: Brand New. 289 pages. 9.75x8.25x1.00 inches. In Stock.

Condizione: New. 2014. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: New. Scholars in art history, anthropology, history, and feminist media studies explore Western antimodernism of the turn of the 20th century as an artistic response to a perceived loss of ?authentic? experience. Editor(s): Jessup, Lynda. Num Pages: 306 pages, 82 illustrations. BIC Classification: 3JJ; ACX; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 247 x 172 x 19. Weight in Grams: 600. . 2001. Paperback. . . . . Books ship from the US and Ireland.…

Condizione: New. pp. 320.

Soft cover. Condizione: Near Fine. 1st. Corners gently rubbed, else fine. Weighs 601 grams. 25x17 cm, 220 p.

Condizione: New. In English.

Cloth. Condizione: Fine Condition. Condizione sovraccoperta: No Jacket, As Issued. 320 pages with 190 illustrations in color. Illustrated Boards. Published on the occasion of the exhibition from The Montreal Museum of Fine Arts, Montreal Québec June 18-September 27, 2009. Chronology. Biographical Notes. List of Figures. List of Works. Selected Bibliography. Book.…