mädchen uniform (14 risultati)

ROSS-Porträtkarte, eigenhändig signiert mit Jahr 1941 (verschiedene Motive vorhanden, Abbildung zeigt Muster).

FOTO, EIGENHÄNDIG SIGNIERT 60'er.

Albumblatt (1 S. quer 4°) in Tinte mit eigenhändiger Widmung, Empfehlung, Unterschrift signiert (um 1960) (dito : Frühes Porträtfoto (Postkartenformat um 1945), eigenhändig signiert Euro 30,-).

ROSS-Fotoporträtpostkarte, eigenhändig signiert (zwei verschiedene Motive vorhanden).

Fotoporträtpostkarte (phot. Dührkoop Berlin, ca.1960), in grüner Tinte eigenhändig signiert mit Empfehlung (dito : Albumblatt (1 S. kl. 8° mit aufgezogenem kleinen Illustriertenbild, um 1940) mit Empfehlung eigenhändig signiert Euro 20,-) (dito : Großes Albumblatt (1 S. kl. 4 to) mit ganzseitigem E.EINTRAG mit Datum 27.XI.56, Unterschrift signiert für das KURHAUS HAMM (aus Gästebuch) Ein Hoch für mich war - nach acht Jahren Zigeunerleben - der Tag und die Nacht in Ihrem Haus.rückseitig weitere Einträge aus einer Vorstellung der Bremer Gruppe DIE GRENZGÄNGER Euro 45,-).

ROSS-Fotoporträtpostkarte, in Tinte eigenhändig signiert.

FOTO, EIGENHÄNDIG SIGNIERT (Szene-GF).

ROSS-Fotoporträtpostkarte (mit Hund, 1938), mit Empfehlung eigenhändig signiert.

Fotoporträtpostkarte (um 1960) mit Ort: Berlin eigenhändig signiert.

Albumblatt in Tinte mit eigenhändiger Empfehlung, Datum, Unterschrift signiert - mit Fotoportraitpostkarte der Zeit unter dunkelgrünes Passepartout (1 S. 4°) gerahmt "Zur Erinnerung an MÄDCHEN IN UNIFORM - DOROTHEA WIECK 28.XI.58".

Original-Großfoto (23,5 x 15,5 cm, kl. Eckbug, rückseitig Fotografenstempel RUTH WILHELMI Berlin-Steglitz mit Adresse), in Tinte mit Empfehlung eigenhändig signiert ETHEL RESCHKE wünscht das ganze Jahr über : PROSIT ! - in : DAS ABGRÜNDIGE IN HERRN GERSTENBERG von Axel von Ambesser, Regie : ERICH ENGEL, Hebbel-Theater Okt. 1947 (RUTH WILHELMI (1904-77, deutsche Theater fotografin, Hausfotografin der Staatlichen Bühnen Berlin. 1943 wurde ihr Atelier bei einem Luftangriff zerstört. ).

Schneider, Romy (subject). Mädchen in Uniform photograph archive, 1958, documents early cinematic representation of same-sex desire in European film, focusing on one of the first narrative works to depict lesbian relationships within an institutional setting. The material provides primary visual evidence of how female intimacy, authority, and repression were portrayed on screen, supporting research into LGBTQ+ film history, censorship, and postwar European cultural production. Mädchen in Uniform (Girls in Uniform). Directed by Géza von Radványi. France / West Germany, 1958. Archive of 9 photographic items, including 8 original real photo postcards and 1 original photograph. The images prominently feature Romy Schneider in various roles and settings from the film, including portraits in school uniform and staged scenes emphasizing the regimented environment of the girls' institution. One Romanian-captioned postcard ("Fete in Uniforma") depicts Schneider in a masculine suit and bowtie, visually engaging with gender presentation and performance. Another image shows Schneider with fellow students leaning from a balcony, while a larger group scene presents rows of uniformed students with Schneider centered among them, reinforcing themes of conformity and individuality. A separate photograph features co-star Lilli Palmer in formal dress, highlighting contrasting adult authority figures within the narrative. The compositions emphasize costume, posture, and group arrangement, central to the film's depiction of discipline and emotional tension. This archive emerges from a period when LGBTQ+ themes were heavily regulated in international cinema, with Mädchen in Uniform continuing the legacy of its 1931 predecessor by presenting a same-sex relationship within a boarding school context. Its delayed release in the United States reflects the constraints of the Motion Picture Production Code, which limited explicit portrayals of homosexuality in American distribution. The film's inclusion in the Berlin International Film Festival underscores its recognition within global cinema despite such restrictions. Minor wear consistent with handling; overall very good condition. A cohesive visual record of early lesbian representation and gender expression in postwar European film.

GROßES KONVOLUT Nachlaß ihrer guten Freundin DOROTHEA WIECK (1908-86) : 10 E.GEDICHTE, jeweils eigenhändig bezeichnet u. signiert, meist 1 S. 4° : Gericht (1966), Der Schatten, La Strada (als Stipendiatin der AdK, Berlin 1967/68 , 2 SS. 4°) , Wartende 2) ca. 45 Orig.-Typoskripte von Gedichten u. Werken, tlw. signiert 3) 13 E.GEDICHTE in Reinschrift auf Bütten 4) 1 E.MANUSKRIPT Messe 14 SS. 4° 5) 3 Eigenhändige Briefe mit Datum, Unterschrift an ihre Freundin D. Wieck u.a. über ihre Kindheit Wir mussten 26 x umziehen.

Winsloe, Christa. Mädchen in Uniform (1931) stands among the earliest narrative films to portray romantic attachment between women and remains a foundational work in the history of LGBTQ cinema. Written by Christa Winsloe and directed by Leontine Sagan with production support from Carl Froelich, the German film centers on a girls' boarding school where emotional bonds between students and a female teacher challenge the rigid discipline of the institution. Actress Hertha Thiele played the central student role, and her performance became closely associated with the film's exploration of female same sex desire and youthful rebellion within an authoritarian educational environment. The surviving publicity photographs in this archive preserve visual documentation of Thiele's portrayal of the character whose emotional intensity helped make the film internationally recognized. Archive of six items associated with Mädchen in Uniform. Four photographic postcards measuring approximately 3.5 x 5.5 inches depict portraits of actress Hertha Thiele in costume from the film, presenting her in uniform with direct or contemplative gazes toward the camera. One small black and white photograph measuring approximately 1 x 2 inches also depicts Thiele. The archive additionally includes a German pamphlet measuring approximately 6 x 9 inches promoting another Thiele film titled Das Erste Recht des Kindes (The First Right of the Child). The postcards functioned as publicity images circulated during the early distribution of the film and emphasize Thiele's central role in the production. Mädchen in Uniform achieved international attention upon its release and became known for its frank portrayal of emotional intimacy between female characters during a period when cinematic depictions of homosexuality were rare. The film circulated widely outside Germany but also faced censorship concerns in some regions due to its subject matter. After the rise of the Nazi regime, the film was banned in Germany as culturally undesirable, and several individuals associated with the production faced persecution due to Jewish identity or opposition to the regime. Many prints were reportedly destroyed during this period, contributing to the film's later reputation as a landmark work preserved despite political repression. Hertha Thiele herself declined participation in Nazi propaganda films and maintained distance from the regime's cultural apparatus. Four photographic postcards, one small photograph, and one German film pamphlet. Minor edge wear consistent with early twentieth century photographic ephemera. Overall condition very good.