macconnel kim (23 risultati)

Soft Cover. Condizione: Very Good+. First Edition. 30 pages. Illustrated throughout with color plates. Essay by Kenneth E. Silver. Published in conjunction with an exhibition, July 19 - September 5, 1990. Tight binding, clean and crisp pages. A touch of very light shelf wear to wraps, with a faint trace of a paperclip to top of cover, otherwise better than Very Good. No inscriptions. Collectible. ; 4to.

Condizione: Very Good. Staplebound in card wraps. Very Good with light wear to covers and no marks to text. ; 8vo 8" - 9" tall; 30 pages.

Condizione: Very Good. Staplebound in card wraps. Very Good with light wear to covers and no marks to text. ; 8vo 8" - 9" tall; 30 pages.

Soft cover. Condizione: Near Fine. Art Exhibition Catalogue. Softcover, pictorial stiff wraps, 30 pp, color plates, slight edgewear to covers with previous owners stamp to ffep, else a clean and near fine copy.

Softcover. Condizione: Very Good. 1983. Glossy, illustrated paper covers; mild wear; 16mo, 5 3/4" to 6 3/4" tall; Interior is clean and unmarked; unpaginated.

Softcover. Condizione: VG-. Color wraps. 30 pp. 15 color plates. "Aspen Art Museum July 19 - September 5, 1990" title page. Includes bibliographical references (p. 27-30). Essay by Kenneth E. Silver.

Paperback. Condizione: Near Fine. First Edition. Softcover in illustrated wraps. Oblong 4to. First printing. Small crack at spine, else As New. Catalogue published to accompany an exhibit of MacConnel's work at the Santa Monica Museum of Art in fall 2003 (the show then traveled to the McNay Art Museum in San Antonio, Texas) . Texts by Michael Duncan, Amy Goldin, Robert Kushner, and MacConnel. All plates in color. 48 pp.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Softcover, 32 pages, very good condition, no internal marks, clean and crisp. (Blank white spine).

Vintage catalog for an exhibition held from June 6 through July 13, 1980, at Otis/Parsons Gallery in Los Angeles. Illustrated in black-and-white. Faint rubbing near the binding, else about Fine in saddle-stapled wrappers.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good. Black ink stamp inside bottom left corner inside front cover which reads "The Functional Art Store, P.O. Box 69800, Los Angeles, CA 90069." Light rubbing and yellowing of covers. Contents otherwise clean and unmarked.

24 pp.; 20.4 x 16.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 6 - July 13, 1980. Introduction by Hal Glicksman. Text by Howard Singerman. Artists include Al Aguilar, Charles Arnoldi, Billy Al Bengston, Scott Burton, John Chamberlain, Ron Cooper, Robert Mangurian, Guy Dill, Laddie John Dill, Paul Donin, Greg Ericson, Frank Gehry, Percy Gibbar, George Herms, James Isermann, Mark Keisermann, Kim MacConnel, Margaret Neilsen, Roland Reiss, Sheila W. Ross, Robert Schiffmacher, Eugene Sturman, Paula Sweet, Bob Wilhite, and Rita Yokoi. Includes an exhibition checklist. Very Good / Fine. 5 mm. yellow stain to recto. Light yellowing and rubbing to covers along spine edge. Contents clean and unmarked.

softcover. Condizione: Sehr gut. 31, (1) p. Sprache: Englisch Gewicht in Gramm: 96.

47 pp.; 25.4 x 21.6 cm.; staple bound; black-and-white & color; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 22 - December 12, 1982. Curated by Brooks Johnson and Thomas W. Styron. Artists include Mac Adams, John Ahearn, Thomas Barrow, Jean-Michel Basquiat, Paul Cava, Jay Coogan, Vernon Fisher, Keith Haring, Gerald Incandela, Michael Lucero, Kim MacConnel, Ann McCoy, Duane Michals, Donald Newman, Izhar Patkin, Doug Prince, Judy Rifka, David Salle, Italo Scanga, Julian Schnabel, Gary Stephan, Alan Vega, William Wegman, Lynton Wells and David White. Includes a bibliography and a checklist of the exhibition. Very Good. 3 cm. indentation to recto from a paper clip which carries through to first interior page. Embossing of cover from writing. Additional bumping of and rubbing of edges. Contents otherwise clean and unmarked.

Poster, measuring 24 x 18 inches; very good condition; machine folded 2 times into 4 sections; an unmailed copy. Will be mailed folded.

68 pp.; 27 x 20 cm.; sewn bound; black-and-white & color; edition size 1250; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 24 - June 5, 1988. Organized by Talitha Schoon, Karel Schampers, and Elbrig de Groot. Essay by Huub Mous. Artists include John Armleder, Richard Artschwager, Bazile Bustamante, Paul Beckman, Scott Burton, Kim MacConnel, Arch Connelly, René Daniëls, Günther Förg, Robert Gober, Jörg Immendorff, Neil Jenney, Donald Judd, Per Kirkeby, Imi Knoebel, Sol LeWitt, Ken Lum, Markus Lüpertz, Frank Mandersloot, Reinhard Mucha, A.R. Penck, Gerhard Richter, Reiner Ruthenbeck, Carel Visser, and Robert Wilson. Text in Dutch and English. Very Good. Light rubbing of cover edges. Light yellowing of page edges. Contents clean and unmarked.

Paperback. Condizione: As New. First Paperback Edition. Publisher: Art-Rite Publishing Co. New York, 1977. FINE- newsprint magazine in stapled paper wraps, as issued. Single artist issue featuring images by Kim MacConnel. First Softcover Edition, Presumed First Printing. Beautiful copy.

24 pp.; 26.5 x 20.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Issue number 17 of Art-Rite, edited by Walter Robinson and Edith deAk. Single artist issue featuring images by Kim MacConnel. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. Light yellowing of covers with yellow spotting along bottom edge of verso. Top staple has been partially torn from text block. 2 mm. fold to bottom right corner of recto. Contents clean and unmarked.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

60 pp.; 27.7 x 21.1 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; October / November 1977 issue of the periodical "Journal." Edited by Michael Auping. Contents include: "In Memorium: Mitchel David Duggan;" "A Conversation with George Herms," by Susan C. Larsen; "Notes on a Recent Project," by Helen and Newton Harrison; "Some Recent Legislation;" "Book Review," by Richard Armstrong; "A Dialogue with Raul Guerrero," by David Trowbridge; "Crepe de Chine," by Kim MacConnel; "A New-Found Career," by Martha Rosler; "Asians," by Hap Tivey and Melinda Wortz; "For Your Information" "The Visiting Artist," by Peter Plagens. Cover by John Baldessari featuring the artist's personal rubber stamp reading "I SUPPOSE SO." Reference : "John Baldessari Catalogue Raisonné, Volume Six: 2011 - 2019" by Patrick Pardo, Robert Dean, Michael Auping, Philipp Kaiser, David Platzker. New Haven, CT : Yale University Press, 2020, pp. 622. Very Good. Mailed copy with mailing marks and mailing wear and printed address sticker on verso. Edge wear along top edge of verso with a 2 mm. tear. 3 mm. tear to top edge of recto.Light fingerprint and yellow soiling of covers and light creasing near bottom corners of covers. Contents clean and unmarked.

10 x 13 in. cloth-bound clamshell case, housing cloth over boards book with screenprinted paper wrapper by Ann Agee. This gorgeous production, designed by Leah Roschke, pairs Ed Friedman's poetry with drawings by Kim MacConnel. Friedman's poems for Ideal Boy are also published, without drawings, in his collection, Two Towns (Hanging Loose Press, 2015). MacConnel's illustrations are drawn from Hong Kong copy books published in the 1970s by Nam San. The design of Ann Agee's covers, for which there are four variations, are derived from her "Guide Book" series, and the languages represented are Tamil, Urdu, Khemer, and Tajik. The text is composed in Minion and Futura, and both text and illustrations are printed offset lithography on Finch Fine Smooth. The book was smyth-sewn and casebound by Neyenesch Printers, with silkscreened wrapper on Shiramine papers. Printed by Neyenesch Printers in San Diego, California. This is no. 27 from an edition of 200 copies, signed by author, illustrator, and cover artist. As new.

Poster, measuring 23 x 31 inches; very good condition; printed on newsprint quality paper; which is browned; machine folded 6 times into 16 sections; an unmailed copy. Will be mailed folded.

[1] pp.; 44.4 x 65.8 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with "Artists Make Toys" held at The Clocktower, New York, January 1 - February 15, 1975. Image features a topless Hannah Wilke in a bed with a fully clothed Claes Oldenburg. Allegedly the image prompted the withdrawal and destruction of the exhibition catalogue and this poster for the show prior to its distribution. Artists included Laurie Anderson, Jared Bark, Bill Beckley, George Brecht, Trisha Brown, Chris Burden, Scott Burton, Tosh Carrillo, Enrique Castro-Cid, John Chamberlain, Angus Chamberlain, Cara Croninger, Brad Davis, Jean Depuy, Steve Gianakos, Charles Ginnever, Michael Goldberg, Peter Gourfain, James Grashaw, Marty Greenbaum, Red Grooms, Bob Grosvenor, Susan Hall, Susan Hartnett, Peter Hutchinson, Patrick Israel, Robert Israel, Kurt Kranz, Robert Kushner, Jeffrey Lew, Les Levine, Kim MacConnel, Christa Maiwald, Gordon Matta-Clark, Richard Mock, Ree Morton, Forrest Myers, Max Neuhaus, Richard Nonas, Claes Oldenburg, Dennis Oppenheim, Robert Owings, Gary Perkins, Howardina Pindell, Lucio Pozzi, Italo Scanga, Willoughby Sharp, Thomas Schmidt, Alan Shields, Charles Simonds, Marjorie Strider, George Sugarman, Don Sunseri, Mark di Suvero, Richard Tuttle, Richard Van Buren, Robert Watts, William Wegman, Susan Weil, Lawrence Weiner, Charles Wiley, William Wiley, Hannah Wilke and Joe Zucker. Fair / Poor. Light creasing and yellowing across poster with a 10.2 cm. dog-ear to top right corner and 4.8 cm. dog-ear to top left corner. Multiple tears to bottom left corner ranging from 2 mm. to 5.4 cm. with 1.5 cm. and 2 cm. areas of loss. 3 cm. area of loss to top left corner with additional tearing along poster edge and a 8 mm. and 1.5 cm. tear to center of poster. Curl to poster. Otherwise clean and unmarked.