Maki kaneko (29 risultati)

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. Hardcover, has a slight lean to the binding, mild bumps to the spine ends and cover corners, and a touch of rubbing to the covers. Overall, a Very Good+ copy in a like, unclipped dust jacket, which has light bumps to the spine ends and cover corners, and mild rubbing to the covers.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: new. Paperback. This book is the most comprehensive publication to date of Jimmy Tsutomu Mirikitani (19202012), a Japanese American artist raised in Hiroshima, Japan. From Nihonga (Japanese-style) paintings to intricate collage works crafted on the streets of New York, Mirikitanis art narrates a life shaped by war, displacement, survival, and collaboration. Drawing from the formal traditions of Japanese painting and the raw immediacy of urban materials, his poignant oeuvre offers a critical narrative of twentieth-century transpacific history and unexpected modes of transnational artistic exchange. This volume features 163 color illustrations alongside scholarly essays and reflections that frame Mirikitanis practice as both artistic achievement and political intervention. Maki Kanekos introduction situates the exhibition within the artists distinctive street Nihonga aesthetica collaged form of artmaking, storytelling, and community collaboration. Contributors Noriko Murai, Scott Tsuchitani, Yukinori Okamura, and Kris Ercums offer wide-ranging perspectives, including the transnational legacy of Nihonga, the memory politics of Japanese American incarceration, the evolving lineage of A-bomb art, and the curatorial process behind the exhibition. Linda Hattendorf and Masa Yoshikawa, Mirikitanis close friends and documentarians, provide intimate insights into his life and art. At once scholarly and inviting, Street Nihonga encourages readers to encounter Mirikitani not as an artist of the margins but as a radical reinterpreter of convention and a witness to histories often left untold. This catalogue remains open-endeda living collage and a call to engage with Mirikitanis extraordinary life and work. This book is the most comprehensive publication to date of Jimmy Tsutomu Mirikitani (19202012), a Japanese American artist raised in Hiroshima, Japan. From Nihonga paintings to intricate collage works crafted on the streets of New York, Mirikitanis art narrates a life shaped by war, displacement, survival, and collaboration. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Condizione: new.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 228 pages. 11.68x9.62x9.53 inches. In Stock.

Condizione: New.

Hardcover. Condizione: Good. Dust Jacket Included. English text.; Hardcover (with dust jacket).; 328 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket show edge wear, wear marks, scuffs and scratches on the front cover, spine and back cover. Edges bumped and slightly turning inwards. Interior with minor signs of wear.; Louis Art Museum's collection of Japanese military prints and related materials-one of the largest collections of such works in the world. The selected works in the exhibition and the catalogue are part of some 1,400 objects assembled by Charles and Rosalyn Lowenhaupt of St. Louis over the course of several decades and given to the Museum between 2004 and 2015. The objects in the Lowenhaupt Collection are mostly color woodblock prints, but the holdings also include paintings, lithographs, photographs, stereographs, books, magazines, maps, game boards, textiles, ceramics, toys, sketchbooks, and commemorative materials. In addition to two introductory objects from the Edo period (1615-1868), this extraordinary body of visual material chronicles Japan's rise as a modern nation from the beginning of the Meiji Restoration in 1868 through the aftermath of Pearl Harbor in 1942, focusing on the Sino- Japanese War (1894-1895) and the Russo-Japanese War (1904-1905). With meticulously researched explanatory texts and essays by leading scholars, Conflicts of Interest illuminates an important aspect of Japan's visual culture and the narratives it circulated for its citizens, allies, and enemies on the world stage. The catalogue is richly illustrated with more than 200 full-color images, with many print impressions and other works of art that are being published for the first time. A comprehensive bibliography brings together more than a century of international scholarship on the historical and cultural background of art and war in modern Japan. …

Paperback. Condizione: new. Paperback. This book is the most comprehensive publication to date of Jimmy Tsutomu Mirikitani (19202012), a Japanese American artist raised in Hiroshima, Japan. From Nihonga (Japanese-style) paintings to intricate collage works crafted on the streets of New York, Mirikitanis art narrates a life shaped by war, displacement, survival, and collaboration. Drawing from the formal traditions of Japanese painting and the raw immediacy of urban materials, his poignant oeuvre offers a critical narrative of twentieth-century transpacific history and unexpected modes of transnational artistic exchange. This volume features 163 color illustrations alongside scholarly essays and reflections that frame Mirikitanis practice as both artistic achievement and political intervention. Maki Kanekos introduction situates the exhibition within the artists distinctive street Nihonga aesthetica collaged form of artmaking, storytelling, and community collaboration. Contributors Noriko Murai, Scott Tsuchitani, Yukinori Okamura, and Kris Ercums offer wide-ranging perspectives, including the transnational legacy of Nihonga, the memory politics of Japanese American incarceration, the evolving lineage of A-bomb art, and the curatorial process behind the exhibition. Linda Hattendorf and Masa Yoshikawa, Mirikitanis close friends and documentarians, provide intimate insights into his life and art. At once scholarly and inviting, Street Nihonga encourages readers to encounter Mirikitani not as an artist of the margins but as a radical reinterpreter of convention and a witness to histories often left untold. This catalogue remains open-endeda living collage and a call to engage with Mirikitanis extraordinary life and work. This book is the most comprehensive publication to date of Jimmy Tsutomu Mirikitani (19202012), a Japanese American artist raised in Hiroshima, Japan. From Nihonga paintings to intricate collage works crafted on the streets of New York, Mirikitanis art narrates a life shaped by war, displacement, survival, and collaboration. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Condizione: New. In English.

Condizione: New. Maki Kaneko is Associate Professor in the Kress Foundation Department of Art History at the University of Kansas. She has published on Japanese and Japanese diaspora artists from the 1930s to the present, including Mirroring the Japanese Empire: T.

Condizione: New. pp. 288.

Condizione: New. pp. 288.

Taschenbuch. Condizione: Neu. Neuware - This book is the most comprehensive publication to date of Jimmy Tsutomu Mirikitani (1920-2012), a Japanese American artist raised in Hiroshima, Japan. From Nihonga ('Japanese-style') paintings to intricate collage works crafted on the streets of New York, Mirikitani's art narrates a life shaped by war, displacement, survival, and collaboration. Drawing from the formal traditions of Japanese painting and the raw immediacy of urban materials, his poignant oeuvre offers a critical narrative of twentieth-century transpacific history and unexpected modes of transnational artistic exchange.This volume features 163 color illustrations alongside scholarly essays and reflections that frame Mirikitani's practice as both artistic achievement and political intervention. Maki Kaneko's introduction situates the exhibition within the artist's distinctive 'street Nihonga' aesthetic-a collaged form of artmaking, storytelling, and community collaboration. Contributors Noriko Murai, Scott Tsuchitani, Yukinori Okamura, and Kris Ercums offer wide-ranging perspectives, including the transnational legacy of Nihonga, the memory politics of Japanese American incarceration, the evolving lineage of 'A-bomb art,' and the curatorial process behind the exhibition. Linda Hattendorf and Masa Yoshikawa, Mirikitani's close friends and documentarians, provide intimate insights into his life and art.At once scholarly and inviting, Street Nihonga encourages readers to encounter Mirikitani not as an artist of the margins but as a radical reinterpreter of convention and a witness to histories often left untold. This catalogue remains open-ended-a living collage and a call to engage with Mirikitani's extraordinary life and work. …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 2014 Brill hardcover edition. Light reading wear else very good condition. From the cover: In this groundbreaking study of a subject intricately tied up with the controversies of Japanese wartime politics and propaganda, Maki Kaneko reexamines the iconic male figures created by artists of yoga (Western-style painting) between 1930 and 1950. Particular attention is given to prominent yoga painters such as Fujita Tsuguharu, Yasui Sotarō, Matsumoto Shunsuke, and Yamashita Kiyoshi - all of whom achieved fame for their images of men either during or after the Asia-Pacific War. By closely investigating the representation of male figures together with the contemporary politics of gender, race, and the body, this profusely illustrated volume offers new insight into artists' activities in late Imperial Japan. Rather than adhering to the previously held model of unilateral control governing the Japanese Empire's visual regime, the author proposes a more complex analysis of the role of Japanese male artists and how art functioned during an era of international turmoil. Contents: 1 INTRODUCTION Framing Japanese 'War Art' New Studies on 'War Art' after the 1990s The Male Figure in Yoga The 'Men's World' of Yoga in the 1930s Chapter Organization 2 'JAPANESE' MEN ON DISPLAY: FUJITA TSUGUHARU'S CAMPAIGN-RECORD PAINTINGS Introduction A 'Japanese' Artist in Bohemian Paris Fujita's Return to Imperial Japan Campaign-Record Painting as Battle for Yoga Artists Representation of the Japanese Male Body Fujita's Deathly Battle Pictures in the Last Phase of the Japanese Empire In/Visibility of the Racial and Sexual 'Other' Conclusion 3 MODERN PORTRAITURE AS THE SITE OF BATTLE: YASUI SOTARO'S MALE PORTRAITS AND THE SHIRAKABA SCHOOL Introduction Yasui's 'Atypical' Male Portraiture in the 1930s and 40s Kojima Kikuo: Art Historian, Critic, and Arts Administrator Kojima's Evaluation of Yasui's Portraiture Yasui as an Artist of Male Portraits Negotiation and Formulation of Male Alliance through Portraiture Conclusion 4 ARTISTS AS MADMEN: YAMASHITA KIYOSHI AND MATSUMOTO SHUNSUKE'S 'DISABLED' BODIES Introduction Yamashita Kiyoshi and Wartime Society The Discourse of 'Insanity' and Art in Prewar Japan Art and 'Health' Policy in the 1930s 'The Living Painter': Matsumoto Shunsuke Matsumoto Shunsuke's Resistance to 'Abnormality' in Militant Japan Matsumoto's Bodily Representation of 'Health' and 'Manhood' Conclusion 5 CONCLUSION: MALE ICONS OF JAPAN'S 'LONG POSTWAR' The Persistence of Modernity: Yasui Sotaro The Resurrection of Wartime Memory: Yamashita Kiyoshi The Reconciliation with the Past: Fujita Tsuguharu The 'Discovery' of the Lone Protester: Matsumoto Shunsuke Endnotes Selected Bibliography Illustration Credits Index.…

Condizione: New. &Uumlber den AutorPhilip Hu, Rhiannon Paget, Sebastian Dobson, Maki Kaneko, Sonja Hotwagner, and Andreas MarksKlappentextPublished in conjunction with the exhibition Conflicts of Interest: Art and War in Mode.

Paperback. Condizione: new. Paperback. This book is the most comprehensive publication to date of Jimmy Tsutomu Mirikitani (19202012), a Japanese American artist raised in Hiroshima, Japan. From Nihonga (Japanese-style) paintings to intricate collage works crafted on the streets of New York, Mirikitanis art narrates a life shaped by war, displacement, survival, and collaboration. Drawing from the formal traditions of Japanese painting and the raw immediacy of urban materials, his poignant oeuvre offers a critical narrative of twentieth-century transpacific history and unexpected modes of transnational artistic exchange. This volume features 163 color illustrations alongside scholarly essays and reflections that frame Mirikitanis practice as both artistic achievement and political intervention. Maki Kanekos introduction situates the exhibition within the artists distinctive street Nihonga aesthetica collaged form of artmaking, storytelling, and community collaboration. Contributors Noriko Murai, Scott Tsuchitani, Yukinori Okamura, and Kris Ercums offer wide-ranging perspectives, including the transnational legacy of Nihonga, the memory politics of Japanese American incarceration, the evolving lineage of A-bomb art, and the curatorial process behind the exhibition. Linda Hattendorf and Masa Yoshikawa, Mirikitanis close friends and documentarians, provide intimate insights into his life and art. At once scholarly and inviting, Street Nihonga encourages readers to encounter Mirikitani not as an artist of the margins but as a radical reinterpreter of convention and a witness to histories often left untold. This catalogue remains open-endeda living collage and a call to engage with Mirikitanis extraordinary life and work. This book is the most comprehensive publication to date of Jimmy Tsutomu Mirikitani (19202012), a Japanese American artist raised in Hiroshima, Japan. From Nihonga paintings to intricate collage works crafted on the streets of New York, Mirikitanis art narrates a life shaped by war, displacement, survival, and collaboration. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Condizione: new.

Condizione: Fine. KOS01300267.

Condizione: Fine. The book is in fine condition.

Hardcover. Condizione: Brand New. 199 pages. 9.75x7.75x0.75 inches. In Stock.

Hardcover. Condizione: New.

Leiden - Boston. Brill, 2015. 25,5 x 19,5 cm. Hardcover with dustjacket. With illustrations in color and b/w. 199 pages. Condition: NEW [Art Art / Japanese ].