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Condizione: As New. Unread book in perfect condition.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condizione: New.

Paperback. Condizione: New. World Share: Installations by Pascale Marthine Tayou gives us a large-scale immersive environment that combines the artist's sculpture, drawings, and poetry with Fowler artworks. Assembled from a stunning diversity of materials and found objects, Tayou's art is characterized by an aesthetic of accumulation. He pierces Styrofoam with thousands of pins and razor blades, stacks hundreds of birdhouses against a wall, and adorns crystal glass figures with beads, plastic flowers, and feathers. This approach derives in part from the ways African sculpture is empowered with accumulations of materials to assert various kinds of religious, social, and political authority. Tayou uses this aesthetic to raise searching questions about inequalities of wealth and power in today's postcolonial, global context at the same time he explores the hidden, spiritual forces that infuse ordinary, everyday life in African cities.Pascale Marthine Tayou was born in Nkongsamba, Cameroon, and lives and works in Ghent, Belgium.…

Paperback. Condizione: New. World Share: Installations by Pascale Marthine Tayou gives us a large-scale immersive environment that combines the artist's sculpture, drawings, and poetry with Fowler artworks. Assembled from a stunning diversity of materials and found objects, Tayou's art is characterized by an aesthetic of accumulation. He pierces Styrofoam with thousands of pins and razor blades, stacks hundreds of birdhouses against a wall, and adorns crystal glass figures with beads, plastic flowers, and feathers. This approach derives in part from the ways African sculpture is empowered with accumulations of materials to assert various kinds of religious, social, and political authority. Tayou uses this aesthetic to raise searching questions about inequalities of wealth and power in today's postcolonial, global context at the same time he explores the hidden, spiritual forces that infuse ordinary, everyday life in African cities.Pascale Marthine Tayou was born in Nkongsamba, Cameroon, and lives and works in Ghent, Belgium.…

Paperback. Condizione: Brand New. 88 pages. 10.00x8.00x0.50 inches. In Stock.

Condizione: New. pp. 88.

Condizione: New. In English.

Condizione: New.

Condizione: New. pp. 88.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2018. Hardcover. . . . . .

Condizione: New.

Condizione: new.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. What does it mean to render the processes of making art-cutting, pasting, and projecting light-as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the context of South Africa's histories of change, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions.…

Condizione: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. What does it mean to render the processes of making art-cutting, pasting, and projecting light-as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the context of South Africa's histories of change, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions.…

Paperback. Condizione: New. World Share: Installations by Pascale Marthine Tayou gives us a large-scale immersive environment that combines the artist's sculpture, drawings, and poetry with Fowler artworks. Assembled from a stunning diversity of materials and found objects, Tayou's art is characterized by an aesthetic of accumulation. He pierces Styrofoam with thousands of pins and razor blades, stacks hundreds of birdhouses against a wall, and adorns crystal glass figures with beads, plastic flowers, and feathers. This approach derives in part from the ways African sculpture is empowered with accumulations of materials to assert various kinds of religious, social, and political authority. Tayou uses this aesthetic to raise searching questions about inequalities of wealth and power in today's postcolonial, global context at the same time he explores the hidden, spiritual forces that infuse ordinary, everyday life in African cities.Pascale Marthine Tayou was born in Nkongsamba, Cameroon, and lives and works in Ghent, Belgium.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: new. Hardcover. What does it mean to render the processes of making artcutting, pasting, and projecting lightas a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridges visual vocabulary and unorthodox methods of production in the context of South Africas history, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. In English.

Hardcover. Condizione: Brand New. 400 pages. 10.25x8.25x0.75 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - World Share: Installations by Pascale Marthine Tayou gives us a large-scale immersive environment that combines the artist's sculpture, drawings, and poetry with Fowler artworks. Assembled from a stunning diversity of materials and found objects, Tayou's art is characterized by an aesthetic of accumulation. He pierces Styrofoam with thousands of pins and razor blades, stacks hundreds of birdhouses against a wall, and adorns crystal glass figures with beads, plastic flowers, and feathers. This approach derives in part from the ways African sculpture is empowered with accumulations of materials to assert various kinds of religious, social, and political authority. Tayou uses this aesthetic to raise searching questions about inequalities of wealth and power in today's postcolonial, global context at the same time he explores the hidden, spiritual forces that infuse ordinary, everyday life in African cities.Pascale Marthine Tayou was born in Nkongsamba, Cameroon, and lives and works in Ghent, Belgium.…

Paperback. Condizione: New. World Share: Installations by Pascale Marthine Tayou gives us a large-scale immersive environment that combines the artist's sculpture, drawings, and poetry with Fowler artworks. Assembled from a stunning diversity of materials and found objects, Tayou's art is characterized by an aesthetic of accumulation. He pierces Styrofoam with thousands of pins and razor blades, stacks hundreds of birdhouses against a wall, and adorns crystal glass figures with beads, plastic flowers, and feathers. This approach derives in part from the ways African sculpture is empowered with accumulations of materials to assert various kinds of religious, social, and political authority. Tayou uses this aesthetic to raise searching questions about inequalities of wealth and power in today's postcolonial, global context at the same time he explores the hidden, spiritual forces that infuse ordinary, everyday life in African cities.Pascale Marthine Tayou was born in Nkongsamba, Cameroon, and lives and works in Ghent, Belgium.…

Buch. Condizione: Neu. Neuware - What does it mean to render the processes of making art--cutting, pasting, and projecting light--as a series of metaphors for how we think and how we live And why would an artist embark on such an enterprise This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the context of South Africa's history, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions.…

Hardback. Condizione: New. What does it mean to render the processes of making art-cutting, pasting, and projecting light-as a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridge's visual vocabulary and unorthodox methods of production in the context of South Africa's histories of change, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions.…

Hardcover. Condizione: new. Hardcover. What does it mean to render the processes of making artcutting, pasting, and projecting lightas a series of metaphors for how we think and how we live? And why would an artist embark on such an enterprise? This book considers how renowned artist William Kentridge spins the material operations of the studio into a web of politically astute and historically grounded metaphors, likening erasure to forgetting, comparing animation to the flux of history, and marshaling drawing as a form of nonlinear argument. Placing Kentridges visual vocabulary and unorthodox methods of production in the context of South Africas history, Leora Maltz-Leca explores studio process in all of its metaphoric and philosophical dimensions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…