Marc nichanian (53 risultati)

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Soft cover. Condizione: New. NICHANIAN, MARC Edebiyat ve felaket. Istanbul: Iletisim Yayinlari, 2018. 8vo., 264 p. Paperback. New ISBN: 9789750509728 CATALOG: Armenica KEYWORDS: Literature / Critics Armenians Armenian deportation Fransa, ABD ve Turkiye'de edebiyat alanindaki calismalariyla taninan Prof. Nichanian'dan "Felaket" sonrasi tanikliklari ve edebiyati ustune kapsamli bir arastirma. Yil 1909 Adana. Ermeni katliami. ve Zabel Yesayan. Yil 1915 Istanbul. Yaklasik 250 Ermeni aydin bir gecede gozaltina alinip Anadolu'ya gonderiliyorlar; sayilari 1,5 milyonu asan Ermenilerin "Felaket"i basliyor.Zabel Yesayan, Hagop Osagan, Daniel Varujan ve digerleri "Felaket"i anlatmanin yolunu edebiyatta buluyorlar. "Hakikati-olmayan" olayi, yani tarihteki yerini bulamamis olan olayi edebiyatla anlatiyorlar. Nichanian kitapta su sorunun cevabini ariyor: "Hakikati olmayan bir suc icin affetme olasiligi var midir?" Cevabi ise yine, bir "Felaket"ten kacmaya calisirken yaziya ve metne sarilan Walter Benjamin'de buluyor: "Manevi dunyanin tasarrufunda zamanin anlami. olabilecek en esrarli yoldan affetmeye ulasir, ancak hicbir zaman barismaya degil.".…

Couverture souple. Condizione: Très bon. In-8. 455 pages. Coll. "Fins de la philosophie".

Hardcover. Condizione: Brand New. 383 pages. 9.25x6.25x1.25 inches. In Stock.

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Hardback. Condizione: New. Genocide is a matter of law. It is also a matter of history. Engaging some of the most disturbing responses to the Armenian genocide, Marc Nichanian strikingly reveals the complex role played by law and history in making this and other genocides endure as contentious events. Nichanian's book argues that both law and history fail to contend with the very nature of events for which there is no archive (no documents, no witnesses). Both history and law fail to address the modern reality that events can be--and are now being--perpetrated that depend upon the destruction of the archive, turning monstrous deeds into nonevents. Genocide, this book makes us see, is in one sense the destruction of the archive. It relies on the historiographic perversion.…

Couverture souple. Condizione: Bon. Edition Originale. Broché, bon état, uniquement quelques passages surlignés, 478 p. AB 6.

Condizione: Gut. Bll. + 95 S. inkl. Impressum, u. mit Text u. graphische Abbildungen (Graffitis nach Felsmotiven). * DISSONANZE Collana d`arte e cultura / Series on art and culture / Collection d`art et de culture N° 1 Sprache: Französisch Gewicht in Gramm: 655 Gr.-4°, OIll.-LeichtKarton./Paperback oder Broschur (soft). Gutes Exemplar. Nicht häufig ! Erstauflage / Prima edizione / First edition.…

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Condizione: New. This is one of the most masterful, psychologically penetrating novels in Armenian diaspora literature. Published in 1967 at a time of political awakening among the descendants of survivors of the Armenian genocide, the novel explores themes of trauma, forg.

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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Hardcover. Condizione: Brand New. 216 pages. 8.30x5.60x1.20 inches. In Stock.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 420 p. Book.

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Hardback. Condizione: New. "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art? Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora.…

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Hardback. Condizione: New. Genocide is a matter of law. It is also a matter of history. Engaging some of the most disturbing responses to the Armenian genocide, Marc Nichanian strikingly reveals the complex role played by law and history in making this and other genocides endure as contentious events. Nichanian's book argues that both law and history fail to contend with the very nature of events for which there is no archive (no documents, no witnesses). Both history and law fail to address the modern reality that events can be--and are now being--perpetrated that depend upon the destruction of the archive, turning monstrous deeds into nonevents. Genocide, this book makes us see, is in one sense the destruction of the archive. It relies on the historiographic perversion.…

Hardback. Condizione: New. "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art? Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora.…

Hardcover. Condizione: new. Hardcover. "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora This book offers a monograph on the work of the Armenian poet Daniel Varuzhan (1884-1915), preceded by a general account of how Armenian national philology unfolded in the 19th century, under the influence of European orientalist philology and its two main inventions: the native and mythological religion. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Condizione: New. 2014. Hardcover. . . . . .

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Condizione: New. InhaltsverzeichnisIntroduction: The Names and the Archive 1. The Law and the Fact: The 1994 Campaign 2. Between Amputation and Imputation 3. Refutation 4. Testimony: From Document to Monument Conclusion: Shame and Testimony Against Histo.