Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Condizione: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects.
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Da: Coas Books, Las Cruces, NM, U.S.A.
Condizione: good. Dust jacket is worn. Hardcover.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. illustrated edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Lingua: Inglese
Editore: Smithsonian Institution, Washiington, 1996
ISBN 10: 1560987022 ISBN 13: 9781560987024
Da: Ultramarine Books, Brooklyn, NY, U.S.A.
Paperback. Condizione: Very Good. Washiington: Smithsonian Institution, 1996. 244 pages; catalogue of 106 "all known works", all illustrated in color or b&w. Born in Charlestown, S.C. in 1831 he beacame recognized as "one of the finest artists of our country". Exhibition at The North Carolina Museum of Art and the National Academy of Design. . Pictorial Wrapper (softcover). Very Good. Oblong 8vo. Exhibition Catalogue. Language: ENG.
Lingua: Inglese
Editore: El Museo del Barrio and Yale University Press, 2009
ISBN 10: 0300158963 ISBN 13: 9780300158960
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 288 pages; in English with Spanish at rear; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Lingua: Inglese
Editore: Smithsonian Books (DC) October 1996, 1996
ISBN 10: 1560987014 ISBN 13: 9781560987017
Da: Book People, Henrico, VA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Edition. First Edition/ First Printing, complete number line. A little shelf worn but looks unread. Some rippling to the back cover of the DJ.
Da: A Squared Books (Don Dewhirst), South Lyon, MI, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Washington, 1996; gray cloth covered boards; mild edge and corner wear; illustrated jacket with edge and corner wear; 8vo - over 7 3/4" to 9 3/4" tall; Interior is clean and unmarked; 244 pages. Additional shipping charges may be required.
Da: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condizione: Good. Condizione sovraccoperta: Good.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.
Da: Better World Books Ltd, Dunfermline, Regno Unito
EUR 9,41
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Da: Book Alley, Pasadena, CA, U.S.A.
hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. A very good hardcover in a very good dust jacket. No markings.
Lingua: Inglese
Editore: New York: George Braziller, 2006, 1980
ISBN 10: 1887149163 ISBN 13: 9781887149167
Da: Atlantic Bookshop, Brooklyn, NY, U.S.A.
Prima edizione
Soft cover. Condizione: Very Good. 1st Edition. Small 4to, flapped card covers, 192pp., ills. First edition/printing. VG+: clean, bright and sound. Extra postage may be asked (3).
Da: Reader's Corner, Inc., Raleigh, NC, U.S.A.
Prima edizione
Trade Paperback. Condizione: Fine. First Edition. This is a fine first edition paperback copy of the exhibition catalog of the 1996 North Carolina Museum of Art show held just down the road. MEDIA SHIPPING, may be extra for airmail.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Very Good condition in Very Good dust jacket. Clean interior. Light shelf and handling wear. 71 pp.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Very Good condition in Very Good dust jacket. Clean interior. Light shelf and handling wear.
Da: CorgiPack, Fulton, NY, U.S.A.
Hardcover. Condizione: New. Condizione sovraccoperta: Fine. Dust jacket condition: Fine. Preface and Acknowledgments by Washburn S. Oberwager In 1865 the American landscape painter Frederic Edwin Church and his wife, Isabel, traveled to Jamaica on a sojourn of recovery after the tragic deaths of their two young children Herbert and Emma. A time to mourn and escape from the constant reminders found at their home, Olana, the Churches' trip to Jamaica also provided ample inspiration for Frederic. The Olana Collection includes eight oil sketches, an ink drawing, and a pencil drawing Church made in Jamaica. Five of these oil sketches on paper Church chose to mount to canvas and frame for his and Isabel's enjoyment; over the years they have hung in different rooms at Olana. From these works, and others held by the Cooper-Hewitt, Church created two major studio oils, The Vale of St. Thomas, Jamaica, 1867 (the Wadsworth Atheneum) and The After Glow, 1867 (the Olana Collection). Within Church's oeuvre the studies of Jamaican sunsets, mountains, and foliage are particularly lovely. Church wrote of Jamaica: "The scenery is superb. I have accomplished a great amount of work--but there is so much to do that I am at a loss to decide day by day--what to paint." The 2010 exhibit at Olana will help explain Church's working process by showing Sunset Jamaica and the resulting studio work The After Glow together; it will include five works never before exhibited and reveal Church's interesting use of his photography collection both as an aide-memoire and as substrate for sketching. Fern Hunting among Picturesque Mountains includes forty-eight color illustrations, as well as essays by Elizabeth Mankin Kornhauser (on Church's Jamaica work) and Katherine Manthorne (about Church's friends and fellow artists who also traveled to Jamaica to paint). About the Author: Elizabeth Mankin Kornhauser is Krieble Curator of American Painting and Sculpture at the Wadsworth Atheneum. Katherine Manthorne is Professor of Art History at the Graduate Center, CUNY. Anthony Johnson is the Ambassador to the United States from Jamaica. 80 pages. Church, Frederic Edwin, 1826-1900--Exhibitions, Landscape painting, American--19th century--Exhibitions, Jamaica--In art--Exhibitions.
Da: Abyssbooks, Crestone, CO, U.S.A.
Hardcover. Condizione: Like New. Pristine in every way with only previous owner's ownership plate affixed to bottom of title page and not much larger than a postage stamp as only noted fault.
Da: Signedbookman, Aurora, IL, U.S.A.
Prima edizione
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. The book and jacket are in as new condition.
Lingua: Inglese
Editore: Smithsonian Institution Press, 1996
ISBN 10: 1560987022 ISBN 13: 9781560987024
Da: From Away Books & Antiques, Greenville, ME, U.S.A.
Soft cover. Condizione: New. NEW BOOK / SOFT COVER: Oblong Quarto. ( Published for The North Carolina Museum of Art by The Smithsonian Institution Press, 1996) Location: R 76.
Lingua: Inglese
Editore: Smithsonian Institution Press, Washington, DC, 1996
ISBN 10: 1560987014 ISBN 13: 9781560987017
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Condizione: VG/VG. Grey cloth. xi, 244 pp. 52 color, 157 bw plates. Published in conjunction with an exhibition which was held at the North Carolina Museum of Art from Oct. 20, 1996 to Jan. 19, 1997, which then traveled to the National Academy of Design. Landscape painter Louis Remy Mignot (1831-1870) was acclaimed during his lifetime as "one of the finest artists of our country." As a Catholic in a Protestant nation, a southerner in the North, and an American abroad, Mignot continually redefined himself in his paintings. His work displays a versatility and delicacy unsurpassed by his contemporaries. Fully illustrated, this first complete appraisal of Mignot's art reestablishes the prominence of a painter who all but disappeared from the annals of art after his death in 1870. Beginning with only fifteen known paintings, the authors retraced Mignot's life and have identified as his more than one hundred paintings and sketches in private collections and museums. The Landscapes of Louis Remy Mignot showcases for the first time the full spectrum of Mignot's diverse body of work. Encompassing snow scenes in Holland, New England farmscapes, views of the English countryside, and pre-Impressionist images of Paris, his chromatically nuanced portrayals of open, empty spaces, ruined buildings, and twilit skies reflect a melancholic sensibility that aligns him with intellectual romanticism. Contents as follows: Introduction: Mignot's Place in American Art -- 1. Louis Mignot and the Redefinition of Self -- 2. Roots and Influences: Mignot and Charleston / David Moltke-Hansen -- 3. Training at the Hague / Katherine Manthorne and Louisette W. Zuidema -- 4. Becoming an American Landscapist: Mignot in New York -- 5. In the Tropics -- 6. Hudson River School Successes -- 7. The Confederate Painter in Victorian Britain -- 8. Continental Ambitions -- Catalogue of Known Works / John W. Coffey -- Chronology / John W. Coffey.