Maranzano attilio (8 risultati)

Hardcover. Condizione: Fine. 1st Edition. First edition. A fine copy issued without a DJ. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #43. …

Hardcover. Condizione: New. **HARDBACK**.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. Presumed First Edition, First printing. The format is approximately 9.25 inches by 12.25 inches. Illustrated endpapers. Illustrations (many in color). Case Histories. Selected Bibliography (by David Platzker). Artist Biographies. Contributors. This is a large and very heavy book and if sent outside of the United States will require additional shipping charges. Claes Oldenburg (January 28, 1929 July 18, 2022) was a Swedish-born American sculptor best known for his public art installations, typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009. Oldenburg lived and worked in New York City. In the 1960s, Oldenburg became associated with the pop art movement and created many so-called happenings, which were performance art related productions of that time. The name he gave to his own productions was "Ray Gun Theater". The cast of colleagues who appeared in his performances included artists Lucas Samaras, Tom Wesselmann, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, art gallerist Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (19601970) Patty Mucha (Patricia Muchinski) who sewed many of his early soft sculptures, was a constant performer in his happenings. His brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, with "profound" expressions or ideas. But Oldenburg's spirited art found first a niche then a great popularity that endures to this day. From the early 1970s on, Oldenburg concentrated almost exclusively on public commissions. His first public work, Three-Way Plug came on commission from Oberlin College with a grant from the National Endowment for the Arts. His collaboration with Dutch/American writer and art historian Coosje van Bruggen dates from 1976. They were married in 1977, and continued to work collaboratively for 30 years, developing over 40 public pieces, which they called 'large-scale projects'. Oldenburg officially signed all the work he did from 1981 on with both his own name and van Bruggen's. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo in the Netherlands. This landmark publication chronicles the unique collaborative venture of the artists Claes Oldenburg and Coosje van Bruggen in a presentation of twenty-six of their large-scale projects---sculptures created in an architectural scale for urban landscapes from 1976 to 1994. Seen together for the first time are the recent Shuttlecocks for Kansas City, Missouri, and the Inverted Collar and Tie for Frankfurt am Main, Germany (both 1994) among others. Individual case histories, recounted from the personal viewpoints of van Bruggen and Oldenburg, detail the process of development of each of the works, form the time of a sculpture's commission, and the ensuing back-and-forth flow of ideas between the artists, through sketches and preliminary drawings to three-dimensional models and precise engineering plans, which lead to fabrication and installation. Attilio Maranzano (photographs) (illustratore). …

2 vol. : 584 pp. ; [1] pp.; 31.2 x 23.5 cm. (catalogue) ; 32.2 x 24 x 5.5 cm. (slipcase) ; 30.5 x 23 cm.; sewn bound; slipcase; black-and-white & color; edition size unknown; signed and numbered; offset-printed Catalogue raisonné of the large-scale projects of Claes Oldenburg and Coosje van Bruggen. Texts by Coosje van Bruggen, Susan P. Casteras, Vincent Scully, Gerhard Storck, Donald Judd and Richard Cork. Photographs by Attilio Maranzano. Includes a selected bibliography by David Platzker. Also includes a chronology of works, artists' biographies, and contributor biographies. "This landmark publication chronicles the unique collaborative venture of the artists Claes Oldenburg and Coosje van Bruggen in a presentation of twenty-six of their large-scale orojects -sculptures created in an architectural scale for urban landscapes from 1976 to 1994. Each large-scale project is shown as sited in full color photographs especially made for this book. A complete bibliography is provided for each of the works documented." -- publisher's statement. Very Good. Sunned slipcase. Book is in Fine condition. Signed by Claes Oldenburg and Coosje van Bruggen in pencil and numbered 244/250. Includes print. Print in this copy is signed and unnumbered. Printers notes written in pencil on verso of print. …

2 vol. : 584 pp. ; [1] pp.; 31.2 x 23.5 cm. (catalogue) ; 32.2 x 24 x 5.5 cm. (slipcase) ; 30.5 x 23 cm.; sewn bound; slipcase; black-and-white & color; edition size unknown; signed and numbered; offset-printed Catalogue raisonné of the large-scale projects of Claes Oldenburg and Coosje van Bruggen. Texts by Coosje van Bruggen, Susan P. Casteras, Vincent Scully, Gerhard Storck, Donald Judd and Richard Cork. Photographs by Attilio Maranzano. Includes a selected bibliography by David Platzker. Also includes a chronology of works, artists' biographies, and contributor biographies. "This landmark publication chronicles the unique collaborative venture of the artists Claes Oldenburg and Coosje van Bruggen in a presentation of twenty-six of their large-scale orojects -sculptures created in an architectural scale for urban landscapes from 1976 to 1994. Each large-scale project is shown as sited in full color photographs especially made for this book. A complete bibliography is provided for each of the works documented." -- publisher's statement. Very Good. Sunned slipcase. Book is in Very Good condition, with 9.4 area of soiling to title page. Signed by Claes Oldenburg and Coosje van Bruggen in pencil and numbered A.P. XXVI/L . Includes print with original protective envelope for print. Print is signed by Claes Oldenburg, numbered (A.P. XXVI/L) and dated in pencil. …

Gebonden, Hardcover, HB, 280 x 240 mm, 280 p, 170 illustrations; NL edition. ISBN 9782757209400. "Als er een kunstwerk was dat ik moest stelen uit een museum, dan was het wel Pornocrates van Felicien Rops," zei Jan Fabre in een interview in 2011. Namen, partner van Mons 2015, nodigt Jan Fabre uit voor een postume ontmoeting met Felicien Rops: een ongezien parcours langs musea en in de openlucht voert u mee op ontdekking in de gedurfde en begeesterende werelden van deze twee Belgische kunstenaars. De fictieve dialoog tussen Rops en Fabre zal de tijd uitdragen, bevragen en uitdagen. Ter gelegenheid van dit parcours zal Bernard-Henri Levy, auteur van de roman De laatste dagen van Charles Baudelaire (Les Derniers jours de Charles Baudelaire (Grasset, 1988), vanuit filosofisch standpunt de baudelairiaanse elementen in beide oeuvres ontcijferen. Gastcurator: Joanna De Vos, kunsthistorica. Met de filosofische blik van Bernard-Henri Levy. Een project gerealiseerd in het kader van Mons 2015, Culturele Hoofdstad van Europa. 0 g.…

0. 30 cm. 131 S., überw. Ill. Or.-Leinen., goldene Lettern., hint. Buchdeckel m. Illustr. sehr guter Zustand. Text dt. und engl. Sprache: Deutschu 1,300 gr.

Condizione: gut. Rops, Fabre, Facing Time In deutscher Sprache. pages.