Mannion elizabeth (80 risultati)

Condizione: very_good.

paperback. Condizione: Good. Crease on cover and a few pages*.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Hardcover. Condizione: Very Good.

Condizione: New.

Condizione: New. Brand New.

Paperback. Condizione: New. Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived. The essays collected here connect their immediate subjects - contemporary Irish crime writers - to Irish culture, literature, and history. Anchored in both canonical and emerging themes, this collection draws on established Irish studies discussions while emphasizing what is new and distinct about Irish crime fiction. Guilt Rules All considers best-sellers like Adrian McKinty and Liz Nugent, as well as other significant writers whose work may fall outside of traditional notions of Irish literature or crime fiction. The essays consider a range of themes - among them globalization, women and violence, and the Troubles - across settings and time frames, allowing readers to trace the patterns that play a meaningful role in this developing genre.…

Condizione: As New. Unread book in perfect condition.

Condizione: Good. Signed Copy . Signed by Robinson on his bookplate on rear cover. From the Art Reference Collection of wildlife artist and outdoorsman Alan James Robinson. This collection was used by Robinson to create his wonderful art and Cheloniidae Press books. (fishing, hunting, fundraiser, cystic fibrosis, CF). …

Condizione: New. Brand New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. 279 pages. 9.00x6.00x0.75 inches. In Stock.

Paperback. Condizione: new. Paperback. Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived. The essays collected here connect their immediate subjects - contemporary Irish crime writers - to Irish culture, literature, and history. Anchored in both canonical and emerging themes, this collection draws on established Irish studies discussions while emphasizing what is new and distinct about Irish crime fiction. Guilt Rules All considers best-sellers like Adrian McKinty and Liz Nugent, as well as other significant writers whose work may fall outside of traditional notions of Irish literature or crime fiction. The essays consider a range of themes - among them globalization, women and violence, and the Troubles - across settings and time frames, allowing readers to trace the patterns that play a meaningful role in this developing genre. Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. 2020. paperback. . . . . .

Condizione: New. In English.

Hardcover. Condizione: new. Hardcover. Irelands Abbey Theatre opened in 1904. Under the guidance of W. B. Yeats and Lady Augusta Gregory, it became instrumental to the success of many of the leading Irish playwrights and actors of the early twentieth century.Conventional wisdom holds that the playwright Sean OCasey was the first to offer a new vision of Irish authenticity in the people and struggles of inner-city Dublin in his groundbreaking trilogy The Shadow of a Gunman, The Ploughand the Stars, and Juno and the Paycock. Challenging this view, Mannion argues that there was an established tradition of urban plays within the Abbeyrepertoire that has long been overlooked by critics. She seeks to restore attention to a lesser-known corpus of Irish urban plays, specifically those that appeared at the Abbey Theatre from the theatres founding until 1951, when the original theatre was destroyed by fire. Mannion illustrates distinct patterns within this Abbey urban genre and considers in particular themes of poverty, gender, and class. She provides historical context for the plays and considers the figures who helped shape the Abbey and this urban subset of plays. With detailed analysis of box office records and extensive appendixes of cast members and production schedules, this book offers a rich source of archival material as well as a fascinating revision to the story of this celebrated institution. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2020. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Hardback or Cased Book. Condizione: New. The Contemporary Irish Detective Novel. Book.

Paperback. Condizione: Brand New. 279 pages. 9.00x6.00x0.75 inches. In Stock.

Condizione: New. Series: Irish Studies. Num Pages: 264 pages, illustrations. BIC Classification: 1DBR; 2AB; DSBH; DSG. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 19. Weight in Grams: 449. . 2014. Hardcover. . . . .

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good. 1st Edition. Paperback, xi + 168 pages, NOT ex-library. Interior is clean and bright throughout with unmarked text, free of inscriptions and stamps, firmly bound. Minor handling wear only. Straight spine. -- A collection of critical essays examining the remarkable rise of Irish detective fiction from its marginalised position in literary scholarship to its current status as a genre commanding international readership and serious academic attention. The volume opens with a substantial introduction tracing the history of Irish involvement in detective writing from the 19th-century sensation novel through to the contemporary boom, arguing that Irishness was for decades relegated to subtext or written out entirely before emerging as a defining strength of the genre in the 2000s. Individual chapters offer sustained readings of some of the most prominent figures in contemporary Irish crime writing, including Peter Tremayne's medieval Sister Fidelma mysteries, John Connolly's supernatural-inflected thrillers, Ken Bruen's hard-boiled Galway noir, Tana French's psychologically layered Dublin Murder Squad novels, Stuart Neville's Troubles fiction, Brian McGilloway's cross-border police procedurals, and the Quirke series written by John Banville under the pen name Benjamin Black. The contributors bring the detective novel into dialogue with broader concerns in Irish Studies - the legacy of the Troubles, post-Celtic Tiger austerity, clerical abuse, fractured families and male aggression - showing how the genre has become a vehicle for sustained engagement with Irish social and political life rather than mere entertainment. An appendix listing contemporary Irish detective series provides a useful reference point. The collection occupies important ground between genre studies and Irish literary criticism, and remains one of the few academic works to treat Irish crime fiction with the breadth and seriousness its cultural significance warrants.…

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 218 pages. 8.00x5.00x1.00 inches. In Stock.

PF. Condizione: New.

Condizione: New. In English.